Résultats lu par "Geraldine Hakewill" dans Toutes les catégories

The flight attendant working a shift on her birthday. The mother struggling alone with two young children. The newlyweds excited about their tropical honeymoon . The overworked father missing his kid’s big show. The young man returning from his best friend’s funeral. The ER nurse wondering what retirement will bring. All strangers. All unsuspecting. Each with a life heading in a particular direction – or so they imagine.

Flight attendant Allegra Patel loves her job, but today is her twenty-eighth birthday and she’d rather not be placating a plane full of passengers unhappy about a long delay. There’s the well-dressed man in seat 4C desperate not to miss his daughter’s musical. A harried mother frantically tries to keep her toddler and baby quiet. Honeymooners still in their wedding finery dream of their new lives, while a chatty emergency room nurse dreams of retirement.

As the rest of the world lies sleeping, Eleanor straps her infant daughter, Amy, into the back of her car. This is the moment she knew must come, when they will walk out on her husband, Leon, and a marriage in ruins since his return from Vietnam. Together, she and Amy will journey to blue mountain, a place of enchantment and refuge that lit up Eleanor's childhood. As the car eats up the miles, so Eleanor's mind dives back into her fractured relationship with her mother, Kitty. Kitty who asked for so much from life, from love, from family.

In the Time of Foxes is both compellingly listenable and deeply insightful about the times in which we live, each narrative a compressed novel. With an exhilarating span of people and places, it shows the short-story collection at its most entertaining and rewarding and introduces Jo Lennan as an irresistible new storyteller.

With electrifying boldness and fearlessness of vision, Holland-Batt confronts what it means to be mortal in an astonishing and deeply humane portrait of a father’s Parkinson’s Disease, and a daughter forged by grief. Opening and closing with startling elegies set in the charged moments before and after a death, and fearlessly probing the body’s animal endurance, appetites and metamorphoses, The Jaguar is marked by Holland-Batt’s lyric intensity and linguistic mastery, along with a stark new clarity of voice.