Résultats pour "The Last Man" dans Dystopique

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Mary Shelley wrote The Last Man in 1826, in the aftermath of losing her husband Percy, their children, and Byron. What emerged was the first modern apocalypse: a plague rises out of the late 21st century and, year by year, empties the earth of human life. Armies dissolve. Cities go silent...

In our own time, when the dark threat of a dystopian world is not an alien or avoidable concept, The Last Man (1826) is revealed as a trailblazing novel. With a truly global view, Mary Shelley’s futuristic romain à clef–containing portraits of her husband Percy (Adrian), Lord Byron (Raymond) and several others–spearheaded the apocalyptic genre for an intimidated 19th-century readership that rejected her ‘diseased imagination’ and ‘polluted taste’.

The Last Man is an apocalyptic, dystopian science fiction about a future Earth at the time of the late twenty-first century, ravaged by an unknown pandemic which quickly sweeps across the world. It also includes a discussion of English culture as a republic, with Mary Shelley sitting in meetings...

Brought to you by Penguin. From the internationally bestselling author of Exit West, a story of love, loss, and rediscovery in a time of unsettling change One morning, Anders wakes to find that his skin has turned dark, his reflection a stranger to him. At first he tells only Oona, an old friend...

Thank God for the dogs, thinks Sam, otherwise I'd go crazy. It's been over five years since a deadly plague swept the world and Sam is the only person left alive...at least as far as he knows. He roams a desolate land already rapidly reverting to nature with his canine companions. But there is still danger, and Sam may not be as alone as he thinks. The Last Man is a refreshing and compelling post-apocalyptic short novel.

Imagine a world with no countries, no religion, and no democracy. Imagine the fall of the Great Western Empire. Historically, most Empires created by man have risen and fallen during a period of around 500 years. The Romans, Greeks, Egyptians, the Moors, and the Ottomans all, in their turn, reigned supreme until apathy, arrogance, and laziness led to their downfall. However, mankind would never become extinct as new societies inevitably replace existing social structures sooner or later. 

The sky has opened. For the first time in living memory, the people of Eterra have seen the truth above them—and the truth is more terrible than the lie. Aelit and her companions shattered the ancient lock that held their world in darkness. They broke the Dome, destroyed the governing power of Sector Zero, and gave the buried city its first glimpse of the stars. But freedom does not arrive gently.

King Vanderwall was given two options: Kill the humans or die. Seventeen years later, his sons now face the same threat...Orian, Prince of the Midland, is sworn to protect his human, but now he must choose: His life or hers. When an irrevocable disease spreads through the Earth plane, Orian must find a way against the odds to win.

Stan and Charmaine are a married couple trying to stay afloat in the midst of an economic and social collapse. Job loss has forced them to live in their car, leaving them vulnerable to roving gangs. They desperately need to turn their situation around - and fast. The Positron Project in the town of Consilience seems to be the answer to their prayers. No one is unemployed, and everyone gets a comfortable, clean house to live in...for six months out of the year. On alternating months, residents of Consilience must leave their homes and function as inmates.

A sus cuarenta y cuatro años, la mujer que protagoniza esta novela se ha convertido en un auténtico «hombre» de negocios: gana doscientos mil euros al año y ha modelado su cuerpo, su tiempo, su lenguaje y hasta sus relacionessexuales para conseguir tener tanto poder como un hombre, ser aceptada en sus círculos, ganarse su total confianza y convertirse, por fin, en uno de ellos.