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This collection contains 12 of the greatest science-fiction shows ever broadcast during the Golden Age of Radio - including episodes of X Minus One, Suspense, The Lux Radio Theatre, Escape, Murder At Midnight, Dimension X, and many others. You’ll be entertained by master sci-fi writers: H. G. Wells, Frederic Brown, Henry Bates, Arch Oboler, H. Beam Piper and Robert Newman. Relive 12 of the best radio sci-fi shows from yesterday and the legendary stars that made them amazing in this incredible collection.

Versatile actor/comedian Jack Benny had a long career (1911-1974) and was truly a star of stage, screen, and radio. Recognized as a leading 20th-century American entertainer, Benny often portrayed his character as a miser, playing violin poorly, and claiming to be no older than 39, regardless of his actual age. His radio and television programs, popular from 1932 until his death in 1974, were a major contribution to the sitcom genre. We’ve carefully chosen 11 radio episodes starring Jack Benny from our master archives for this collection.

This collection contains 12 of the greatest Christmas shows ever broadcast during the Golden Age of Radio! You’ll hear Edmund Gwenn and Natalie Wood reprising their roles from Miracle on 34th Street; Dick Powell as Detective Richard Diamond narrating A Christmas Carol; Eve Arden in a yuletide comedy on Our Miss Brooks; Hal Peary as The Great Gildersleeve; Joel McCrea as lawman Jase Pearson on Tales of the Texas Rangers; Jim & Marian Jordan as Fibber McGee & Molly plus many more!

When real life husband and wife George Burns and Gracie Allen worked together in vaudeville, George was the comic and his wife Gracie had the straight lines. They switched their roles upon discovering that Gracie’s delivery got a bigger laugh than George’s punch lines. Eventually, they starred in a show as husband and wife, The Burns & Allen Show, which became a huge hit and eventually made a successful transition to television.

Movie star Alan Ladd played Dan Holiday, retired newspaperman turned fiction writer and adventurer extraordinaire. To gain ideas for his books, Holiday placed an ad in the Star-Times newspaper "Adventure wanted – will go anywhere, do anything – Box Thirteen." It wasn’t long before his Box Thirteen became jammed with adventures galore. Holiday always had more adventure than he had originally sought, because those who responded to his ad never revealed all of their glorious, unusual, and sometimes sinister details until they met in person.

The adventures of Captain Midnight came to radio in 1938. Our hero was Captain Jim “Red” Albright, a World War One U.S. Army pilot. His “Captain Midnight” code name was given to him by a general who sent him on a high-risk mission from which he returned precisely at the stroke of midnight. Albright was recruited by our government to head the Secret Squadron, an aviation-oriented paramilitary organization fighting sabotage and espionage during the period prior to the United States entering into World War Two. Captain Midnight and his Secret Squadron battled enemies including Ivan Shark, Baron von Karp, and more.

The Whistler was one of radio’s top mystery programs airing from May 16, 1942 until September 22, 1955. Sponsored by the Signal Oil Company, The Whistler (Joseph Kearns, Gale Gordon, and Bill Forman) was an ominous narrator who knew the killer’s every move even before they did. The stories followed an effective formula in which a person's criminal acts were typically undone by their own missteps. The Whistler often commenting directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective.

In 1935, the DuPont Company chose to enhance its image by dramatizing great events in American history to an audience of millions each week on The Cavalcade of America. “Cavalcade” is a term used to describe pioneers who shaped the way America operates today. DuPont’s motto: “Maker of better things for better living through chemistry” was read at the beginning of each program, and the dramas emphasized humanitarian progress, particularly improvements in the lives of women, often through technological innovation.

Created by Irving Brecher, The Life of Riley starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as an airplane riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, with Riley cheerfully disrupting life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate “what a revoltin' development this is!” became a popular catchphrase.

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the people of Wistful Vista, a set of regular players and characters.

Radio westerns were aimed at kids until 1952 when Gunsmoke hit the radio airwaves. Produced for adult listeners, the stories were grim, the deaths brutal and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke and they made it the #1 western on radio. It soon made a successful transition to television becoming the longest-running dramatic series in TV history. Join William Conrad (U.S. Marshal Matt Dillon) in the continuing “story of the violence that moved west with young America and the story of a man who moved with it, Matt Dillon, United States Marshal.”

Author Jack Boyle created the modern Robin Hood-like character, Horatio Black, known to friend and foe as Boston Blackie. Blackie was a reformed jewel thief and safecracker, constantly suspected of crimes he did not commit. Forced to defend himself against the accusations of New York Police Inspector Faraday, Blackie always managed to stay one step ahead of the cops in solving a crime. The wisecracks exchanged between Blackie and Faraday made the program an enjoyable mix of comedy and mystery. Enjoy 12 of the finest detective adventures of Boston Blackie in this thrilling collection!

Freeman Gosden and Charles Correll made their radio debut January 12, 1926, as the comedic, blackface characters Sam 'n' Henry. On March 19, 1928 they introduced Amos 'n' Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday through Friday adventures of Amos 'n' Andy. Department stores open in the evening piped in the broadcasts, so shoppers wouldn't miss an episode.

This collection contains 12 of the greatest shows ever broadcast during the Golden Age of Radio—including episodes of The Jack Benny Program, Burns & Allen, Gunsmoke, The Amos ‘N’ Andy Show, Philip Marlowe, The Green Hornet, X Minus One, Sherlock Holmes and many others. Radio’s finest actors perform before the microphones, including: Jack Benny, Frank Sinatra, Danny Kaye, Groucho Marx, Ozzie Nelson, Harriet Hilliard, Basil Rathbone, Nigel Bruce, Jim and Marian Jordan, Hal Peary, Eve Arden, George Burns, Gracie Allen and many more.

The Lux Radio Theatre was one of the most prestigious and longest running shows from Radio’s Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood’s best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts, although sometimes contracts or schedules meant that another actor took the part.

When real life husband and wife George Burns and Gracie Allen worked together in vaudeville, George was the comic and his wife Gracie had the straight lines. They switched their roles upon discovering that Gracie's delivery got a bigger laugh than George's punch lines. The duo became a big hit on Vaudeville and in films so when radio beckoned, they delivered. Their first regular radio work was as supporting players on CBS's The Guy Lombardo Show in the 1930s.

Like its predecessor Dragnet, Tales of the Texas Rangers adapted actual police case files for its broadcasts. Leading each week's investigation of an actual Texas Ranger case was the same Texas Ranger, Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in present day, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn't have a regular partner, typically working with the local sheriff instead.

"The Falcon" radio series premiered in 1943, and continued until 1954. The Falcon was an alternate identity for detective Michael Waring. Like the Falcon movies, the radio plots mixed danger, romance and comedy in equal parts. Each show began with a telephone ringing and Michael Waring, The Falcon, answering the phone. Speaking with a woman whose voice was never heard, Waring would explain that he had an urgent situation in which he had to deal with. This led into the standard opening, followed by the week's tale of adventure.

Born in Chicago, February 14, 1894, Benjamin Kubelsky would later become known as Jack Benny. As a boy, he was encouraged by his Jewish immigrant parents from Poland to become a concert violinist. He learned to play quite well and hit the vaudeville stage, where he played popular songs and honed a suave-but-fragile personality, telling self-deprecating jokes. Benny guested on the "Ed Sullivan" radio show March 19, 1932 and was an instant success.

Freeman Gosden and Charles Correll made their radio debut January 12, 1926, as the comedic, blackface characters Sam 'n' Henry. On March 19, 1928 they introduced Amos 'n' Andy, which went on to become one of the most popular and longest running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday through Friday adventures of Amos 'n' Andy.