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Nora Helmer has everything a young housewife could want: Beautiful children, an adoring husband, and a bright future. But when a carelessly buried secret rises from the past, Nora’s well-calibrated domestic ideal starts to crumble. Ibsen’s play is as fresh today as it was when it first stormed the stages of 19th-century Europe.

Step into the world of A Dolls House, Henrik Ibsens groundbreaking play that ignited a firestorm of discussion in the late 19th century. Written shortly after The Pillars of Society, this remarkable work challenges conventional marriage norms and remains a staple in schools and universities today. With its innovative structure, the play defies expectations by closing with a thought-provoking conversation rather than a traditional climax. Often hailed as the first true feminist play, Ibsen himself resisted this label, making it all the more intriguing. Join us as we explore the complexities of ...

When a boy moves into his late grandfather’s mansion, he discovers eerie spell books, creepy dolls, and strange noises. But one doll feels especially off—maybe it’s nothing, or maybe it’s…watching. This creepy middle grade read is perfect for fans of the Goosebumps series. Garrett...

Olivia is taken from the sidewalk near her college and thrown into a van. Her captors, who she soon discovers are vile, sadistic monsters, abuse her immediately, both mentally and physically. Then she is taken into a house, into a locked room, where everything is cotton candy pink. The pink furniture is designed with rounded edges and corners bolted to the floor, and the seams at the bolts melted. This is where the nightmare begins. She is now a part of their collection.

A door slams, and the echoes never fade. Henrik Ibsen's A Doll's House (1879) is a play that doesn't shout—it lingers, unsettling and undeniable. Beneath the surface of a seemingly ordinary household lies a quiet storm, gathering strength with every polite exchange, every carefully placed smile. Nora Helmer is a wife, a mother, a woman adored. Her home is warm, her life is comfortable, her husband sings her praises. But when a long-kept secret begins to unravel, so does the delicate balance of her world.

Hate your job. Win the lottery. Get a superpower. Roman Martin is a normal guy until he happens upon a winning lottery ticket that grants him an incredible superpower. Unfortunately, Roman has to keep his new power a secret, and in a society that separates superpowereds from half-powereds, that's a big deal. There's also his troubled past, a dark secret that constantly looms over him, his coworker's mysterious death, and the fact that Roman is being blackmailed by two beautiful female spies at war with one another.

You never know who’s watching… ‘Spine-chilling … makes you realise how little you ever know anyone!’ The Sun ‘A brilliantly creepy and insightfully written debut. I tore through it’ Gillian McAllister ***** Corinne’s life might look perfect on the outside, but after three failed...

Anneliese Vos, 16-year-old daughter of detective Pieter Vos, disappeared three years ago. Her father's desperate search revealed nothing. One day, Laura Bakker, a trainee detective, visits to tell him that the daughter of local politician, Katja Prins, has gone missing in circumstances similar to Anneliese. Vos is drawn back into the life of a detective, hoping that somewhere will be a clue to his daughter’s fate….

In the gritty streets of Toledo, Ohio, Doll finds her world turned upside down. Her mother, April Jones, is back on drugs, and her guardian, Unc, winds up in jail, leaving her to face the world alone. Her first love, Zae, is the father of the baby she miscarried, and he has broken her heart. It seems as if all her friends are jealous and stab her in the back. After all the lies, drama, tears, and betrayals, she decides to move to Atlanta to be with her aunt and her younger sister, Fall.

It's 1938 in San Francisco: A world's fair is preparing to open on Treasure Island, a war is brewing overseas, and the city is alive with possibilities. Grace, Helen, and Ruby, three young women from very different backgrounds, meet by chance at the exclusive and glamorous Forbidden City nightclub. Grace Lee, an American-born Chinese girl, has fled the Midwest with nothing but heartache, talent, and a pair of dancing shoes. Helen Fong lives with her extended family in Chinatown, where her traditional parents insist that she guard her reputation like a piece of jade.

