Résultats pour "roman roman" dans Études de genre

Pendant une heure de conversation, des femmes et quelques hommes parlent de ce qu'il se passe dans leur chambre, mais aussi dans leur tête, leurs corps et le monde autour d'eux. Ce qui les excite et les anime. Ils et elles racontent les interdits parentaux, la découverte du porno, l'initiation aux pratiques SM, la religion, le sang, les fluides, le strip-tease, les normes de la masculinité, la sexualisation des femmes dès l'enfance, le plaisir, les sextoys, les mensonges sur le plaisir féminin et le plaisir masculin. Leurs vérités. L'une d'elles gagne de l'argent en montrant son corps nu et en faisant croire aux hommes qu'elle les aime.

Una habitación propia (A Room of One’s Own) es un ensayo fundamental de Virginia Woolf, publicado en 1929. En este texto, la autora reflexiona sobre el papel de las mujeres en la literatura y en la sociedad de su tiempo. A partir de unas conferencias que ofreció en 1928, Woolf plantea que, para que una mujer pueda escribir y desarrollar todo su potencial creativo, necesita independencia económica y un espacio propio, libre de interrupciones.

The intersection of motherhood and creative life is explored in these writings on mothering that turn the spotlight from the child to the mother herself. Here, in memoirs, testimonials, diaries, essays, and fiction, mothers describe firsthand the changes brought to their lives by pregnancy, childbirth, and mothering.

One of ancient Rome's most significant legacies is a legal framework for hereditary slavery. Under the Roman principle that would come to be known as partus sequitur ventrem (the offspring follows the womb), enslaved women bore enslaved children regardless of the identity of the child's father. For centuries, across the globe, this legal doctrine was invoked to justify control over enslaved women's reproductive labor.

Un retrato perspicaz y atrevido de la masculinidad contemporánea. Cualquier feminista que haya dialogado ante el público sobre las frustraciones y los lastres innatos a la aventura de ser mujer habrá tenido que enfrentarse alguna vez a la pregunta: «¿Y los hombres qué?». Y si la feminista en cuestión lleva años intentando convencer a ese público de que las preocupaciones de ambos sexos son cosas muy distintas, su respuesta automática, muy probablemente, habrá sido algo como: «¿Por qué me sacan este tema? ¡Yo soy feminista! ¡Mi especialidad son las mujeres! No me ocupo de… los otros».

'Pacy, witty and authoritative' Jonathan Freedland 'In her hands, ancient history becomes a vivid avenue of approach to a burning modern-world concern… a powerful and important book' Daily Telegraph A superb and illuminating history of Imperial Rome's most important women – dispelling the...

Belisarius and Antonina were titans in the Roman world some 1,500 years ago. Belisarius was the most well-known general of his age, victor over the Persians, conqueror of the Vandals and the Goths, and as if this were not enough, wealthy beyond imagination. She made a name for herself by...

Augustus, Tiberius, Caligula, Claudius, and Nero - these are the names history associates with the early Roman Empire. Yet, not a single one of these emperors was the blood son of his predecessor. In this captivating history, a prominent scholar of the era documents the Julio-Claudian women whose bloodline, ambition, and ruthlessness made it possible for the emperors' line to continue. Eminent scholar Guy de la Bedoyere, author of Praetorian, asserts that the women behind the scenes - including Livia, Octavia, and the elder and younger Agrippina - were the true backbone of the dynasty.

The Foxfire Magazine, a literary journal first published in 1967 in Rabun Gap, Georgia, was founded on the belief that stories and meaning could be found in Appalachian spaces, not only in classics such as Shakespeare. Filled with poetry and prose from local students and authors, the magazine also featured interviews with relatives and neighbors. These oral histories conducted by students from the Rabun Gap-Nacoochee School quickly became the star of the magazine. Now, pulled from the vast Foxfire archive, come twenty-one oral histories from southern Appalachian women.

Sie ist die Frau, der man nachsagt, dass sie kein Glück in der Liebe hat. Diejenige, die ihr Leben allein regelt: Die Frau ohne Begleitung. Als die Autorin feststellt, dass auch sie so eine geworden ist - ein weiblicher Langzeit-Single - ist die Erkenntnis ein Schock. Dann eine Befreiung. Und ein Ansporn, nicht nur für eine schonungslose Selbsterkundung, sondern auch für eine überfällige Spurensuche.

