Résultats de "Black Eye Entertainment" dans Toutes les catégories

When real life husband and wife George Burns and Gracie Allen worked together in vaudeville, George was the comic and his wife Gracie had the straight lines. They switched their roles upon discovering that Gracie’s delivery got a bigger laugh than George’s punch lines. Eventually, they starred in a show as husband and wife, The Burns & Allen Show, which became a huge hit and eventually made a successful transition to television.

Movie star Alan Ladd played Dan Holiday, retired newspaperman turned fiction writer and adventurer extraordinaire. To gain ideas for his books, Holiday placed an ad in the Star-Times newspaper "Adventure wanted – will go anywhere, do anything – Box Thirteen." It wasn’t long before his Box Thirteen became jammed with adventures galore. Holiday always had more adventure than he had originally sought, because those who responded to his ad never revealed all of their glorious, unusual, and sometimes sinister details until they met in person.

The adventures of Captain Midnight came to radio in 1938. Our hero was Captain Jim “Red” Albright, a World War One U.S. Army pilot. His “Captain Midnight” code name was given to him by a general who sent him on a high-risk mission from which he returned precisely at the stroke of midnight. Albright was recruited by our government to head the Secret Squadron, an aviation-oriented paramilitary organization fighting sabotage and espionage during the period prior to the United States entering into World War Two. Captain Midnight and his Secret Squadron battled enemies including Ivan Shark, Baron von Karp, and more.

The Aldrich Family was a popular teenage situation comedy that was heard on radio and seen in films, television and comic books. The creation of playwright Clifford Goldsmith, teenager Henry Aldrich was an endearingly bumbling kid growing awkwardly into adolescence. Episodes revolved around Henry’s misadventures with girls, his family and his friends. Portrayed on radio by 20-something Ezra Stone, The Aldrich Family launched as a summer replacement program for Jack Benny in NBC’s Sunday night lineup, July 2nd, 1939, sponsored by Jell-O.

Jack Benny liked to portray himself as a skinflint but his generosity as a comic allowed other characters to get their fair share of laughs...usually at his expense. Benny got more laughs playing the straight man and didn’t care if he was the butt of the jokes. With his brilliant timing, smooth delivery, and trademark mannerisms, Benny was a huge influence on the development of the radio sitcom. References to Benny’s reputed stinginess, vanity, and infirmities were expected and weekly running gags established the program’s memorable characters.

The Whistler was one of radio’s top mystery programs airing from May 16, 1942 until September 22, 1955. Sponsored by the Signal Oil Company, The Whistler (Joseph Kearns, Gale Gordon, and Bill Forman) was an ominous narrator who knew the killer’s every move even before they did. The stories followed an effective formula in which a person's criminal acts were typically undone by their own missteps. The Whistler often commenting directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective.

Created by Don Quinn, the co-creator of Fibber McGee & Molly, The Halls of Ivy was a situation comedy series that ran on NBC radio from 1950 through 1952. Originally slated to star Gale Gordan and Edna Best, the lead roles went to British husband-and-wife actors Ronald and Benita Colman. The Colman’s were well versed at comedy and already a hit with radio fans having played Jack Benny’s next-door-neighbor on The Jack Benny Program for years. Ronald Colman played William Todhunter Hall, the urbane president of small, rural Ivy College.

In 1935, the DuPont Company chose to enhance its image by dramatizing great events in American history to an audience of millions each week on The Cavalcade of America. “Cavalcade” is a term used to describe pioneers who shaped the way America operates today. DuPont’s motto: “Maker of better things for better living through chemistry” was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

Reminiscent of Humphrey Bogart’s character “Rick Blaine” from the classic film Casablanca, Rocky Jordan was banished by enemies from St. Louis and relocated to Cairo, Egypt. Now living in Northern Africa, Rocky Jordan owns and operates his gin joint (the Café Tambourine) and finds an assortment of mystery and intrigue while unwillingly moonlighting as a crime fighter. Cairo‘s Police Chief, Sam Sabaaya, is an Egyptian Muslim who strictly adheres to the law. Often times, when a crime is committed, Jordan is the prime suspect - forcing him to solve the crime so he can clear his name and save his neck.

