Titres dans Afro-américaine

Cora is a slave on a cotton plantation in Georgia. All the slaves lead a hellish existence, but Cora has it worse than most; she is an outcast even among her fellow Africans, and she is approaching womanhood, where it is clear even greater pain awaits. When Caesar, a slave recently arrived from Virginia, tells her about the Underground Railroad, they take the perilous decision to escape to the North.

Ralph Elllison's Invisible Man is a monumental novel, one that can well be called an epic of modern American Negro life. It is a strange story, in which many extraordinary things happen, some of them shocking and brutal, some of them pitiful and touching—yet always with elements of comedy and irony and burlesque that appear in unexpected places. It is a book that has a great deal to say and which is destined to have a great deal said about it.

Seit Stunden belauern sie sich gegenseitig: das Alligatorenweibchen, das seine Jungen beschützen muss, und Gertrude, deren vier Töchter seit Tagen nichts gegessen haben. Ein Schuss fällt, doch er trifft nicht das Reptil - es gibt Schlimmeres als den Hunger. Auch Annie, die Plantagenbesitzerin, hat einen größeren Feind, als sie wahrhaben möchte. Ihren jüngsten Sohn kostete das bereits das Leben. Doch als Oretta, Annies schwarze Haushälterin und in erster Generation von der Sklaverei befreit, Gertrudes kranke neunjährige Tochter bei sich aufnimmt, finden diese drei Frauen, die unterschiedlicher nicht sein können, zusammen.

Having just celebrated her 26th birthday in 1976 California, Dana, an African-American woman, is suddenly and inexplicably wrenched through time into antebellum Maryland. After saving a drowning White boy there, she finds herself staring into the barrel of a shotgun and is transported back to the present just in time to save her life. During numerous such time-defying episodes with the same young man, she realizes she's been given a challenge.

A retired employee of the Illinois Department of Motor Vehicles, Mrs. Washington runs the mean, cold streets of Chi-town messing with all types of young thugs with multiple felonies. A widow for some time now, Vernita is determined to make up for her stale marriage. However, when a major health scare sets her back, she finds herself losing everything. Reality sets in that her time on Earth is about to come to a close. Now faced with a death sentence, Vernita seeks to live out her remaining days being the biggest old super freak.

Milkman Dead was born shortly after a neighborhood eccentric hurled himself off a rooftop in a vain attempt at flight. For the rest of his life he, too, will be trying to fly. As Morrison follows Milkman from his rustbelt city to the place of his family’s origins, she introduces an entire cast of strivers and seeresses, liars and assassins, the inhabitants of a fully realized Black world.

Shy, bookish, and admittedly awkward, Lily Greene has always felt inadequate compared to the rest of her accomplished family, who strive for Black excellence. She dreams of becoming a children’s books editor, but she’s been frustratingly stuck in the nonfiction division for years without a promotion in sight. Lily finds escapism in her correspondences with her favorite fantasy author, and what begins as two lonely people connecting over email turns into a tentative friendship and possibly something else Lily won’t let herself entertain—until he ghosts her without a word.

Carson McCullers was all of 23 when she published her first novel, The Heart Is a Lonely Hunter. She became an overnight literary sensation, and soon such authors as Tennessee Williams were calling her "the greatest prose writer that the South [has] produced." The Heart Is a Lonely Hunter tells an unforgettable tale of moral isolation in a small southern mill town in the 1930s.

En 1972, des ouvriers de Pottstown, Pennsylvanie, découvrent des restes humains au fond d’un puits. À Chicken Hill, quartier pauvre où se côtoient Juifs et noirs américains, l’identité du squelette et la manière dont il est arrivé là sont deux secrets bien gardés.

« B&B, il y a un petit gâteau noir dans le congélateur pour vous. Ne le jetez pas. Je veux que vous vous asseyiez ensemble et que vous partagiez ce gâteau. Vous saurez quand le moment sera venu.Je vous aime, Ma. » Ce sont les dernières volontés de la mère de Byron et Benny. Avec le gâteau, elle a laissé un enregistrement audio réalisé avant sa mort. Elle y livre l'histoire d'une jeune nageuse venue d'une île des Caraïbes, forcée de quitter son pays natal après avoir été accusée de meurtre.

He would do anything to protect her. For Hunter, guarding celebrities and moguls has always been easy, but watching over Zola could be the one job that ruins him. She's a different type of danger - the sort that could break his heart. Although they grew up together, in their adult years, they lost contact. Now, Zola is an up-and-coming runway model, and has a psychotic stalker who's been ransacking her apartment and sending threatening letters.

Eleanor Bennett won't let her own death get in the way of the truth. So when her estranged children - Byron and Benny - reunite for her funeral in California, they discover a puzzling inheritance. First, a voice recording in which everything Byron and Benny ever knew about their family is upended. Their mother narrates a tumultuous story about a headstrong young woman who escapes her island home under suspicion of murder, a story that cuts right to the heart of the rift that's separated Byron and Benny. Second, a traditional Caribbean black cake made from a family recipe.

It is the story of 11-year-old Pecola Breedlove--a black girl in an America whose love for its blond, blue-eyed children can devastate all others--who prays for her eyes to turn blue: so that she will be beautiful, so that people will look at her, so that her world will be different. This is the story of the nightmare at the heart of her yearning and the tragedy of its fulfillment.

In this blinding debut, Robert Jones Jr blends the lyricism of Toni Morrison with the vivid prose of Zora Neale Hurston to characterise the forceful, enduring bond of love and what happens when brutality threatens the purest form of serenity. The Halifax plantation is known as Empty by the slaves who work it under the pitiless gaze of its overseers and its owner, Massa Paul. Two young enslaved men, Samuel and Isaiah, dwell among the animals they keep in the barn, helping out in the fields when their day is done. But the barn is their haven, a space of radiance and love.

Nel and Sula's devotion is fierce enough to withstand bullies and the burden of a dreadful secret. It endures even after Nel has grown up to be a pillar of the black community and Sula has become a pariah. But their friendship ends in an unforgivable betrayal—or does it end? Terrifying, comic, ribald and tragic, Sula is a work that overflows with life.

Ella Simone’s popstar life is what dreams are made of. Her eight year marriage to renowned music producer, Elliot Majors, has helped garner the hits, awards, and adoring fans to prove it. But when Ella tires of Elliot's many infidelities, she decides to fight for her independence despite the ironclad prenup that threatens her career.

In the Nine Lands, only those of noble blood can summon the spirits of their ancestors to fight in battle. But when Temi, a commoner from the slums, accidentally invokes a powerful spirit, she finds it could hold the key to ending a centuries-long war. But not everything that can be invoked is an ancestor. And some of the spirits that can be drawn from the ancestral realm are more dangerous than anyone can imagine.

Yoshiro escaped a career of crime with the mafia after they killed his family. For five years, he's dropped out of life. All he wants this Christmas is to be left alone. Then, Ebony and her kids accidentally crash onto his property during a snowstorm. For three years, they've been running from her husband - who's been more monster than man. The storm picks up. They are forced to remain with Yoshiro until it dies down. And the threat of Ebony's monster remains, lurking within the shadows and threatening her safety. But Yoshiro knows all about death and blood.

Meet Maddie. To her mostly absent mum, she's Maame, the woman of the family. To her dad, she's his carer—even if he hardly recognises her. To her friends, she's the one who still lives at home, who never puts herself first. It's time to become the woman she wants to be. The kind who wears a bright yellow suit, says yes to after-work drinks and flirts with a 30-something banker. Who doesn't have to Google all her life choices. Who demands a seat at the table.