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Friedrich Nietzsche gilt bis heute als Spitze der philosophischen Nahrungskette. Sein umfassendes Werk deckt wissenschaftliche, künstlerische, philosophische und philologische Schriften ab. Nietzsche beeinflusste Maler, Literaten, Musiker, Wissenschaftler und Künstler aller sogenannten Genres und birgt nach wie vor gesellschaftliches Dynamit. Gerade wegen der Zeitlosigkeit und Aktualität seiner Schriften haben es keinerlei Gruppierungen jeglicher Art versäumt, sich schamlos an aus dem Zusammenhang gerissenen Formulierungen Nietzsches zu bedienen und auf ihre Fahnen zu schmieren.

The philosopher Friedrich Nietzsche's autobiography, Ecce Homo, was the last prose work that he wrote before his illness in 1889. Coming at the end of an extraordinarily productive year in which he had produced The Twilight of the Idols and The Antichrist, Nietzsche shuns any pretense at modesty with chapter titles include “Why I am so Wise”, “Why I am so Clever” and “Why I Write Such Excellent Books”. His translator Anthony M. Ludovici states, Ecce Homo “is not only a coping-stone worthy of the wonderful creations of that year, but also a fitting conclusion to his whole life.

By turns illuminating, infuriating, bewildering, and amusing, Nietzsche's masterwork covers a lot of ground. He rejects most strands of Western thought, especially on the subject of morality, and develops his own theme demanding that individuals embrace their own "will to power" to give life intention and direction. First published in German in 1887, this translation was produced in 1907 by Helen Zimmern, a long-standing acquaintance of Nietzsche.

In irgendeinem abgelegenen Winkel des in zahllosen Sonnensystemen flimmernd ausgegossenen Weltalls gab es einmal ein Gestirn, auf dem kluge Tiere das Erkennen erfanden. Es war die hochmütigste und verlogenste Minute der "Weltgeschichte": aber doch nur eine Minute. Nach wenigen Atemzügen der Natur erstarrte das Gestirn, und die klugen Tiere mussten sterben. - So könnte jemand eine Fabel erfinden und würde doch nicht genügend illustriert haben, wie kläglich, wie schattenhaft und flüchtig, wie zwecklos und beliebig sich der menschliche Intellekt innerhalb der Natur ausnimmt.

Drei philosophische Grundlagenwerke Nietzsches in einer Box: 1. "Über Wahrheit und Lüge im außenmoralischen Sinn": In diesem Essay behandelt Nietzsche die Entstehung und Bedeutung von Sprache. 2. "Die Geburt der Tragödie aus dem Geiste der Musik": Hier legt Nietzsche den Grundstein seiner kulturphilosophischen Gedankenwelt. 3. "Also sprach Zarathustra": Das dichterisch-philosophische Hauptwerk Nietzsches, in dem er die Ideen des "Übermenschen" und des "Willen zur Macht" zum ersten Mal ins Spiel bringt.

While we tend to think of the great thinkers as hailing from Ancient Greece, the 19th century has had more than its fair share of sharp minds. "400 Quotations from the Great Philosophers of the 19th Century" is a collection of reflections, insights, and observations from some of the best brains of that era. A superb book for dipping in and out of, this makes a great gift for anyone with an interest in history or philosophy. Søren Kierkegaard (1813 – 1855) was born in Copenhagen.

William Shakespeare, Plato, Buddha, Albert Einstein, Winston Churchill, and Napoleon Bonaparte are just some of the famous names that make up this collection of 500 famous quotes. With ancient sages, politicians, military leaders, philosophers, and physicists imparting their wisdom, this carefully crafted compilation will not only develop your cultural knowledge but entertain, amuse, and inspire you too. "Develop your General Culture in 1000 Quotes" will delight those who would like a boost of cultural literacy.

In this audiobook, a few of Nietzsche’s most interesting sayings are arranged. They show nothing of his wonderfully acute processes of ratiocination, but only his conclusions. Nevertheless, they may serve to give some notion of the manner, as well as of the matter, of his philosophy. He was a ruthless destroyer—the most savage and resolute, it is probable, that Christian morals and Christian civilization have ever had to face. Therefore, these extracts are confined chiefly to his objections and objurgations, and leave for the reader’s own inquiry his efforts to create.

"Рождение трагедии, или Эллинство и пессимизм"—эстетический трактат, в котором Фридрих Ницше изложил свой взгляд на дуалистические истоки искусства.

