Résultats pour "Edward Lucas" dans Histoire

NEW YORK TIMES BESTSELLER An intimate and masterful biography of Zbigniew Brzezinski—President Carter’s national security advisor and one of America’s leading geopolitical thinkers—from one of the finest columnists and political writers at work today. Zbigniew Brzezinski was a key...

From the capture of Sidney Reilly, the "Ace of Spies", by Lenin's Bolsheviks in 1925, to the deportation from the USA of Anna Chapman, the "Redhead under the Bed", in 2010, Kremlin and Western spymasters have battled for supremacy for nearly a century. In Deception Edward Lucas uncovers the real story of Chapman and her colleagues in Britain and America, unveiling their clandestine missions and the spy-hunt that led to their downfall. It reveals unknown triumphs and disasters of Western intelligence in the Cold War,

Dive into the unsettling world of Edward Lucas White, a master of weird fiction lauded by H. P. Lovecraft himself. The title story, Lukundoo, is a haunting exploration of colonialism that culminates in a body horror climax sure to leave readers breathless. Whites stories expertly blend rich character development and atmospheric settings with shocking twists, inviting readers to experience the bizarre and the unnatural. Beyond the supernatural, this collection also features a captivating novelette that intertwines the adventures of Vikings and Icelandic settlers with the legend of a mythical ...

His sculptures have never been afraid of being seen. What I mean by this apparently paradoxical statement is that Pomodoro has never needed the shelter of the museum - defined by me here as "a space set apart for art" - in order to make his point as an artist. His sculptures have never been afraid of being seen. What I mean by this apparently paradoxical statement is that Pomodoro has never needed the shelter of the museum - defined by me here as "a space set apart for art" - in order to make his point as an artist.

It is a historical peculiarity of landscape painting that it begins with the artificial, and only after that proceeds towards the natural. For example, landscape paintings, and especially fanciful Nilotic panoramas, were one of the genres produced by artists in Pompeii. When, with the Renaissance, landscape painting once again started to establish itself after a long interval, the representations of the surrounding world that artists began to produce as a separate and independent genre, rather than simply as a background for human figures, were usually more fanciful than real.

Britain’s Culture Minister, David Lammy, recently suggested that the history of slavery should be made a compulsory part of the nation’s school curriculum. Mick Hume, a columnist in The Times, promptly retorted, “Slavery and the Holocaust are now likely to be taught as little chunks of history, removed from any proper context. They become simplistic parables of good and evil, over which children are encouraged to emote and empathise...." How well founded was this criticism?

The British Museum has two quite different archaeological exhibitions on view at the moment. In some ways, they echo one another. In other ways, they are quite strongly contrasted. The strongest link, of course is that they are about the archaeology of the Mediterranean, and that in addition, they both have ties to the classical Greek and Roman world that is still the main taproot of Western civilization.

In this study, Art, Poetry, and WW1 by Edward Lucie-Smith of writing, poetry, and painting in the centenary year of the outbreak of the First World War, the author considers the historical impact on the general psyche of the calamitous events, reflected in the expression of poets and visual artists. He establishes a continuity to the theme with reference to works by Velázquez, Watteau, Goya, and others, in their treatment of the spectacle of battle and the horrors of war and human conflict.

Here can be no doubt that the Chinese exhibition at the Royal Academy in London is more than a merely artistic event. It represents a new stage in the burgeoning relationship between contemporary China and the West. The opening, originally scheduled for January, was brought forward to coincide with a State Visit to Britain by the Chinese president, Hu Jintao. The "Three Emperors" of the title were the second, third, and fourth rulers of the Qing Dynasty, and their period in power spanned nearly a century-and-a-half, from the mid-17th century until the end of the 18th.