Résultats pour "The Sandman" dans Horreur

Considéré par le Los Angeles Times Magazine comme "la plus grande épopée de l'histoire des comics", "The Sandman" a révolutionné l'univers des comics et a amorcé un phénomène culturel mondial avec son univers sombre et littéraire, rempli d'horreur et de fantasy. Audible et DC sont heureux de présenter la toute première production audio des romans graphiques de DC acclamé par le New York Times écrit par le célèbre auteur Neil Gaiman.

Après le succès fulgurant à l’audio que connaît la saga "The Sandman", considérée comme « la plus grande épopée de l'histoire des comics » par le Los Angeles Times Magazine, retrouvez l'univers fantastique et sombre des romans graphiques DC écrits par Neil Geiman dans "The Sandman : Acte III".

Après le succès du premier opus, pénétrez à nouveau dans l'univers des rêves. Cette adaptation audio de « la plus grande épopée de l'histoire des comics » se poursuit dans "The Sandman : Acte II". Sébastien Desjours revient prêter sa voix à Morphée, le Roi des songes, dans la suite du « meilleur best-seller audio » d'après le New York Times. Plongez dans un monde de mythes, d'imagination et de terreur inspiré des célèbres comics DC et des romans graphiques écrits par Neil Gaiman, qui interprète le narrateur dans la version originale.

Dream, oder auch Lord Morpheus, ist der mächtige Herrscher der Träume, Geschichten und der Fantasie. Ein ruchloser Okkultist entriss ihn einst seinem Reich und hielt ihn auf der Erde gefangen, wo er jahrzehntelang schmachtete - bis zu dem Tag seiner Flucht. Seine frühere Herrschaft ist verblasst. Um seine Macht wiederzuerlangen muss er seine drei Insignien zurückholen: einen Beutel Traumsand, einen Helm und einen Rubin.

Acclamata dal Los Angeles Times Magazine come "la più grande saga nella storia delle graphic novel", The Sandman ha cambiato le regole del gioco, con il suo mondo letterario tenebroso, sospeso tra fantasy e horror, creando, nel contempo, un fenomeno culturale globale. Finalmente, Audible e DC presentano la primissima produzione audio della serie best-seller del New York Times scritta dall'acclamato storyteller Neil Gaiman (che ne è anche il co-produttore esecutivo).

The Sandman ha sido definida por la revista Los Angeles Times como “la mejor epopeya de la historia del cómic” y ha conseguido revolucionar el formato al adaptar su lúgubre universo literario de fantasía y horror para convertirse en un fenómeno cultural de talla mundial. Por fin ha llegado el momento: Audible y DC presentan The Sandman, la primera producción sonora del cómic superventas del New York Times, escrita por el afamado autor Neil Gaiman que además es coproductor ejecutivo de esta adaptación.

Die erfolgreiche Audioumsetzung des "größten Epos in der Geschichte der Comics" entführt mit "The Sandman: Akt II" aufs Neue nach Dreaming - das Traumland. Der erste Teil erreichte Platz 1 der Audio-Bestsellerliste der New York Times und auch in dieser Fortsetzung leiht Andreas Fröhlich erneut Morpheus, dem Herrn der Träume, seine Stimme. Mit seinen gefeierten Comics und Graphic Novels schuf Neil Gaiman eine Welt der Mythen, der Fantasie und der Schrecken.

In "The Sandman: Akt III", dem dritten Teil der New York Times-Bestseller-Hörspielsaga leiht Andreas Fröhlich ein weiteres Mal Morpheus, dem Herrscher der Träume, seine Stimme und vervollständigt damit das wahrscheinlich beste Ensemble für eine Hörspielproduktion, die es je gab. Dirk Maggs, der preisgekrönte Vorreiter auf dem Gebiet von Hörspielproduktionen, inszenierte die von Neil Gaiman ("Good Omens") geschriebene DC Graphic Novel-Erfolgsserie und erschuf ein weiteres, äußerst eindringliches Hörerlebnis.

The Sand-Man (German: Der Sandmann, 1816) is a short story written in German by E. T. A. Hoffmann. It was the first in an 1817 book of stories titled Die Nachtstücke (The Night Pieces). The story is told by a narrator who claims to have known Lothar. It begins by quoting three letters.

Life and death takes on an entirely new meaning for half-angel, half-human hero James Stark, aka, Sandman Slim, in this insanely inventive, high-intensity tenth supernatural noir thriller in the New York Times bestselling series. James Stark is back from Hell, trailing more trouble in his wake...

Sandman Slim returns in this stunning, high-octane ninth thriller in the series, filled with the intense, kick-ass action and inventive fantasy that are the hallmarks of New York Times bestselling author Richard Kadrey. Sandman Slim has been to Heaven and Hell and many places in between, but now...

James Stark has met his share of demons and angels, on Earth and beyond. Now he's come face to face with the one entity few care to meet: Death. Someone has tried to kill Death - ripping the heart right out of him - or rather the body he's inhabiting. Death needs Sandman Slim's help: He believes anyone who can beat Lucifer and the old gods at their own game is the only one who can solve his murder.

Sandman Slim must save himself - and the entire world - from the wrath of some enraged and vengeful ancient gods in this sixth high-octane adventure in the New York Times best-selling series. Being a half-human, half-angel nephilim with a bad rep and a worse attitude - not to mention temporarily playing Lucifer - James Stark, aka Sandman Slim, has made a few enemies. None, though, are as fearsome as the vindictive Angra Om Ya - the old gods.

After a terrible mass shooting at Cicero’s Circus, the evil presence responsible for the carnage is taken in by a doomsday cult lying in wait for such an opportunity. The village struggles to get back to normal in the aftermath of the shooting. The massacre was the final straw for many inhabitants, triggering a mass exodus. To those who know the truth - that a malevolent god unleashed its wrath upon the village - it’s only a matter of time before events repeat themselves. Venus McKenzie ventures deeper into the pit of secrets left in death’s wake....

James Stark, a.k.a. Sandman Slim, has a new job, but being the new Lucifer in town gives fresh meaning to the word "Hell." Especially when he hears of hideous massacres near a haunted fortress out on Hell's frontier. As far as Stark's concerned, the more dead Hellions, the better, but he still has to prove that no one screws with Sandman Slim. And facing creatures so terrible even Hell does not want them is no cakewalk, even for Lucifer.

El Hombre de Arena (Der Sandmann) es el cuento más célebre de E.T.A. Hoffmann. Publicado en 1817 en sus Cuentos nocturnos (Nachtstücke), es el cuento más representativo del máximo autor del género del romanticismo negro (Schwarze Romantik, conocido también como literatura del terror gótico) durante el siglo XIX. El cuento relata la vida de un muchacho llamado, Nathanaël, quien está traumatizado por la muerte de su padre, que murió en muy extrañas circunstancias, ocurrida durante su infancia.

When an amateur journalist encounters a mysterious radio program while driving alone one late night, he is presented with a set of instructions with potentially fatal consequences. After escaping with his life, obsession takes hold and he is determined to find out who is behind the broadcast and who else it has affected. His investigation leads him to speak with travelers and truckers, vagabonds and vacationers, models and rock stars, each with their own sinister encounter with the strange program. His search draws him into a world of deadly discovery.