Résultats de "Hollywood 360" dans Toutes les catégories

When real-life husband and wife George Burns and Gracie Allen worked together in vaudeville, George was the comic and his wife Gracie had the straight lines. They switched their roles upon discovering that Gracie’s delivery got a bigger laugh than George’s punch lines. The duo became a big hit on vaudeville and in films so when radio beckoned, they delivered. Their first regular radio work were as supporting players on CBS’s The Guy Lombardo Show in the 1930s. When Lombardo switched to NBC, George and Gracie took over the show. Enjoy sixteen of their greatest radio broadcasts.

Benny’s radio and television shows entertained audiences for more than three decades and is generally regarded as the high-water mark in twentieth century American comedy.

William Conrad was a big part of the golden-age of radio. Not only did he star as US Marshal Matt Dillon on Gunsmoke (five episodes in this collection), but he appeared on hundreds of radio shows during the 1940s and 50s. Here’s sixteen radio broadcasts that either star William Conrad or have him in the supporting cast. You won’t have any problem identifying his deep baritone voice!

Lucille Ball and Lee Bowman auditioned for the roles of a married couple in a radio pilot for a new comedy, My Favorite Husband, based on the novel Mr. and Mrs. Cugat by Isabel Scott Rorick. The concept was very well received and within a few weeks the weekly sitcom was established. Bowman was replaced by Richard Denning and during the first season, the Cugats were renamed the Coopers, who lived “in a little white two-story house” in the bustling, small suburb of Sheridan Falls.

Join Carl Amari and Lisa Wolf as they present trivia contests, games, showbiz news, movie reviews, celebrity interviews and classic radio shows!

This collection contains 12 episodes from the greatest science fiction shows ever broadcast during the golden age of radio, including a two-part Suspense episode starring Orson Welles, written by Curt Siodmak, author of The Wolf Man, one of Universal Pictures' biggest hits. Other classics include stories by H. G. Wells, Robert Heinlein, Frederick Pohl, and Murray Leinster on Dimension X, Escape, and X Minus One.

Escape was radio's leading anthology series of high-adventure, airing on CBS radio from 1947 to 1954. The series' well-remembered opening combined Mussorgsky's Night on Bald Mountain with an introduction spoken by Paul Frees and William Conrad: "Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you... Escape!"

The Whistler was one of radio's top mystery programs airing from May 16, 1942 until September 22, 1955, sponsored by the Signal Oil Company. The Whistler was an ominous narrator who opened each episode with: "I am the Whistler, and I know many things, for I walk by night. I know many strange tales, many secrets hidden in the hearts of men and women who have stepped into the shadows. I know the nameless terrors of which they dare not speak."

Pat Novak, for Hire began in 1946 as a regional radio show produced at KGO in San Francisco and starred Jack Webb in the title role, with scripts by Webb's friend Richard L. Breen. When Webb moved to Los Angeles in 1947, Ben Morris replaced Webb as Novak. In a later network version, Jack Webb resumed the role along with Breen as scriptwriter. Pat Novak, for Hire lasted until 1949, when Jack Webb turned his attention to the series that would make him a star, Dragnet.

"Wherever there is mystery, adventure, intrigue, in all the strange and dangerous places in the world, there you will find the man called X!" Debonair British actor Herbert Marshall stars as FBI secret agent Ken Thurston, "the man who crosses the ocean as readily as you and I cross town; he is the man who fights today's war in his unique fashion, so that tomorrow's peace will make the world a neighborhood for all of us." Leon Belasco plays Mr. X's comedic sidekick, Pagan Zeldchmidt, who always turns up in remote parts of the world.

Duffy's Tavern, first heard in 1940, was co-created and written by Ed Gardner, who played Archie, the manager of Duffy's Tavern, which was a flea-infested dive in New York City. Archie's abuse of the English language quickly became a favorite feature of the show. Regulars on the show included Duffy's man-hungry daughter Miss Duffy; Clifton Finnegan, the classic village idiot, played by Charlie Cantor; Eddie the waiter, played by Eddie Green; and Clancy the cop, played by Alan Reed. Duffy himself was never heard on the show.

Every week, Inner Sanctum Mysteries told a story of ghosts, murderers, and lunatics. Taking its name from a popular series of mystery novels, Inner Sanctum Mysteries debuted over NBC radio's Blue Network in January 1941 and featured one of the most memorable and atmospheric openings in radio history, as an organist hit a dissonant chord, a doorknob turned, and a creaking door slowly began to open.

Jack Webb (1920 - 1982) was a popular American actor, television producer, director, and screenwriter. He started out in the entertainment industry in comedy, but achieved his first success playing the title character in the radio show Pat Novak, for Hire. His greater success came from his role as Los Angeles Police Department sergeant Joe Friday in the show Dragnet, which he created based on actual LAPD criminal case files and which ran for many years on both radio and television.

Among several newspaper-based dramas during radio's golden age, Night Beat was a cut above the others. It was the story of Randy Stone, a hard-nosed Chicago Star newsman, and his quest for the human-interest story behind the headlines. Frank Lovejoy starred as Randy Stone, who came to vivid life thanks to expert scripts by Russell Hughes, Larry Marcus, E. Jack Neuman, and John Michael Hayes. Lovejoy's distinctive voice and approach to the role, combined with top performances by veteran radio actors, gave Night Beat a noir style that listeners loved.

Conceived as a potential radio vehicle for Alfred Hitchcock to direct, Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962, and is considered by many to be the best mystery/drama series of the golden age. Often referred to as "Radio's Outstanding Theater of Thrills" it focused on suspenseful thrillers starring the biggest names in Hollywood.

Dimension X was one of radio's first adult science fiction series, and made its mark by adapting short stories by acknowledged masters in the field, including Isaac Asimov, Clifford D. Simak, and William Tenn. Scriptwriters Ernest Kinoy and George Lefferts, who also contributed their own original scripts, adapted the original stories. At the start of every broadcast, host Norman Rose promised us "adventures in time and space, told in future tense" and you knew you were about to be transported from your everyday existence.

Freeman Gosden and Charles Correll made their radio debut on January 12, 1926, as the comedic blackface characters Sam 'n' Henry. On March 19, 1928, they introduced Amos 'n' Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country tuned in to their adventures.

This collection contains 12 of the greatest mystery shows ever broadcast during the golden age of radio, featuring the legendary stars that made them great. You will hear Orson Welles, Humphrey Bogart, Peter Lorre, Vincent Price, Basil Rathbone, Joan Fontaine, and other stars in classic radio episodes from such radio shows as Suspense, Escape, The Whistler, Inner Sanctum, The Screen Directors Playhouse, and The Weird Circle, among others.

The Cisco Kid was a popular film, radio, television, and comic-book series based on the fictional Western character created by O. Henry in his short story, "The Caballero's Way," published in 1907 in the collection Heart of the West. Films and television depicted the Cisco Kid as a heroic Mexican caballero, a more honorable character than in O. Henry's original story.

The Lineup was a hard-boiled drama. Like Dragnet, it realistically showed police doing their jobs. The show always began with a police sergeant ordering suspects to stand at attention so that the victim, behind one-way glass, could try to identify the criminal. While the lineup was rarely the key to solving the case, it did give the show a rhythm and also allowed for humor in the interrogation of the suspects by the sergeant. The series began as a summer replacement for The FBI in Peace and War in 1950, but soon got its own time slot.