La historia acostumbra a construirse sobre paradojas. Este libro rescata una de ellas: cómo España consiguió aprobar el derecho al voto femenino en un encendido debate en el Congreso que tuvo lugar entre dos mujeres parlamentarias: Clara Campoamor y Victoria Kent, posicionadas a favor y en contra del sufragio universal.

Med sine tanker om kvinnen som selvstendig individ med økonomisk og arbeidsmessig uavhengighet, fikk boken en banebrytende betydning for kvinnefrigjørelsen, og er fortsatt et sentralt verk i feminismen og den feministiske litteraturkritikken. Tankene hennes blir gjennom undersøkelser av natur og institusjoner, besøk og middager, lagt fram med humor, sinne, ironi og skarpsindighet, og den historiske gjennomgangen av kvinnelige forfattere blir blandet med fiktive forestillinger.

Sophie Passmann ist Feministin und so gar nicht einverstanden mit der Plattitüde, der alte weiße Mann sei an allem schuld. Es wurde auch nie genau geklärt, was der alte weiße Mann eigentlich genau ist. Sie will wissen, was hinter diesem Klischeebild steckt und geht der Sache auf den Grund. Im Gespräch mit u.a.: Kai Diekmann, Kevin Kühnert, Robert Habeck, Sascha Lobo, Micky Beisenherz, Rainer Langhans, Peter Tauber, Christoph Amend und natürlich: Papa Passmann.

Egyptian-born and London-raised, Alya Mooro grew up between two cultures and felt a pull from both. Where could she turn for advice and inspiration when it seemed there was nobody else like her? Today, Mooro is determined to explore and explode the myth that she must identify either as ‘Western’ or as one of almost 400 million other ‘Arabs’ across the Middle East.

Hedwig Dohm (1831-1919) war eine deutsche Schriftstellerin, Frauenrechtlerin und eine der ersten feministischen Theoretikerinnen. Die Großmutter von Katia Mann, der Gattin Thomas Manns, war sie obendrein. Im Jahr 1903 veröffentlichte sie ihr Essay "Die Mütter", in dem sie auf vielfältige Weise unter anderem folgende Themen beleuchtet: das überladene Mutterideal; Einflüsse, die auf Kinder wirken; freie Berufswahl der Frau; Erziehungsfragen. Cover-Illustration von Lea Pfeiffer.

The kitchen is the beating heart of every home—but for one woman summoned to an empty house, it’s also the portal to a complicated past. Forced to confront her family’s dark history or risk perpetuating it for generations to come, the woman sets out to do what her mother and grandmother before her never could.

De las muchas criaturas fabulosas que han poblado la literatura y el cine, la mujer fatal es una de las más recurrentes y proteicas de los dos últimos siglos, si bien forma parte de una antigua estirpe que se remonta hasta la inconstante Helena clásica que motivó la guerra de Troya o la temeraria Eva bíblica que condenó a la humanidad entera.

Testo illuminante e fondamentale per intere generazioni, esso ha origine nell’invito a tenere due conferenze sul tema "donne e romanzo" rivolto...

Jacob's Room was the first of Virginia Woolf's novels to be published by the Hogarth Press, founded with her husband, Leonard Woolf, in their home at Hogarth House in Richmond in 1917. It is an episodic tale that attempts to evoke the inner life of Jacob Flanders and his social milieu during the first decade-and-a-half of the 20th century.

È possibile, oggi, non rinunciare al femminismo ma nemmeno alla femminilità? Ci sono molte cose che le ragazze contemporanee non vogliono più essere: non le spose sottomesse degli anni Cinquanta, tutte casa, cucina e marito, ma nemmeno le femministe arrabbiate degli anni Settanta, con i loro falò di reggiseni e l'odio per i maschi. Ci sono molte altre cose che le ragazze contemporanee sono già, invece: donne in carriera, politiche impegnate, esseri umani indipendenti nella gestione del proprio corpo e della propria vita sentimentale e sessuale.