Résultats de "Susan Orlean" dans Toutes les catégories

One of art's purest challenges is to translate a human being into words. The New Yorker magazine has met this challenge more often and more successfully than any other modern American journal. Starting with its light fantastic evocations of the glamorous and the idiosyncratic in the '20s and continuing to the present, with complex pictures of such contemporaries as Marlon Brando and Richard Pryor, The New Yorker's Profiles have presented readers with a vast and brilliant portrait gallery.

Infused with Orlean’s signature warmth and wit, Joyride is a must-listen for anyone who hungers to start, build, and sustain a creative life. Orlean inspires us to seek out daily inspiration and rediscover the marvels that surround us.

Writer Susan Orlean (The Orchid Thief, The New Yorker) and actor Sarah Thyre (Strangers with Candy, Late Night w/ Conan O'Brien) co-host CRYBABIES, a deeply funny, often intimate, and surprisingly moving podcast about the things that make us cry. Each episode features guests of every creative stripe - writers, actors, musicians, comedians - who discuss the music, books, movies, television, and other cultural cues that make them weepy. These candid conversations with your favorite artists make CRYBABIES an original, must-listen podcast. Looking for the archives? All episodes older than 6 months...

“How we interact with animals has preoccupied philosophers, poets, and naturalists for ages,” writes Susan Orlean. Since the age of six, when Orlean wrote and illustrated a book called Herbert the Near-Sighted Pigeon, she’s been drawn to stories about how we live with animals, and how they abide by us. Now, in On Animals, she examines animal-human relationships through the compelling tales she has written over the course of her celebrated career.

Susan Orlean has a full-on phobia of flying - an epic inconvenience for an author on a national book tour. With her trademark curiosity, she decides to rewire her thinking through hypnosis. Along the way, Susan discovers a lot about the unconscious mind, suggestibility, Mesmer, Freud, today’s cutting-edge treatments, and the dulling power of a sonorous voice. Most of all, she learns what it takes to close her eyes, open them again at thirty thousand feet, and finally be able to exhale. And you can too.

He is old enough to begin imagining that he will someday get married, but at 10 he is still convinced that the best thing about being married will be that he will be allowed to sleep in his clothes. His father once observed that living with Colin was like living with a Martian who had done some reading on American culture. As it happens, Colin is not especially sad or worried about the prospect of growing up, although he sometimes frets over whether he should be called a kid or a grown-up; he has settled on the word kid-up.

Kwabena Oppong, who is the king and supreme ruler of the African Ashanti tribespeople living in the United States of America, has a throne in his living room. The American Ashanti king is elected every two years from the ranks of an Ashanti social and cultural organization called the Asanteman Association of the United States of America, Inc. The first stateside king, Kwadwo Tuffuor, was a plumber. The second, Kusi Appouh, repaired air-conditioners and refrigerators. Kwabena Oppong is the third king; he drives a cab.

My Kind of Place takes listeners on a series of remarkable journeys in a uniquely witty and sophisticated travel audiobook. In this irresistible collection of adventures far and near, Susan Orlean coducts a tour of the world via its subcultures, from the heart of the African music scene in Paris to the World Taxidermy Championships in Springfield, Illinois, and even into her own apartment, where she imagines a very famous houseguest taking advantage of her hospitality.

The life and times of a girl who has always loved animals, or how I went from dreaming about Rin Tin Tin to having dogs, cats, chickens, fish, cattle, turkeys, and guinea fowl, with guest appearances by horses, lions, and canaries.

The Orchid Thief is the true story of John Laroche, an obsessed Florida plant dealer willing to go to any lengths to steal rare and protected wild orchids and clone them, all for a tidy profit. But the morality of Laroche's actions do not drive the narrative of Orlean's strange, compelling, and hilarious book. She is much more interested in the spectacle this unusual man creates through his actions, including one of the oddest legal controversies in recent memory.

In Susan Orlean's mesmerizing true story of beauty and obsession is John Laroche, a renegade plant dealer and sharply handsome guy, in spite of the fact that he is missing his front teeth and has the posture of al dente spaghetti. In 1994, Laroche and three Seminole Indians were arrested with rare orchids they had stolen from a wild swamp in south Florida that is filled with some of the world's most extraordinary plants and trees. Laroche had planned to clone the orchids and then sell them for a small fortune to impassioned collectors.

"He believed the dog was immortal." So begins Susan Orlean’s sweeping, powerfully moving story of Rin Tin Tin’s journey from orphaned puppy to movie star and international icon. From the moment in 1918 when Corporal Lee Duncan discovers Rin Tin Tin on a World War I battlefield, he recognizes something in the pup that he needs to share with the world. Rin Tin Tin’s improbable introduction to Hollywood leads to the dog’s first blockbuster film and, over time, the many radio programs, movies, and television shows that follow.

The Best American series, launched in 1915, is the premier annual showcase for the country’s finest short fiction and nonfiction, and it is the most respected—and most popular—of its kind. New York Times bestselling author Susan Orlean selects twenty pieces that represent the best science and nature writing published the previous year and explores our ever-changing world.

On the morning of April 29, 1986, a fire alarm sounded in the Los Angeles Public Library. As the moments passed, the patrons and staff who had cleared out of the building realized this was not the usual false alarm. As one fireman recounted later, “Once that first stack got going, it was good-bye, Charlie.” The fire was disastrous: It reached 2,000 degrees and burned for more than seven hours. By the time it was extinguished, it had consumed 400,000 books and damaged 700,000 more.