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At Penford Manor, the guests are arriving to celebrate the start of the grouse-hunting season: lords and ladies, barons and baronesses, a Member of Parliament - and chemistry graduate turned detective, Miss Clara Vale, an old friend of the family. But Clara is no ordinary guest: she's secretly investigating a blackmail plot against Lady Penford herself. Someone in the house is already up to no good, but when the body of a local trade unionist is found in the grounds, Clara's case gets even more complicated because a clue left by the body links it to the blackmail note.

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1920. Poppy Denby, an aspiring journalist, arrives in London to look after her ailing Aunt. She encourages Poppy to apply for a job at The Daily Globe, but on her first day, a senior reporter is killed and Poppy is tasked with finishing his story. It involves the mysterious death of a suffragette seven years earlier - an event some powerful people would prefer forgotten....

Reporter sleuth Poppy Denby is asked to investigate the mysterious death of an up-and-coming female scientist in an Oxford laboratory known as the Crystal Crypt. The official verdict is that Dr June Leighton died in a tragic accident, but Dr Leighton's lab assistant believes it was murder. However, when Poppy discovers that the colleague has spent time in a mental institution and has an unresolved murder in her own past, Poppy wonders if she is being misled. Then, another female academic is attacked, and Poppy herself becomes a target.

Even as recently as the 1920s the historical lack of great female writers was often considered as evidence of women's inferiority. Virginia Woolf disagreed. In her 1929 essay A Room of One's Own, she argues that creativity is impossible without privacy and freedom from financial worries - and that throughout history women have had neither. As a result, no tradition of great female writing existed to inspire women. Woolf's focus on the everyday suppression of women was a turning point.

Poppy Denby is furious with Rollo, who has gambled away his position at the Daily Globe and is being banished to New York. That is, until she discovers he plans to take her with him to work at the New York Times! Poppy can’t wait, but her hopes are crushed when she is allocated The Death Beat - writing obituaries. But Poppy has a nose for a story, and when a body is found in a luxury penthouse apartment she starts to investigate. She unravels a trail of illegal immigrants, forced labour, sex scandals and an unexpected ghost from her past.

Poppy Denby, Arts and Entertainment Editor at The Daily Globe, covers an exhibition of Russian art, hosted by White Russian refugees, including members of the surviving exiled Romanov royal family. There is an armed robbery, a guard is shot and the largest Faberge egg in the collection is stolen. The egg itself is valuable, but more so are the secrets it contains within - secrets that could threaten major political powers. Suspects are aplenty, including the former keeper of the Faberge egg, a Russian Princess called Selena Romanova Yusopova.

It's 1924 and investigative reporter Poppy Denby is heading up to Northumberland to celebrate her father's 60th birthday. She stops off in Newcastle en route to visit her Aunt Dot, who has temporarily relocated from London to renovate a house she's inherited. One of Aunt Dot's guests is the world renowned artist Agnes Robson, who is staging an exhibition at the Laing Art Gallery. Reluctantly, Poppy is roped in to help when the artist's press liaison man falls ill....

1930: Miss Clara Vale, chemistry major turned detective, is taking a night off from sleuthing to attend the launch party of a new exhibition at the Hancock Museum in Newcastle. But when the piece de resistance, a rare ornate sarcophagus, is finally opened and it turns out the mummy inside it is a fake it looks like there is no rest for Clara after all... Later that night, she is summoned back to the museum and asked to investigate a series of stolen Egyptian artefacts.

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Glenda Jackson stars in this compelling drama series inspired by Émile Zola's Rougon-Macquart series, highlighting different aspects of contemporary Britain. In 2015, double Oscar winner Glenda Jackson made a triumphant return to acting in Radio 4's Blood, Sex and Money, a radical reimagining of Émile Zola's Rougon-Macquart cycle. Now, she reprises her role as matriarch/narrator in this eclectic mix of dramas inspired by Zola's novels, but set in modern Britain.

Poppy Denby is intrigued when she is invited to attend the auction for the death mask of Nefertiti. Held on the country estate of Sir James Maddox, a famous explorer, the auction promises to be a controversial and newsworthy affair. Representatives from the world's leading museums are gathering to bid on the mask, which was discovered in Egypt. Poppy quickly sniffs out that the mask was not the only thing found that night: the underground chamber also contained a dead body.

1929: Miss Clara Vale is a woman ahead of her time. Rather than attending Oxford to bag an eligible Duke (as her mother, Lady Vale, so desperately hoped), she threw herself into a degree in chemistry, with aspirations to become a scientist in her own right. But the world isn't ready for Clara. Unable to land a job in science because she's a woman, she is stuck behind the desk at a dingy London library. Until her estranged Uncle dies suddenly, leaving her his private detective agency, and laboratory, in his will.

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1929, December: Snow is falling, and Miss Clara Vale is wrapped up against the cold as she braves the icy streets of Newcastle in her latest investigation. When a young actress from the touring pantomime of Cinderella arrives at her door, Clara isn't sure what to make of her request. Sybil Langford, the legendary fairy godmother in their production, has mysteriously vanished. Could Clara help track her down? But a few days into Clara's search, Sybil's body is pulled from an icy river, and Clara finds herself in the middle of yet another murder mystery.

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