The Devil in the White City
Murder, Magic, and Madness at the Fair That Changed America
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The Devil in the White City
Lu par :
Scott Brick
Acheter pour 20,43 €
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Lu par :
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Scott Brick
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De :
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Erik Larson
À propos de ce contenu audio
A Kirkus Reviews Best Nonfiction Book of the Century
Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America’s rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair’s brilliant director of works and the builder of many of the country’s most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his “World’s Fair Hotel” just west of the fairgrounds—a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium.
Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.
The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson’s gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.© 2003 Erik Larson; (P) 2003 Books on Tape, Inc.
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Commentaires
“Engrossing . . . exceedingly well documented . . . utterly fascinating.” —Chicago Tribune
“A dynamic, enveloping book. . . . Relentlessly fuses history and entertainment to give this nonfiction book the dramatic effect of a novel. . . . It doesn’t hurt that this truth is stranger than fiction.” —The New York Times
"So good, you find yourself asking how you could not know this already." —Esquire
“Another successful exploration of American history. . . . Larson skillfully balances the grisly details with the far-reaching implications of the World’s Fair.” —USA Today
“As absorbing a piece of popular history as one will ever hope to find.” —San Francisco Chronicle
“Paint[s] a dazzling picture of the Gilded Age and prefigure[s] the American century to come.” —Entertainment Weekly
“A wonderfully unexpected book. . . Larson is a historian . . . with a novelist’s soul.” —Chicago Sun-Times
“A dynamic, enveloping book. . . . Relentlessly fuses history and entertainment to give this nonfiction book the dramatic effect of a novel. . . . It doesn’t hurt that this truth is stranger than fiction.” —The New York Times
"So good, you find yourself asking how you could not know this already." —Esquire
“Another successful exploration of American history. . . . Larson skillfully balances the grisly details with the far-reaching implications of the World’s Fair.” —USA Today
“As absorbing a piece of popular history as one will ever hope to find.” —San Francisco Chronicle
“Paint[s] a dazzling picture of the Gilded Age and prefigure[s] the American century to come.” —Entertainment Weekly
“A wonderfully unexpected book. . . Larson is a historian . . . with a novelist’s soul.” —Chicago Sun-Times
Thus, the narrative basically alternates between the actions of luminaries such as Daniel Burnham and Frederick Law Olmsted and those of a mad criminal. A third plot is also meshed in, regarding another madman living in his delusions.
Though the three series of characters never meet, there is initially a unity of time and place and a strong suspense is developed.
Sadly, about three quarters of the way through, this unity is lost as the Exhibition is closed, the murderer carries his deeds to various other locations such as Philadelphia and Toronto and the madman has been arrested.
The epilogue however does bring all the loose ends together and tells of the final fate of all major protagonists.
There clearly was an outstanding amount of research carried out by the author although, as he himself mentions, his imagination was required to make things fit together. He may also be criticized for his overly lengthy macabre descriptions that appear unnecessary.
Though not perfect, this partially fictional work will certainly prove worthwhile, particularly to those interested in architecture and urban planning.
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