Two iconic road movies. One winner.

In this episode of Too Old For This Shite, we pit Smokey and the Bandit against The Cannonball Run to find out which high speed classic still holds up and which one survives purely on charm, chaos, and moustaches.

If you love car movies, 70s/80s cinema, or Burt Reynolds at peak confidence, this episode is for you.

On this weeks show we fulfil the demands of our possessed toaster and share with you 13 of our favourite horror comedies. We try to pick some that you mightn't be too familiar with so tune in and see if there's any recommendations that might surprise you and your toaster.

This week we go head-to-head with two of horror’s most controversial reboots: Friday the 13th (2009) and A Nightmare on Elm Street (2010). One tried to modernise Jason by mashing together multiple sequels into a slick survival slasher. The other attempted to reboot Freddy and somehow drained all the fun out of the dream.

We break down what works, what absolutely doesn’t, and whether either remake understood the assignment. Is the Friday reboot secretly better than it gets credit for? And did Nightmare fail because it misunderstood Freddy, or because some things just shouldn’t be rebooted?

Expect strong opinions, franchise loyalty clashes, and a final verdict that may upset at least one group of slasher fans.

On this weeks Christmas spectacular we discuss a bunch of movies we like watching over Christmas which are a bit different from the normal Santa Claus V's the Martians .

Christopher Lee is Dracula ,but not all Draculas are created equal. This episode ranks every Christopher Lee Dracula film, from Hammer Horror classics to late era oddities, breaking down what works, what doesn’t, and where the fangs finally dull.

If you love Gothic horror, Hammer films, or arguing about ranking lists, this one’s for you.

This week we dive into a Christopher Lee vs. Peter Cushing double bill that proves the 70s were built different. It’s Creeping Flesh (1973) ,the story of a giant skeleton that may or may not bring doom, madness, and goo ,versus Horror Express (1972) ,the trans-Siberian creature feature where science, superstition, and a brain stealing alien duke it out aboard a very cursed train.

We break down which film delivers the better monsters, the better mayhem, the better Cushing performance, and who rocks the superior “I am far too tired for this eldritch shite” energy. Expect: gothic melodrama, killer practical effects, Victorian guilt, alien possession, and Telly Savalas showing up in Horror Express like he wandered in from another movie and refused to leave.

Which film truly rules the midnight-movie throne ,the slow-burn psychological horror of Creeping Flesh or the pulpy, creature-on-a-train madness of Horror Express?

Grab your lantern, grab your microscope, and maybe don’t touch any suspicious bones.

This week we dive head first into the glitter soaked stupidity of Zoolander (2001) ,Ben Stiller’s cult comedy masterpiece that somehow combines male modeling, high-stakes brainwashing, and one of the greatest walk-offs in cinema history.

We discuss how a movie about an air-headed supermodel trying to kill the Prime Minister of Malaysia became a cornerstone of early-2000s comedy. We celebrate Will Ferrell’s unhinged Mugatu, Owen Wilson’s golden-haired peace guru Hansel, and a supporting cast that feels like every celebrity who accidentally wandered onto set.

Is Zoolander still hysterical in 2025? Do the jokes land harder now that the fashion world is even dumber?

On this week's show we revisit the madness of Americas Next Top Model and discuss why reality TV shows from the 2000's were peak TV.