"The Twilight of the Idols", Nietzsche says in Ecce Homo: “If anyone should desire to obtain a rapid sketch of how everything before my time was standing on its head, he should begin reading me in this book. That which is called ‘Idols’ on the title-page is simply the old truth that has been believed in hitherto. In plain English, The Twilight of the Idols means that the old truth is on its last legs.

"Human, all-too-Human", is the monument of a crisis. It is entitled: 'A book for free spirits,' and almost every line in it represents a victory—in its pages I freed myself from everything foreign to my real nature. Idealism is foreign to me: the title says, 'Where you see ideal things, I see things which are only—human alas! all-too-human!' I know man better—the term 'free spirit' must here be understood in no other sense than this: a freed man, who has once more taken possession of himself.

Selbsterkenntnis ist der erste Schritt zur Weisheit auf Wegen des Zweifels, der Irrtümer, des Staunens und der Überraschungen. Unterwegs auf diesem Weg begegnen wir uns selbst. Als Wegbegleiter hören wir: "Was ist Aufklärung?" (I. Kant), "Essais"(M. de Montagne), "Von der Gemütsruhe" (Seneca), "Über Wahrheit und Lüge im außenmoralischen Sinn" (F. Nietzsche), "Gespräche" (Konfuzius).

"The Joyful Wisdom", written in 1882, just before "Zarathustra", is rightly judged to be one of Nietzsche's best books. Here the essentially grave and masculine face of the poet-philosopher is seen to light up and suddenly break into a delightful smile. The warmth and kindness that beam from his features will astonish those hasty psychologists who have never divined that behind the destroyer is the creator, and behind the blasphemer the lover of life.

First published in 1886 at Nietzsche’s own expense, the book was not initially considered important. In it, Nietzsche denounced what he considered to be the moral vacuity of 19th century thinkers. He attacked philosophers for what he considered to be their lack of critical sense and their blind acceptance of Christian premises in their considerations of morality and values. Beyond Good and Evil is a comprehensive overview of Nietzsche’s mature philosophy.View our full collection of podcasts at our website: https://www.solgoodmedia.com or YouTube channel: www.solgood.org/subscribeThis is a ...

The philosopher Friedrich Nietzsche's autobiography, Ecce Homo, was the last prose work that he wrote before his illness in 1889. Coming at the end of an extraordinarily productive year in which he had produced The Twilight of the Idols and The Antichrist, Nietzsche shuns any pretense at modesty with chapter titles include “Why I am so Wise”, “Why I am so Clever” and “Why I Write Such Excellent Books”. His translator Anthony M. Ludovici states, Ecce Homo “is not only a coping-stone worthy of the wonderful creations of that year, but also a fitting conclusion to his whole life, in...

In 1887, with the view of amplifying and completing certain new doctrines which he had merely sketched in "Beyond Good and Evil" (see especially "Aphorism 260"), Nietzsche published "The Genealogy of Morals". This work is perhaps the least aphoristic, in form, of all Nietzsche's productions. For analytical power, more especially in those parts where Nietzsche examines the ascetic ideal, "The Genealogy of Morals" is unequalled by any other of his works.

The essays contained in this volume treat of various subjects. With the exception of perhaps one we must consider all these papers as fragments. Written during the early Seventies, and intended mostly as prefaces, they are extremely interesting, since traces of Nietzsche's later tenets - like Slave and Master morality, the Superman - can be found everywhere. But they are also very valuable on account of the young philosopher's daring and able handling of difficult and abstruse subjects.

A compelling argument for the necessity for art in life, Nietzsche's first book is fuelled by his enthusiasms for Greek tragedy, for the philosophy of Schopenhauer and for the music of Wagner, to whom this work was dedicated. Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it.

In 1869, at the age of twenty-five, the precociously brilliant Friedrich Nietzsche was appointed to a professorship of classical philology at the University of Basel. He seemed marked for a successful and conventional academic career. Then the philosophy of Schopenhauer and the music of Wagner transformed his sense of purpose. The genius of such thinkers and makers - like the genius of the ancient Greeks - was the only touchstone for true understanding. How then was education to answer to such genius? Something more than sturdy scholarship was called for.

Beyond Good and Evil confirmed Nietzsche's position as the towering European philosopher of his age. The work dramatically rejects the tradition of Western thought with its notions of truth and God, good and evil. Nietzsche demonstrates that the Christian world is steeped in a false piety and infected with a "slave morality". With wit and energy, he turns from this critique to a philosophy that celebrates the present and demands that the individual imposes their own "will to power" upon the world.