Résultats pour "Vol. 1" dans Divertissement et arts du spectacle

In 1952, radio program creator Lawrence Klee brought The Chase to NBC radio. Developed as a psychological drama, the premise was that many life situations place their subjects in a chase of one type or another. A chase for fame. A chase from peril. A chase to beat the clock. A chase to escape death. The added twist was the question of, who is the hunter or the hunted in these situations? The scripts were fast-paced, starring top New York talent. The plots focused primarily on fear-inducing pursuits of one form or another.

Whitehall 1212 was the famous telephone number for Scotland Yard - the headquarters of the London Metropolitan Police Force - and also an exciting true crime drama from the golden age of radio! Whitehall 1212 was a crime drama that aired on NBC from 1951 until 1952. It was hosted by Chief Superintendent John Davidson, curator of the Black Museum, Scotland Yard’s repository of death. Similar to The Black Museum, starring Orson Welles, Whitehall 1212 dramatized true-crime cases solved by Scotland Yard.

The award-winning and critically acclaimed Wireless Theatre Company strives to keep radio theater alive and well. From the hilarious to the terrifying, this diverse collection features 10 Wireless Theatre productions in a single volume.

World War II changed the lives of many Americans. People moved from civilian careers to often radically different lives in the military. The Office of Strategic Services (OSS) was one of the most storied with its top-secret intelligence operations. Most OSS agents returned home to their normal lives after the war, but for some it wasn’t that easy. For Frank Race, the war changed his life, and he become a freelance troubleshooter and insurance investigator. Enjoy 16 of his exciting radio adventures.

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportions. It aired on CBS from 1942 to 1962, and is considered by many to be the best mystery/drama series of the Golden Age. Known as Radio’s Outstanding Theater of Thrills, it focused on suspenseful stories starring the biggest names in Hollywood. Enjoy 16 episodes from this incredible mystery series.

The Screen Director’s Playhouse came to NBC in 1949 and became one of the top drama anthologies featuring Hollywood actors reprising their screen roles a la Lux Radio Theater. The primary focus of the program was the original movie’s director, who not only served as a guest host but also participated in an interview towards the end of the broadcast. Unlike Lux, which featured Cecil B. DeMille as a regular host, The Screen Director’s Playhouse had a different director every week. Alfred Hitchcock, Frank Capra, and Lewis Milestone were among those appearing.

Benny’s radio and television shows entertained audiences for more than three decades and is generally regarded as the high-water mark in twentieth century American comedy.

The best comedy-novelty band of all time was at its peak when The Spike Jones Show (officially The Spotlight Revue, better known as The Coke Show) debuted on CBS, Friday, October 3, 1947. The show premiered in San Francisco where Spike and his City Slickers’ wacky Musical Depreciation Revue was holding forth at the Curran Theatre. The guest list here includes musical humorist Victor Borge (savaging “Clair de Lune” on the premiere), Tex Williams (doing his signature “Smoke Smoke Smoke”), Mel Torme and Frankie Laine.

Much like The Lux Radio Theater, The Screen Guild Players presented radio dramatizations of popular movies of the era, usually with the original film stars at the microphone. Condensing a full-length film story into a twenty-two-minute radio play presented considerable challenges to the writers (in 1950-51, the series was expanded to a full hour). Broadcast from 1939 until 1952 for sponsors Gulf Oil, Lady Esther Cosmetics, and Camel Cigarettes, nearly every major Hollywood star made an appearance, including Frank Sinatra, Humphrey Bogart, Joan Crawford, and more.

Many of the episodes, which included both original stories and adaptations, centered on a protagonist facing a life-or-death situation. Numerous actors made appearances on the show, including Elvia Allman, Eleanor Audley, Parley Baer, Harry Bartell, William Conrad, Ted de Corsia, John Dehner, Sam Edwards, Virginia Gregg, Lou Merrill, Howard McNear, Jeanette Nolan, Alan Reed, Bill Johnstone, Marvin Miller, Frank Lovejoy, Berry Kroeger, Vic Perrin, Elliott Lewis, Jack Webb, Peggy Webber, and Will Wright.

Here are 12 episodes of the horror and mystery series written and produced by radio announcers beginning in 1946. There were several series under the Hall of Fantasy banner, all produced by Richard Thorne. The first originated from radio station KALL in Salt Lake City. Richard Thorne and Carl Greyson were announcers for the station and coproduced the bare-bones horror series beginning in 1946. Written or adapted by Robert Olson and directed by Thorne, the stories were mostly murder mysteries with traditional endings.

Damon Runyon was a newspaperman and writer. He was best known for his short stories celebrating the world of New York City's Broadway that grew out of the Prohibition era. He created a little world of characters that live on even today in such classic movies as Little Miss Marker and Guys and Dolls, both based on Runyon's stories. Actor Alan Ladd's Mayfair Productions brought Runyon's short stories to radio in the early 1950s.

Rogue's Gallery was an old-time radio program starring Dick Powell as Richard Rogue, a private detective who trailed luscious blondes, protected witnesses, and did whatever else detectives do to make a living. What set this show apart from others in the genre was that midway through every episode, Rogue would invariably end up getting knocked out and spending his dream time in acerbic conversation on Cloud 8 with his subconscious self named Eugor - Rogue spelled backward.

Philo Vance is a fictional character featured in numerous crime novels written by S. S. Van Dine, published in the 1920s and 1930s, who was later revived in film and on radio and television. During that time Vance was immensely popular. He was portrayed as a stylish, even foppish dandy, a New York bon vivant with a highly intellectual bent - America's Sherlock Holmes. He worked closely with his secretary and right-hand woman, Ellen Deering, and his pal, John Markham, New York County district attorney.

Ozzie Nelson was Red Skelton's bandleader on the popular radio series The Red Skelton Show. Ozzie's wife, Harriet Hilliard, was Skelton's singer. When Skelton was drafted in March 1944, Ozzie was prompted to create his own family sitcom radio series. The Adventures of Ozzie & Harriet launched on CBS radio on October 8, 1944 and made a midseason switch to NBC in 1949. It starred Ozzie as the head of the Nelson household, which included his wife, Harriet, and their two boys, David and Ricky.

Produced in New York, Murder at Midnight came to ABC Radio in September of 1946 and featured horror stories with supernatural twists. Raymond Morgan, a former Long Island minister who had left the cloth for the excitement of radio, was the foreboding host who each week uttered the lines, "Midnight, the witching hour, when the night is darkest, our fears the strongest, and our strength at its lowest ebb. Midnight, when the graves gape open and death strikes."

Like Mike Hammer and Philip Marlowe, Shayne is a loner. Once happily married, Mike is devastated when his wife is suddenly and tragically murdered. Grief stricken, Shayne loses himself in his work as a private eye, prowling the dark streets of New Orleans, seeking out his style of revenge on injustice.

This collection contains 12 of the greatest Christmas radio shows ever broadcast during the golden age of radio!

A thoughtful look into Uwe Boll’s 11 films inspired by and based on video games, Mat Bradley-Tschirgi’s The Films of Uwe Boll, Vol. 1: The Video Game Movies (2003-2014) takes a deep dive into one of Hollywood’s most notorious directors starting from House of the Dead all the way up to In the Name of the King 3: The Last Mission. Bradley-Tschirgi’s knowing critique brings listeners a new appreciation into Boll’s many celluloid ventures where pixels and cinema collide!

माणसं भाग १