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From the debris of her troubled early life, Lidia Yuknavitch weaves an astonishing tale of survival. A kind of memoir that is also a peon to the pursuit of beauty, self-expression, desire - for men and women - and the exhilaration of swimming, The Chronology of Water lays a life bare. It is a life that navigates and transcends abuse, addiction, self-destruction and the crushing loss of a stillborn child. It is the life of a misfit, one that forges a fierce and untrodden path to creativity and comes together in the shape of love.

This is not your mother's memoir. In The Chronology of Water, Lidia Yuknavitch expertly moves the listener through issues of gender, sexuality, violence, and the family from the point of view of a lifelong swimmer turned artist. In writing that explores the nature of memoir itself, her story traces the effect of extreme grief on a young woman's developing sexuality that some define as untraditional because of her attraction to both men and women.

Lidia Yuknavitch is a proud misfit. That wasn't always the case. It took Lidia a long time to not simply accept but appreciate her misfit status. Having flunked out of college twice (and maybe even a third time that she's not going to tell you about), with two epic divorces under her belt, an episode of rehab for drug use, and two stints in jail, she felt like she would never fit in. She was a hopeless misfit. She'd failed as daughter, wife, mother, scholar - and yet the dream of being a writer was stuck like "a small sad stone" in her throat.

An inspirational memoir about how Jennifer Pastiloff's years of waitressing taught her to seek out unexpected beauty, how hearing loss taught her to listen fiercely, how being vulnerable allowed her to find love, and how imperfections can lead to a life full of wild happiness. Centered around the touchstone stories Jen tells in her popular workshops, On Being Human is the story of how a starved person grew into the exuberant woman she was meant to be all along by battling the demons within and winning.

Lidia Yuknavitch teams up with 12 of today's sharpest writers to change the way we think about menopause. Exploring a variety of themes from freedom and mortality, to sexuality and the patriarchy, THE BIG M is a kaleidoscope of unique perspectives on a universal experience, each writer navigating the profound changes in their bodies and lives in their own ways. At times funny, insightful, subversive, and inspiring, THE BIG M aims to rebrand—and reinvent—our understanding of menopause.

It is 2085 and Laisve is learning to use the ancient waterways to travel through water and time. Sifting through the detritus of a fallen city known as The Brook, she discovers a talisman that will connect her with people from the past two centuries, including a squad of laborers at work on a huge national monument to liberty. As waters rise and a police state encroaches, Laisve must find her way back to the early days of her imperfect country, to forge a bond that might save all their lives—and their shared dream of freedom.

Lidia Yuknavitch has an unmatched gift for capturing stories of people on the margins—vulnerable humans leading lives of challenge and transcendence. Now, Yuknavitch offers an imaginative masterpiece: the story of Laisvė, a motherless girl from the late 21st century who is learning her power as a carrier, a person who can harness the power of meaningful objects to carry her through time. Sifting through the detritus of a fallen city known as the Brook, she discovers a talisman that will mysteriously connect her with a series of characters from the past two centuries.

In the near future, world wars have transformed the earth into a battleground. Fleeing the unending violence and the planet's now-radioactive surface, humans have regrouped to a mysterious platform known as CIEL, hovering over their erstwhile home. The changed world has turned evolution on its head: the surviving humans have become sexless, hairless, pale-white creatures floating in isolation, inscribing stories upon their skin.

In the near future, world wars have transformed the earth into a battleground. Fleeing the unending violence and the planet's now-radioactive surface, humans have regrouped on a mysterious platform known as CIEL, hovering over their erstwhile home. The changed world has turned evolution on its head: The surviving humans have become sexless, hairless, pale-white creatures floating in isolation, inscribing stories upon their skin.

An eight-year-old trauma victim is enlisted as an underground courier, rushing frozen organs through the alleys of Eastern Europe. A young janitor transforms discarded objects into a fantastical, sprawling miniature city until a shocking discovery forces him to rethink his creation. A brazen child tells off a pack of schoolyard tormentors with the spirited invention of an 11th commandment. A wounded man drives eastward, through tears and grief, toward an unexpected transcendence.

La cronologia dell’acqua è la storia di una vita che “non segue alcun ordine. Gli avvenimenti non rispondono al rapporto di causa ed effetto come vorremmo. È tutta una serie di frammenti e ripetizioni e trame,” perché “questo condividono il linguaggio e l’acqua”. Il nuoto – il corpo che si perde e si ritrova nell’acqua –, e la letteratura – il desiderio di scrivere senza compromessi –, sono le uniche due certezze di Lidia.

Drawing on her background—her father's abuse, her complicated dynamic with her disabled mother, the death of her child, her sexual relationships with men and women—and her creative life as an author and teacher, Yuknavitch has come to understand that by using the power of literature and storytelling to reframe her memories, she can loosen the bonds that have enslaved her emotional growth. Armed with this insight, she allows herself to look with the eye of an artist at the wounds she suffered and come to understand the transformational power this has to restore her soul.