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Portugal, 1750s. Cecilia Lamb knew being a sea captain’s wife would mean a life of waiting and watching the horizon for her husband’s ship. But John has been gone longer than any voyage should last. Everyone else has given up hope of his return. But she knows in her bones that he is not lost. Gone, but not lost. Barely able to tear her eyes from the shimmering sea, she feels drawn to the sun-baked shoreline, and amid the bustle of the docks she feels certain that her husband will come back to her. Though along with that feeling is another sense – that something darker is coming.

It’s 1923, and at Thistlecrook House, a forbidding home on the Scottish border, the roaring '20s seem not to have arrived. But Simon Christie has - a young man who can’t believe his luck when he gets a job cataloguing the infamous art collection of the Mordrake family. Yet from the moment he gets off the train at the deserted village station he can’t shift a headache and a sense that there’s more to the house and its gruesome selection of pictures.

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