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Couverture de The Innocents

The Innocents

De : Michael Crummey
Lu par : Mary Lewis
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    Description

    People Magazine Book of the Week

    "Extraordinary." (Wall Street Journal)
    "Gripping." (Emma Donoghue, author of Room)
    "Dazzling." (Smith Henderson, author of Fourth of July Creek)
    "Fantastic." (Kevin Powers, author of Yellow Birds and A Shout in the Ruins)
    "Brilliant." (Ron Rash, author of Serena)

    From prizewinning author Michael Crummey comes a spellbinding story of survival in which a brother and sister confront the limits of human endurance and their own capacity for loyalty and forgiveness.

    A brother and sister are orphaned in an isolated cove on Newfoundland's northern coastline. Their home is a stretch of rocky shore governed by the feral ocean, by a relentless pendulum of abundance and murderous scarcity. Still children with only the barest notion of the outside world, they have nothing but the family's boat and the little knowledge passed on haphazardly by their mother and father to keep them.

    Muddling though the severe round of the seasons, through years of meager catches and storms and ravaging illness, it is their fierce loyalty to each other that motivates and sustains them. But as seasons pass and they wade deeper into the mystery of their own natures, even that loyalty will be tested.

    The Innocents is richly imagined and compulsively enjoyable, a riveting story of hardship and survival, and an unflinching exploration of the bond between brother and sister. By turns electrifying and heartbreaking, it is a testament to the bounty and barbarity of the world, to the wonders and strangeness of our individual selves.

    ©2019 Michael Crummey (P)2019 Random House Audio

    Commentaires

    "A gripping and credible page-turner about children surviving in the wilderness, but more than that: this Adam and Eve struggle to make sense of a world that’s somewhere between Eden and Hell. Michael Crummey writes like an avenging angel, never putting a word wrong." (Emma Donoghue, author of Room)

    "Michael Crummey’s The Innocents is a dazzling and myriad achievement. Set against the unforgiving Newfoundland frontier, this harrowing tale of two siblings eking out a teetering existence is difficult to witness and impossible to put to down.  But what makes this story timeless is Crummey's rich depiction of the human heart in extremis, the unflagging beat of life in a world that is too much to bear. Set aside whatever you’re reading and pick this up - The Innocents is a masterpiece." (Smith Henderson, author of Fourth of July Creek)

    "Michael Crummey’s new novel The Innocents is a fantastic read. Written in graceful and evocative prose, Ada and Evered's story blurs the boundary between the quotidian and the strange until it becomes a meditation on the curious fact of existence itself. A wonderfully provocative and insightful book." (Kevin Powers, author of Yellow Birds and A Shout in the Ruins)

    "Few novels have cast their spell on me as deeply as The Innocents. I am reminded of Dickens, not just the nineteenth-century setting and the imperiled children, but the artfulness: brilliant plot, unforgettable minor characters, perfect pacing. Yet Michael Crummey’s poetic voice and landscape are his own. The Innocents is brilliant." (Ron Rash, author of Serena)

    "Heartfelt, extraordinary.... Crummey delivers profound insight into how individuals grapple with the forces of nature, not only in the unpredictable environment, but in the mystifying interior of their temperaments, drives, and character. This story of how two guileless youngsters navigate life will have a deep emotional impact on its readers." (Publishers Weekly)

    "A gorgeous portrait of remote Newfoundland of yesterday with a remarkable story of human resilience at its core." (Booklist)

    "Page-turning.... An unusual, gripping period novel from a much-honored Canadian writer." (Kirkus starred review)

    "Moving.... The relentless bleakness is alleviated by the cinematic depiction of the surrounding wilderness, with Crummey’s prose recalling that of Jim Crace in its strange, archaic terminology and sense of timelessness." (Library Journal)

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