Résultats lu par "Michael Walsh" dans Toutes les catégories

Weaving together hints of Snow White and Sleeping Beauty with a shimmering thread of dark magic, this twist on classic fairy tales will hold readers spellbound from start to finish. On the eve of her wedding, a young queen sets out to rescue a princess from an enchantment. She casts aside her fine wedding clothes, takes her chain mail and her sword and ventures into the tunnels under the mountain towards the sleeping kingdom. This queen will decide her own future – and the princess who needs rescuing is not quite what she seems.

Finding themselves profoundly disappointed by their human family, being left home from the family vacation they have always been a part of, and having to take care of themselves, seven dogs have to decide what to do next.

From Southwestern Colorado to the Antarctic, from the Tree of Life to the depths of Hell, Rex Rian has written the most trying existential questions on life, love, and the separation of self and other into fiction. Follow Austin Davis and Taylor Shaffer as they work their way up the ladder of spiritual ascension and learn how to sacrifice themselves to save one another and the world at large.

Without an understanding and appreciation of the culture we seek to preserve and protect, the defense of Western civilization is fundamentally futile; a culture that believes in nothing cannot defend itself, because it has nothing to defend. In this profound and wide-ranging historical survey, Michael Walsh illuminates the ways that the narrative and visual arts both reflect and affect the course of political history, outlining the way forward by arguing for the restoration of the heroic narrative that forms the basis of all Western cultural and religious traditions.

In the aftermath of World War II, America stood alone as the world's premier military power. Yet its martial confidence contrasted vividly with its sense of cultural inferiority. Still looking to a defeated and dispirited Europe for intellectual and artistic guidance, burgeoning transnational elite in New York and Washington embraced not only the war's refugees but many of their ideas as well, and nothing has proven more pernicious than those of the Frankfurt School and its reactionary philosophy of "critical theory".

What is heroism? What are its moral components - altruism, love, self-sacrifice? Why was it once celebrated, and now often dismissed as anachronistic? In this dramatic and readable account of last stands in history - famous or otherwise - Walsh explores the stakes that led men at very different times and places to face overwhelming odds and certain death for the sake of family, home and country.

For anyone who has been intimidated, overwhelmed, or just plain confused by what they think opera is, Who’s Afraid of Opera? offers a lively, easy-to-follow guide to what author Michael Walsh describes as “the greatest art form yet invented by humankind.” From opera’s origins in Renaissance Italy to the Who’s rock odyssey “Tommy”, and Stephen Sondheim’s “Into the Woods”, Walsh explores what opera is and what it’s not, what makes a great singer, and why it takes Tristan so long to die.

A sequel to Michael Walsh’s Last Stands, his new book A Rage to Conquer is a journey through the twelve of the most important battles in Western history. As Walsh sees it, war is an important facet of every culture—and, for better or worse, our world is unthinkable without it. War has been an essential part of the human condition throughout history, the principal agent of societal change, waged by men on behalf of, and in pursuit of, their gods, women, riches, power, and the sheer joy of combat.

Inspired by his own experiences, Michael is passionate about promoting emotional well-being, particularly among young males. Through his writing, he aims to encourage emotional awareness and provide valuable insights into navigating emotions and building healthy relationships. Michael believes that nurturing emotional intelligence is essential for personal growth and overall happiness.