Résultats pour "Underground" dans Fiction

Cora, seize ans, est esclave sur une plantation de coton dans la Géorgie d'avant la guerre de Sécession. Abandonnée par sa mère lorsqu'elle était enfant, elle survit tant bien que mal à la violence de sa condition. Lorsque Caesar, un esclave récemment arrivé de Virginie, lui propose de s'enfuir, elle accepte et tente, au péril de sa vie, de gagner avec lui les États libres du Nord. De la Caroline du Sud à l'Indiana en passant par le Tennessee, Cora va vivre une incroyable odyssée.

The bestselling book that asks the question: what would present-day America look like if the Civil War never happened? A New York Times bestseller; a Goodreads Choice finalist; named one of the Best Books of the Year by NPR, Slate, Publishers Weekly, Hudson Bookseller, St. Louis Post-Dispatch...

#1 NEW YORK TIMES BESTSELLER PULITZER PRIZE WINNER NATIONAL BOOK AWARD WINNER "An American masterpiece" (NPR) that chronicles a young slave's adventures as she makes a desperate bid for freedom in the antebellum South. One of The New York Times’s 10 Best Books of the 21st Century...

Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original. This audio edition of Notes from Underground is the only recording of Pevear and Volokhonsky's translation of Dostoevsky’s classic work.

The Buckmaster Gallery is staging another Derwatt exhibition, but now an American collector claims that the expensive masterpiece he bought three years ago is a fake. It is, of course, and he wants to talk to Derwatt, but Derwatt, inconveniently, is dead. Ripley needs the perfect solution to keep his role in the fraud a secret and his reputation clean, but not everyone's nerves are as steady as his. Especially when it comes to murder.

"I am a sick man...I am a spiteful man", a nameless voice cries out. And so, from underground, emerge the passionate confessions of a suffering man; the painful self-examination of a tormented soul; the bristling scorn of a lonely individual who has become one of the greatest anti-heroes in all literature.

The Essential Fyodor Dostoyevsky Collection brings together the definitive works of one of literature’s most profound psychological explorers. Through gripping drama, penetrating philosophy, and unforgettable characters, Dostoyevsky examines guilt, faith, freedom, suffering, and the mysteries of existence with unmatched intensity. This collection presents his greatest novels, novellas, and nonfiction—an ideal gateway for new readers and an indispensable treasury for devoted admirers.

Anne and Hutch have escaped the confines of the Tyson Estate with plans to live out in the harsh conditions of The Elements where it is always winter. Instead, they accidentally discover an entire society of people living underground. Dwellers, as they call themselves, enjoy a peaceful existence away from the Estates and out of The Elements in a world called Sub Terra. There are dozens of families living in homes they call Dwellings. They live in what once was the New York City subway system. They exist as people did before The Shift.

A quest to save the free world. In this third and final book in Jerry Sanders’s epic trilogy, Troy Kensington, a powerful and talented warrior, faces his most ambitious quest yet. A secret underground society of misguided but brilliant Ashkenazi Jews has but one mission: military domination. If they succeed, millions of people from England to Israel will be killed.

Considered one of the first existentialist novels, Notes from Underground contains one of the most unsettling characters in 19th-century fiction. Resentful, cruel, entitled, and pitiful, Dostoyevsky's Underground Man is a disturbing human being bent on humiliating others for his own amusement. The Gambler is perhaps the most personal of Dostoyevsky's novels. Written to pay off the author's own gambling debts, the book follows the obsessions and anxieties of Alexey Ivanovitch, a sympathetic character who has given in to the forces of addiction.

In "Notes from Underground" by Fyodor Dostoyevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas or about a curtain of secrets and mysteries. The hero of the "underground", the author of the notes, is a collegiate assessor who retired after receiving a small inheritance. He lives poorly, in a wretched room on the outskirts of Petersburg. And the "underground" is psychological.

As it is often said in fairy tales and historical analyses, Maša's childhood years were a time when empires were falling—the time of the war in Croatia, 1991. Underground Barbie is set in that era, but also in the sounds of her childhood, the music, and the atmosphere that accompanied Barbie's move from plastic, yet safe, dollhouses to air-raid shelters.

The “Metro” of the title of this brilliant and mordant social comedy refers to the Moscow underground - the sparkling subway system that enchants its young hero, seven-year-old Sasha, on his first visit to Moscow. The vaulted ceilings and gleaming escalators appear to his young eyes as emblems of a higher life, of beauty, harmony, and hidden strength. Years later, Sasha escapes the jaws of a provincial ammunition factory and returns to Moscow as an aspiring actor, whereupon he enters quite another “Moscow underground”.

In Notes from Underground by Fyodor Dostoyevsky, we are not talking about revolutionary personalities, a secret struggle for some ideas Fyodor Dostoyevsky tells the story of a man who is "too conscious." The man, whose name we never learn is so aware of his own thoughts and feelings as to cause him to be indecisive and overly self-critical. Add in his belief that societal expectations are shaping his actions. Notes From Underground is one of Fyodor Dostoyevsky's most well renowned novels. It is thought to be one of the first existentialist Russian works.

Notes from Underground (also translated as Notes from the Underground or Letters from the Underworld) is a novella by Fyodor Dostoevsky, first published in the journal Epoch in 1864. It is a first-person narrative in the form of a "confession": the work was originally announced by Dostoevsky in Epoch under the title "A Confession". The novella presents itself as an excerpt from the memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg.

When the Blitz imperils the heart of a London neighborhood, three young women must use their fighting spirit to save the community’s beloved library in this novel based on true events from the author of The Chilbury Ladies’ Choir. When the new deputy librarian, Juliet Lansdown, finds that...

Niels Klim's Underground Travels, originally published in Latin as Nicolai Klimii Iter Subterraneum (1741), is a satirical science-fiction/fantasy novel written by the Norwegian-Danish author Ludvig Holberg. His only novel, it describes a utopian society from an outsider's point of view, and often pokes fun at diverse cultural and social topics such as morality, science, sexual equality, religion, governments, and philosophy.

Jonathan and Ellen Ware have immigrated to the area from their farm in Illinois with 13-year-old Christy Ware and her two older brothers. The Wares are only one of the families that will soon be caught up in the burning issue of slavery with raids from the Border Ruffians out of Missouri and John Brown's small army devoted to ending slavery and helping runaways to escape to the north.

Every day Mathilde takes the Metro, then the commuter train, to the office of a large multi-national where she works in the marketing department. Every day, the same routine, the same trains. But something happened a while ago - she dared to voice a different opinion from her moody boss, Jacques. Bit by bit she finds herself frozen out of everything, with no work to do.

“Memorias del Subsuelo” es una novela corta organizada en dos partes. La primera, que consta de once capítulos breves y es llamada "La Ratonera", es básicamente un monólogo interior en el que se nos presenta al protagonista, un miserable funcionario frustrado, como un antihéroe contradictorio, enfermizo y excitable, que dirige su charla a un público inexistente. La segunda parte, que nace a propósito de la "caída de nieve húmeda", consiste en el relato de una memoria del narrador, donde cuenta algo ocurrido en su juventud, relacionado con la despedida a Zvérkov.