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A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family's multigenerational transformation from what is called Black to what is assumed to be White. Thomas Chatterton Williams, the son of a "Black" father from the segregated South and a "White" mother from the West, spent his whole life believing the dictum that a single drop of "Black blood" makes a person Black. This was so fundamental to his self-conception that he'd never rigorously reflected on its foundations....

Into Williams's childhood home-a one-story ranch house-his father crammed more books than the local library could hold. "Pappy" used some of these volumes to run an academic prep service; the rest he used in his unending pursuit of wisdom. His son's pursuits were quite different: "money, hoes, and clothes."

A reckoning with the way we choose to see and define ourselves, Self-Portrait in Black and White is the searching story of one American family's multi-generational transformation from what is called black to what is assumed to be white. Thomas Chatterton Williams, the son of a 'black' father from the segregated South and a 'white' mother from the West, spent his whole life believing the dictum that a single drop of 'black blood' makes a person black.

An incisive, culturally observant analysis of the evolving mores, manners and taboos of social justice (“anti-racist”) orthodoxy, which has profoundly influenced how we think about diversity and freedom of expression, often with complex or paradoxical consequences.