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Set entirely on a London bus travelling from Hoxton to Highbury and taking place over just 36 minutes, the events of The 392 unfold through a cast of charismatic characters coming from very different worlds. On the 392 are all the familiar faces you might expect to see on any bus ride through inner-city London in the grip of gentrification; delinquent school kids, the high-flyers, the weird, the wonderful and the homeless. These Londoners share two things: a bus journey and a threat. A threat which is ready to blow apart everything they know.

It's been said that, after 9/11, the 2008 financial crash and the COVID-19 pandemic, we're a more fearful society than ever before. Yet fear, and the panic it produces, have long been driving forces - perhaps the driving force - of world history: fear of God, of famine, war, disease, poverty, and other people. In Fear: An Alternative History of the World, Robert Peckham considers the impact of fear in history, as both a coercive tool of power and as a catalyst for social change.

It all begins the night a leaflet comes through the door of unsuccessful novelist Herman Orff, promising a magical cure for writer's block. The strange treatment plunges him into a hallucinatory London dream world populated by figures mythical and real: a severed talking head, Vermeer's girl with a pearl earring, his lost love Luise and, beneath it all, the Kraken awaiting. As Herman will discover, creating art is a tough business.