Résultats lu par "Justin Avoth" dans Toutes les catégories

In our own time, when the dark threat of a dystopian world is not an alien or avoidable concept, The Last Man (1826) is revealed as a trailblazing novel. With a truly global view, Mary Shelley’s futuristic romain à clef–containing portraits of her husband Percy (Adrian), Lord Byron (Raymond) and several others–spearheaded the apocalyptic genre for an intimidated 19th-century readership that rejected her ‘diseased imagination’ and ‘polluted taste’.

London, 1749. Following the murder of her husband in what looks like a violent street robbery, Hannah Cole is struggling to keep her head above water. Her confectionery shop on Piccadilly is barely turning a profit, her suppliers conspiring to put her out of business because they don’t like women in trade. Henry Fielding, the famous author and new magistrate, is threatening to confiscate the money in her husband’s bank account, because he believes it might be illicitly acquired. And even those who claim to be Hannah’s friends have darker intent.

Hauntingly read by Justin Avoth. 'Robert Dinsdale mixes history and mythology with great panache . . . Richly textured and with an appropriately labyrinthine plot, this is a book that explores the monster inside man — and vice versa. Book of the Month' Sunday Times Man or monster? Hero or...

The late 17th century saw the rise of a new phenomenon that would transform Britain forever: party politics. Beginning with a furious dispute over whether to allow a Roman Catholic - James II - to become king, the division between Whig and Tory marked the chief political battlelines of a ferociously polarised country for several tumultuous generations.

Richard Burton and Elizabeth Taylor were a Sixties supercharged couple in an era of supercharged couples. As a pairing they were fantasy figures, impossibly desirable. Liz supple and soft, in perfumes and furs - yet with something demonic and lethal about her. Dick, in turn, with his ravaged, handsome face, looked as though lit by silver moonlight - poised to turn into a wolf. Roger Lewis uses this glamorous and damaged pair as the starting point to tell the story of an age of excess.

After the end of the Cold War, neoliberalism, with its belief in the virtues of markets and competition, seemed to have triumphed. Communism had been defeated – and Friedrich Hayek, the spiritual father of neoliberal economics, had just about lived to see it. But in the decades that followed, Hayek’s disciples knew that they had a problem. The rise of social movements, from civil rights and feminism to environmentalism, were now proving roadblocks in the road to freedom, nurturing a culture of government dependency, public spending, political correctness and special pleading.

Dressed in armour and clutching a bloody sword, the Roman gladiator is the most iconic figure of the ancient world. Both fascinating and repulsive to us now, he was in his own time a deeply controversial character, by turns hated and idealized – and always at the heart of Roman culture. But what did he really mean to the Romans? What did they see in the gladiator and the spectacle of the games? And what does he reveal to us today about the Roman way of life? Brilliantly written and meticulously researched, this book tells the stories of the gladiators and those who observed them.

Roger Lewis, in his no-holds-barred biography, exposes a Peter Sellers the world little knows. Recognized as the greatest British comic since Charlie Chaplin, Sellers was the grand master of fifty-five films - from Dr. Strangelove, to Being There and the Pink Panther hits. But shadowing his phenomenal career was a history of increasingly bizarre behaviour involving psychotic violence, compulsive promiscuity, drug abuse and humiliating self-destructive obsessions with people including Princess Margaret, Sophia Loren, Liza Minnelli and each of his four wives.

In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse, Apology sees him in court, rebutting all charges of impiety, in Crito, he refuses an entreaty to escape from prison, and in Phaedo, Socrates faces his impending death with calmness and skillful discussion of immortality.

A fabulous "lost masterpiece" becomes the ultimate prize - for an art historian whose ambition consumes everyone around her, an angry young painter with a plan for revenge on the art establishment, and a desperate gallery owner who may have double-crossed his own life away. Behind the elegance and glamour of the art world, anything goes - theft, forgery, betrayal, and maybe even murder....

