The Paris Trilogy
A Life in Three Stories
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The Paris Trilogy
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Hillary Huber
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'This is valuable writing. It has immense vitality. You will encounter a female narrator whose direct and bright-eyed stare at the world, and her self, is without shame or faux modesty. At the same time, it is also a deep study of existence, at various ages and stages in life.'
— Deborah Levy
'Swimming is a dreamy, bruised, and carnal book that pretty much no American would write and pretty much every American will thrill to read. Schneck’s “discovery of her body, at the age of fifty” is our encounter with an entrancing mind.'
— Lauren Collins
From celebrated author Colombe Schneck, in her first translation into English, The Paris Trilogy is three semi-autobiographical takes on a woman’s life, starting with Seventeen, progressing with Friendship, and then Swimming: A Love Story. Exploring questions of sexuality, bodily autonomy, femininity, friendship and loss, The Paris Trilogy is a moving meditation on a lifelong journey to reclaim the female body, accepting it for all its faults and learning to celebrate its strength.
The Paris Trilogy is translated into English by award-winning translators Natasha Lehrer and Lauren Elkin.
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Commentaires
‘The ‘movements’ of The Paris Trilogy thrum with life, sparkle with insight. It was an exhilarating read. I’ve never encountered a more perfect depiction of how the world shrinks when you understand that you’re a ‘girl’, rather than a ‘person’.’ (Natasha Brown)
‘Colombe Schneck writes with bracing intelligence and lucidity; she sees the world, and herself, with hard won clarity. A brave, beautiful, uncommonly tender book about love, death, sex and survival.’ (Katie Kitamura)
‘Seventeen mines a trauma all too common for women and is published at a time when France has just enshrined abortion rights in their constitution. I found it a tale of frank retrospection, a mature woman looking back on her naive self with love and respect. It is immensely readable and still sadly relevant. Give it to every young woman you know.’ (Monique Roffey)
