Résultats pour "roman roman" dans Études de genre

"La femme a toujours été, sinon l'esclave de l'homme, du moins sa vassale ; les deux sexes ne se sont jamais partagé le monde à égalité ; et aujourd'hui encore, bien que sa condition soit en train d'évoluer, la femme est lourdement handicapée. En presque aucun pays son statut légal n'est identique à celui de l'homme et souvent il la désavantage considérablement." Simone de Beauvoir

Pendant une heure de conversation, des femmes et quelques hommes parlent de ce qu'il se passe dans leur chambre, mais aussi dans leur tête, leurs corps et le monde autour d'eux. Ce qui les excite et les anime. Ils et elles racontent les interdits parentaux, la découverte du porno, l'initiation aux pratiques SM, la religion, le sang, les fluides, le strip-tease, les normes de la masculinité, la sexualisation des femmes dès l'enfance, le plaisir, les sextoys, les mensonges sur le plaisir féminin et le plaisir masculin. Leurs vérités. L'une d'elles gagne de l'argent en montrant son corps nu et en faisant croire aux hommes qu'elle les aime.

Luzia wächst in einer Gemeinschaft auf, die für ganz unterschiedliche Menschen eine Zuflucht bietet. Im »Haus« werden queere und platonische Formen von Liebe sowie geteilte Elternschaft gelebt. Später, als Erwachsene, kämpft Luzia als Theaterregisseurin gegen patriarchale Strukturen an und versucht, etwas zum Guten zu verändern. Ihre Jugendfreundin Marle verspürt mit Anfang vierzig einen starken Kinderwunsch und entscheidet sich für einen ungewöhnlichen Weg abseits von Beziehungen mit Männern.

One of ancient Rome's most significant legacies is a legal framework for hereditary slavery. Under the Roman principle that would come to be known as partus sequitur ventrem (the offspring follows the womb), enslaved women bore enslaved children regardless of the identity of the child's father. For centuries, across the globe, this legal doctrine was invoked to justify control over enslaved women's reproductive labor.

Testo illuminante e fondamentale per intere generazioni, esso ha origine nell’invito a tenere due conferenze sul tema "donne e romanzo" rivolto...

Augustus, Tiberius, Caligula, Claudius, and Nero - these are the names history associates with the early Roman Empire. Yet, not a single one of these emperors was the blood son of his predecessor. In this captivating history, a prominent scholar of the era documents the Julio-Claudian women whose bloodline, ambition, and ruthlessness made it possible for the emperors' line to continue. Eminent scholar Guy de la Bedoyere, author of Praetorian, asserts that the women behind the scenes - including Livia, Octavia, and the elder and younger Agrippina - were the true backbone of the dynasty.

'Pacy, witty and authoritative' Jonathan Freedland 'In her hands, ancient history becomes a vivid avenue of approach to a burning modern-world concern… a powerful and important book' Daily Telegraph A superb and illuminating history of Imperial Rome's most important women – dispelling the...

Belisarius and Antonina were titans in the Roman world some 1,500 years ago. Belisarius was the most well-known general of his age, victor over the Persians, conqueror of the Vandals and the Goths, and as if this were not enough, wealthy beyond imagination. She made a name for herself by...

Published in 1791, A Simple Story concerns Miss Milner, who announces her passion for her guardian, a Catholic priest, thereby breaking through the barriers of his religious vocation and society’s standards for proper female behaviour.

Before Jane Austen, there was Frances Burney (1752-1840). Camilla is her third novel and deals with the matrimonial concerns of a group of young people: Camilla Tyrold and her sisters, the sweet tempered Lavinia and the plain, but extremely kind, Eugenia, and their cousin, the beautiful Indiana Lynmere - and in particular, with the love affair between Camilla herself and her eligible suitor, Edgar Mandlebert. They have many hardships, however, caused by misunderstandings and mistakes, in the path of true love.

The intersection of motherhood and creative life is explored in these writings on mothering that turn the spotlight from the child to the mother herself. Here, in memoirs, testimonials, diaries, essays, and fiction, mothers describe firsthand the changes brought to their lives by pregnancy, childbirth, and mothering.

The Foxfire Magazine, a literary journal first published in 1967 in Rabun Gap, Georgia, was founded on the belief that stories and meaning could be found in Appalachian spaces, not only in classics such as Shakespeare. Filled with poetry and prose from local students and authors, the magazine also featured interviews with relatives and neighbors. These oral histories conducted by students from the Rabun Gap-Nacoochee School quickly became the star of the magazine. Now, pulled from the vast Foxfire archive, come twenty-one oral histories from southern Appalachian women.

Sie ist die Frau, der man nachsagt, dass sie kein Glück in der Liebe hat. Diejenige, die ihr Leben allein regelt: Die Frau ohne Begleitung. Als die Autorin feststellt, dass auch sie so eine geworden ist - ein weiblicher Langzeit-Single - ist die Erkenntnis ein Schock. Dann eine Befreiung. Und ein Ansporn, nicht nur für eine schonungslose Selbsterkundung, sondern auch für eine überfällige Spurensuche.

La historia acostumbra a construirse sobre paradojas. Este libro rescata una de ellas: cómo España consiguió aprobar el derecho al voto femenino en un encendido debate en el Congreso que tuvo lugar entre dos mujeres parlamentarias: Clara Campoamor y Victoria Kent, posicionadas a favor y en contra del sufragio universal.

Best known for her short story The Yellow Wallpaper, Charlotte Perkins Gilman, an almost exact contemporary of Edith Wharton, is celebrated as one of America’s foremost feminist writers. This collection includes 28 of her short stories. In addition to The Yellow Wallpaper are The Unexpected (her first published work), The Great Wistaria, An Extinct Angel, The Unnatural Mother and Deserted. These stories range from the subversive to the humorous, and are often imbued with satire and social commentary.

The kitchen is the beating heart of every home—but for one woman summoned to an empty house, it’s also the portal to a complicated past. Forced to confront her family’s dark history or risk perpetuating it for generations to come, the woman sets out to do what her mother and grandmother before her never could.

I know nothing. I am a tabula rasa, a blank sheet of paper, an unhatched egg. I have not yet become a woman, although I possess a woman's shape. Not a woman, no: both more and less than a real woman. Now I am a being as mythic and monstrous as Mother herself.... New York has become the City of Dreadful Night where dissolute Leilah performs a dance of chaos for Evelyn.

In this continuation of the story of Anne Shirley, Anne leaves Green Gables and her work as a teacher in Avonlea to pursue her original dream (which she gave up in Anne of Green Gables) of taking further education at Redmond College in Nova Scotia. Gilbert Blythe and Charlie Sloane enroll as well, as does Anne's friend from Queen's Academy, Priscilla Grant. During her first week of school, Anne befriends Philippa Gordon, a beautiful girl whose frivolous ways charm her.

Acclaimed author Lauren Slater ruminates on what it means to be family. Lauren Slater's rocky childhood left her cold to the idea of ever creating a family of her own, but a husband, two dogs, two children, and three houses later, she came around to the challenges, trials, and unexpected rewards of playing house. In these autobiographical pieces, Slater presents snapshots of domestic life, populating them with the gritty details and jarring realities of sharing home, life, and body in the curious institution called "family."

A naïve, recently divorced Canadian woman travels to San Jose in Mexico, where she is embraced by a party-loving group of expatriates who, fortified by margaritas, whirl from sexual encounters to experiments in the occult. But Claire, fascinated by the Mexicans and their joyful high spirits, falls in love with the country, and with the vibrant and mercurial Lolo, the man who represents for her the soul of Mexico.