When Lena helps her teenage daughter gather sounds for her media studies project, she doesn't expect her boom-microphone to pick up a conversation between her neighbours, the Morgans. And she’s certain they are planning a crime. Her family and friends tell her that she must have misheard. After all, the Morgans are a well-respected, upstanding couple in their early sixties. They’ve never been in trouble with the law. Yet Lena can’t stop thinking about it. Because what if she hasn’t misheard? What if she can prevent something awful happening?

The International Bestseller Discover how to win in any situation using the ancient wisdom of the Shaolin monks. The Shaolin monks in China are legendary for their mastery of kung fu, but the secret to their success – their ability to rise to any challenge, handle stress and overcome conflict...

In this riveting historical thriller, a deadly plot unfolds aboard a train hurtling towards Paris. From the Sunday Times bestselling author of Room, Emma Donoghue takes you on a heart-pounding ride in The Paris Express. 'Ratchets up the pace until it's hurtling along as fast as the train itself'...

Florence, New Year’s Day 1557. As dawn breaks, a painter is discovered lying on the floor of a church, stabbed through the heart. Above him, the paintings he laboured over for more than a decade. At his home, a hidden painting scandalously depicting Maria de Medici, daughter of the Duke and Duchess of Florence, as a naked Venus. Who is the murderer? Who is behind the painting? As the city erupts in chaos, Giorgio Vasari, the great art historian, is picked to lead the investigation.

The ancient Roman empire was the supreme arena, where emperors had no choice but to fight, to thrill, to dazzle. To rule as a Caesar was to stand as an actor upon the great stage of the world. No biography invites us into the lives of the Caesars more vividly or intimately than that by Gaius Suetonius Tranquillus, written from the centre of Rome and power, in AD 121. Placing each Caesar in the context of the generations that had gone before, and connecting personality with policy, Suetonius injected flesh and blood into their stories.

The Fable of the Bees—a satirical poem, prose discussion, three essays and six dialogues completed in 1729—exposes human vices but defends them as a necessity within a wealthy society. Mandeville’s bees thrive until they start living by honesty and virtue… then they are impoverished. Mandeville did not play by the rules: he satirized the sins of society but also ridiculed the widespread hypocrisy of deploring these sins whilst reaping their benefits. He and his work were attacked for the rest of the century.

The study of ancient Greek history has been central to the western conception of history since the Renaissance. The Muse of History traces the shifting patterns of this preoccupation in the last three centuries, in which each generation has reinterpreted the Greeks in the light of their contemporary world, through times of revolution, conflicting ideologies and warfare. It aims to offer a new history of Greek historiography from the Enlightenment to the present, and to acknowledge the continuing spiritual importance of the ancient Greeks for European culture.

‘The sweetness of her glance—or rather, my evil star already in its ascendant and drawing me to my ruin—did not allow me to hesitate for a moment...’ So begins the story of Manon Lescaut, a tale of passion and betrayal, of delinquency and misalliance, which moves from early 18th-century Paris—with its theatres, assemblies, and gaming-houses—via prison and deportation to a tragic denouement in the treeless wastes of Louisiana. It is one of the great love stories, and also one of the most enigmatic.

Olivia: 22 years old. No history of running away. Last seen on CCTV, entering a dead-end alley. And not coming back out again. Missing for one day and counting. Julia is the detective heading up the case. She knows what to expect. A desperate family, a ticking clock, and long hours away from her children. But Julia has no idea how close to home it's going to get. Because her family's safety depends on one thing: Julia must NOT find out what happened to Olivia—and must frame somebody else for her murder.

To the outside world, suave, charming and confident doctor Marcus Valentine has it all. A loving wife, three kids, a great job. But there’s something missing, there always has been...or rather, someone.... Driving to work one morning, his mind elsewhere and not on the road, he almost mows down a female jogger on a crossing. As she runs on, Marcus is transfixed. Infatuated. She is the spitting image of a girl he was crazy about in his teens. A girl he has never been able to get out of his mind.