Roman has to keep his superpower a secret, which is increasingly difficult after a bounty has been placed on his head, his workplace is attacked, and someone close to him has turned up missing. With his past catching up to him, and his future murky at best, Roman heads to the Eastern Province alongside the Eastern spy known as Nadine, both of them looking into the disappearance of an entire class of people.

Dolls House, aka La maison des poupées, est un podcast intime et politique porté par Claude-Emmanuelle. À travers des récits courts et charnels (10-15 minutes), elle partage un regard trans sur le monde, mêlant mémoire, colère, beauté et survie queer. Né d’une urgence d’archiver nos pensées face à la montée du fascisme, ce projet artisanal, vulnérable et évolutif grandira avec le temps, les écoutes, et les voix qui s’y inviteront, saison après saison. Cette première saison explore le quotidien de Claude-Emmanuelle. D’autres voix viendront bientôt enrichir cette maison...

Nora seems to have it all – a loving husband, children and a comfortable life. But when a secret from her past threatens her carefully constructed world, she is forced to confront the stark realities of her marriage and the issues of her gender in society. The recording is followed by a fascinating conversation in which the actors talk how powerful and relevant the play still is today and how this unique project came to be. Exclusively for Audible the interview is followed by reviews of A Doll’s House, written between 1879 and 1900.

Roman Martin's life doesn't get any easier once he makes his way back from the Eastern Province. The shadow user named Hazrat is gunning for him, and Margo, the mysterious woman who has the same superpower as Roman, will go to any lengths to end his life prematurely. He still hasn't been approved to be an exemplar, and once he confesses to his teacher what he has been up to over the last week, including destroying an Eastern Province military facility, the odds of Roman ever being a superhero are slim to none.

Hate your job. Start all over. Become an assassin. Roman Martin's life continues to take twists and turns he could have never seen coming. A month after losing his power, Roman is greeted by an exemplar named Orange who has some damning information for him. Later, he's given an ultimatum that forces him to become a government assassin, where he's sent to the Western Province in pursuit of a Centralian fugitive he knows intimately. It's not something Roman is comfortable with doing, but if he hopes to survive and avoid prosecution by his own government, it may be his only choice.

Tasked with killing the Eastern spy known as Nadine, as well as risking his life to get information by traveling to a foreign country, Roman develops an exit strategy with a lot of working parts, some of which he has absolutely no control over. Exploiting telepaths, tricking his companions, his government, and even his former teacher, Roman does everything within his power to bring his exit strategy to fruition. But he's still being hunted by Margo, and once the Centralian Government learns of what he's been up to, Roman's enemies grow exponentially.

The play is significant for the way it deals with the fate of a married woman, who at the time in Norway lacked reasonable opportunities for self-fulfillment in a male-dominated world, despite the fact that Ibsen denied it was his intent to write a feminist play. It aroused a great sensation at the time and caused a "storm of outraged controversy" that went beyond the theatre to the world of newspapers and society.

A Doll's House, published in 1879, was the earliest of Ibsen's "social dramas", and the first of his works to attract attention outside of Scandinavia. The central theme of the play is a woman's right to individual self-development, and represents, as humourist Stephen Leacock observed of many Ibsen plays, "a profound problem stated but not solved".

Nora, a banker's pampered and petted wife, forges a signature to obtain money for her ailing husband. The play's theme, touting a woman's independence, shocked audiences at the time of its premiere.

Naomi is devastated when the sale of the apartment falls through, her dreams of moving to an amazing ‘forever home’ nearby with her family are momentarily dashed. But then a sweet-natured single mother named Summer appears, announcing her intention to buy Naomi’s old apartment. And all of a sudden, it looks like Naomi might get her new house after all. At first, it feels like Summer’s saved her life. But as soon as the sale goes through, Summer starts turning up at Naomi’s new house. She’s enrolled her child in Naomi’s daughter’s class. She’s dressing like Naomi.