Created by Irving Brecher, The Life of Riley starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as an airplane riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, with Riley cheerfully disrupting life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate “what a revoltin' development this is!” became a popular catchphrase.

Radio westerns were aimed at kids until 1952 when Gunsmoke hit the radio airwaves. Produced for adult listeners, the stories were grim, the deaths brutal and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke and they made it the #1 western on radio. It soon made a successful transition to television becoming the longest-running dramatic series in TV history. Join William Conrad (U.S. Marshal Matt Dillon) in the continuing “story of the violence that moved west with young America and the story of a man who moved with it, Matt Dillon, United States Marshal.”

The detective character, Sam Spade, was created by Dashiell Hammett for his crime novel The Maltese Falcon. Spade was a hard-boiled detective with cold detachment, a keen eye for detail and unflinching determination to achieve his own justice. The character is most closely associated with Humphrey Bogart who played Sam Spade in the third and most famous film version of The Maltese Falcon. In 1946, one of radio’s top producers (William Spier) brought “Sam Spade” to CBS radio starring newcomer Howard Duff with Lurene Tuttle.

Broadway Is My Beat was a dark, gritty radio crime drama that ran on CBS from 1949 until 1954. The series was originally broadcast from New York with Anthony Ross portraying Times Square Police Detective Danny Clover. Produced by Lester Gottlieb, it was directed by John Dietz. By the thirteenth episode, the series moved to Hollywood (still set in NYC) with producer Elliott Lewis directing a new cast with scripts by Morton Fine and David Friedkin (the duo that would later write and develop TV’s popular secret-agent series I Spy).

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery/drama series of the golden age. Known as Radio's Outstanding Theater of Thrills, it focused on suspenseful stories starring the biggest names in Hollywood. Early in the run, the episodes were hosted by the 'Man In Black' who, from an omniscient perch, narrated stories of people thrown into dangerous or bizarre situations.

The Lux Radio Theatre was one of the most prestigious and longest running shows from Radio’s Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood’s best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts, although sometimes contracts or schedules meant that another actor took the part.

This collection contains 12 of the greatest Christmas shows ever broadcast during the Golden Age of Radio! Relive these classic Christmas shows from yesteryear and their legendary stars in this incredible collection.

Like its predecessor Dragnet, Tales of the Texas Rangers adapted actual police case files for its broadcasts. Leading each week's investigation of an actual Texas Ranger case was the same Texas Ranger, Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in present day, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn't have a regular partner, typically working with the local sheriff instead.

"The Falcon" radio series premiered in 1943, and continued until 1954. The Falcon was an alternate identity for detective Michael Waring. Like the Falcon movies, the radio plots mixed danger, romance and comedy in equal parts. Each show began with a telephone ringing and Michael Waring, The Falcon, answering the phone. Speaking with a woman whose voice was never heard, Waring would explain that he had an urgent situation in which he had to deal with. This led into the standard opening, followed by the week's tale of adventure.

Debonair British actor Herbert Marshall starred as FBl secret agent Ken Thurston, "the man who crosses the ocean as readily as you and I cross town; he is the man who fights today's war in his unique fashion, so that tomorrow's peace will make the world a neighborhood for all of us." Leon Belasco played Mr. X's comedic sidekick, Pagan Zeldchmidt, who always turned up in remote parts of the world to assist Thurston.

Taking its name from a popular series of mystery novels, Inner Sanctum Mystery debuted over NBC's Blue Network in January 1941. Inner Sanctum Mystery featured one of the most memorable and atmospheric openings in radio history: an organist hit a dissonant chord, a doorknob turned and the famous "creaking door" slowly began to open. Every week, Inner Sanctum Mystery told stories of ghosts, murderers and lunatics. Produced in New York, the cast usually consisted of veteran radio actors.