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This is one of the defining novels of English writer Julian Barnes. An entertaining melange of stories starting with a contemporary account of the launch of Noah's Ark takes us into unexpected areas of human foibles, activities, and tendencies.

In May 1937, a man in his early 30s waits by the lift of a Leningrad apartment block. He waits all through the night, expecting to be taken away to the Big House. Any celebrity he has known in the previous decade is no use to him now, and few who are taken to the Big House ever return.

'You put together two things that have not been put together before. And the world is changed...' Julian Barnes's new book is about ballooning, photography, love and grief; about putting two things, and two people, together, and about tearing them apart. One of the judges who awarded him the 2011 Man Booker Prize described him as 'an unparalleled magus of the heart'. This book confirms that opinion.

Flaubert’s Parrot deals with Flaubert, parrots, bears and railways; with our sense of the past and our sense of abroad, with France and England, life and art, sex and death, George Sand and Louise Colet, aesthetics and redcurrant jam, and with its enigmatic narrator, a retired English doctor, whose life and secrets are slowly revealed.

The adolescent Christopher and his soul mate, Toni, had sneered at the stifling ennui of Metroland, their cosy patch of suburbia on the Metropolitan line. They had longed for Life to begin - meaning Sex and Freedom - to travel and choose their own clothes. Then Chris, at 30, starts to settle comfortably into bourgeois contentment himself. Luckily, Toni is still around to challenge such backsliding.

Tony Webster and his clique first met Adrian Finn at school. Sex-hungry and book-hungry, they would navigate the girl-less sixth form together, trading in affectations, in-jokes, rumour, and wit. Maybe Adrian was more serious than the others, certainly more intelligent, but they all swore to stay friends for life. Now Tony is retired. He’s had a career and a single marriage, a calm divorce. He’s certainly never tried to hurt anybody. Memory, though, is imperfect. It can always throw up surprises, as a lawyer’s letter is about to prove.

As every schoolboy knows, you can fit the whole of England on the Isle of Wight. Grotesque, visionary tycoon Sir Jack Pitman takes the saying literally and does exactly that. He constructs on the island 'The Project', a vast heritage centre containing everything 'English', from Big Ben to Stonehenge, from Manchester United to the white cliffs of Dover. The project is monstrous, risky and vastly successful. In fact, it gradually begins to rival 'Old' England and even threatens to supersede it.

In the summer of 1885, three Frenchmen arrived in London for a few days’ shopping. One was a Prince, one was a Count, and the third was a commoner with an Italian name, who four years earlier had been the subject of one of John Singer Sargent’s greatest portraits. The three men's lives play out against the backdrop of the Belle Epoque in Paris. The beautiful age of glamour and pleasure more often showed its ugly side: hysterical, narcissistic, decadent and violent, a time of rampant prejudice and blood-and-soil nativism, with more parallels to our own age than we might imagine.

In this engaging and erudite essay, critically acclaimed writer Julian Barnes explores what is involved when we change our minds: about words, about politics, about books; about memories, age and time.

This novel is based on Arthur Conan Doyle's extraordinary real-life fight for justice. Arthur and George grow up worlds and miles apart in late 19th-century Britain: Arthur in shabby-genteel Edinburgh, George in the vicarage of a small Staffordshire village. Arthur becomes a doctor, and then a writer, George a solicitor in Birmingham. Arthur is to become one of the most famous men of his age; George remains in hardworking obscurity. But as the new century begins, they are brought together by a sequence of events which made sensational headlines at the time as The Great Wyrley Outrages.

No one has a better perspective on life on both sides of the channel than Julian Barnes. In these exquisitely crafted stories spanning several centuries, he takes as his universal theme the British in France: from the last days of a reclusive English composer, the beef consuming 'navvies' labouring on the Paris-Rouen railway to a lonely woman mourning the death of her brother on the battlefields of the Somme.

Julian Barnes' new book is, among many things, a family memoir, an exchange with his brother (a philosopher), a meditation on morality and the fear of death, a celebration of art, an argument with and about God, and homage to the French writer Jules Renard. Though he warns us that 'this is not my autobiography', the result is a tour of the mind of one of our most brilliant writers.

Eine Hommage an die Philosophie. Neil, gescheiterter Schauspieler, Vater und Ehemann, besucht im Abendstudium eine Vorlesung zu Kultur und Zivilisation und ist fasziniert von der stoischen und anspruchsvollen Professorin Elizabeth Finch. Er hat zwar immer wieder Affären, doch prägt das Ringen um ihre Anerkennung sein Leben. Auch nach Beendigung des Studiums bleiben die beiden in Kontakt.

In a collection that is wise, funny, clever and moving, Julian Barnes has created characters whose passions and longings are made all the stronger by the knowledge that, for them, time is almost at an end.

The Pedant's ambition is simple. He wants to cook tasty, nutritious food; he wants not to poison his friends; and he wants to expand, slowly and with pleasure, his culinary repertoire. A stern critic of himself and others, he knows he is never going to invent his own recipes (although he might, in a burst of enthusiasm, increase the quantity of a favourite ingredient). Rather, he is a recipe-bound follower of the instructions of others. It is in his interrogations of these recipes, and of those who create them, that the Pedant's true pedantry emerges.

In Talking It Over, Gillian and Stuart were married until Oliver - witty, feckless Oliver - stole her away. In Love, etc, Julian Barnes revisits Stuart, Gillian, and Oliver, using the same intimate technique of allowing the characters to speak directly to the listener, to whisper their secrets, to argue for their version of the truth… Love, etc is a compelling exploration of contemporary love and its betrayals.

Stoyo Petkanov, the deposed Party leader of a former Soviet satellite country, is on trial. His adversary, the prosecutor general, stands for the new government's ideals and liberal certainties and is attempting to ensare Petkanov with the dictator's own totalitarian laws. But Petkanov is not beaten yet. He has been given his chance to fight back, and he takes it with a vengeance, to the increasing discomfort and surprise of those around him.

A brilliant, moving, poignant collection of stories, from the author of Cross Channel and The Lemon Table.The stories in Julian Barnes’ long-awaited third collection are attuned to rhythms and currents: of the body, of love and sex, illness and death, connections and conversations. Each character is bent to a pulse, propelled on by success and loss, by new beginnings and endings.

Жизнь человека как череда стрижек. Супружеская измена. Классическая русская литература. Былая любовь. Рассказы в сборнике "Лимонный стол" повествуют о разном, но всех их объединяет, во-первых, тема старения и перемен, приходящих с возрастом, а во-вторых, блистательный, сдержанный стиль Джулиана Барнса: современного классика английской литературы. Его юмор никогда не бывает громким — это изящный нюанс, украшающий повествование, а трагедия в его исполнении неизбежно имеет оттенок сатиры.

Julian Barnes' neues Hörbuch handelt von Ballonfahrt, Fotografie, Liebe und Verlust. Davon, dass man zwei Menschen oder zwei Dinge verbindet und sie wieder auseinanderreißt. Wir lernen Nadar kennen, Pionier der Ballonfahrt und einer der ersten Fotografen, die Luftaufnahmen machten, sowie Colonel Fred Burnaby, der zum eigenwilligen Bewunderer der extravaganten Schauspielerin Sarah Bernhardt wird. Und wir hören von Julian Barnes' eigene Trauer über den Tod seiner Frau - schonungslos offen, präzise und tief berührend.