Résultats de "William Makepeace Thackeray" dans Toutes les catégories

This is an essay from the Favorite Essays collection.

Glavnye geroini, miss Emilija Sedli i miss Rebekka (Bekki) Sharp, uchatsja vmeste v chastnom pansione miss Pinkerton. Bekki - sirota, doch' spivshegosja hudozhnika i francuzskoj tancovshhicy. Ona energichna, polna ambicij i uverena v svoem uspehe. Emili - doch' uspeshnogo kommersanta, krotka, mila i dobrodetel'na. Sud'by dvuh sovershenno raznyh devushek otrazhajut nravy togo vremeni. Pokazana zhizn' razlichnyh sloev obshhestva.

Series of five comic tales by William Makepeace Thackeray, adapted by Stephen Wyatt, recounting the rise and fall of early-19th century footman Charles Yellowplush.

Generally considered to be his masterpiece, Vanity Fair is Thackeray's resplendent social satire that exposes the greed and corruption raging in England during the turmoil of the Napoleonic wars. Subtitled "A Novel Without a Hero", it traces the changing fortunes of two unforgettable women: the scheming opportunist Becky Sharp, one of literature's most resourceful, engaging, and amoral heroines, and her foil, the faithful, naive Amelia Sedley.

La magistral pelicula de Kubrick volvio a dar vigencia a una de las novelas mas cínicas de la literatura inglesa del siglo XIX, "Las memorias de Barry Lindon" de Thackeray, obra que fue una critica a la cantidad de aventureros que habian ocupado posiciones importantes en la Inglaterra de sus tiempos y donde trato de mostrar como las riquezas hacian que la sociedad perdonara cualquier medio de lograrlas.

This book comes with an introduction and notes by Owen Knowles, University of Hull. Thackeray's upper-class Regency world is a noisy and jostling commercial fairground, predominantly driven by acquisitive greed and soulless materialism, in which the narrator himself plays a brilliantly versatile role as a serio-comic observer. Although subtitled 'A Novel without a Hero', "Vanity Fair" follows the fortunes of two contrasting but inter-linked lives.

Penguin Classics presents William Makepeace Thackeray adapted for audio and available as a digital download as part of the Penguin English Library series. Read by Robert Hardy’s Vanitas Vanitatum! Which of us is happy in this world? Which of us has his desire? Or, having it, is satisfied? No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder.

Vanity Fair, with its rich cast of characters, takes place on the snakes-and-ladders board of life. Amelia Sedley, daughter of a wealthy merchant, has a loving mother to supervise her courtship. Becky Sharp, an orphan, has to use her wit, charm, and resourcefulness to escape from her destiny as a governess. This she does ruthlessly, musing: "I think I could become a good woman, if I had 5000 pounds a year."

The History of Henry Esmond tells the story of the early life of Henry Esmond, a colonel in the service of Queen Anne of England. A typical example of Victorian historical novels, Thackeray's work of historical fiction tells its tale against the backdrop of late 17th- and early 18th-century England — specifically, major events surrounding the English Restoration — and utilizes characters both real (but dramatized) and imagined.

Der Diener Yellowplush lebt zusammen mit seinem Herrn Frederick Altamont zur Untermiete bei der Familie Shum in London. Frederick Altamont hat sich unsterblich in Mary, die jüngste Tochter der Familie, verliebt und Yellowplush hilft den beiden, so dass diese sich ungestört treffen können. Endlich kommt es zu der lang ersehnten Hochzeit, doch Altamont verbirgt ein Geheimnis vor seiner Frau, welches das Glück des jungen Paares zu trüben droht. William Makepeace Thackeray (1811-1863) war ein britischer Schriftsteller. Thackeray wurde als Sohn eines Kolonialbeamten in Indien geboren.

Napoleon has England on edge. For the cunning and conniving Becky Sharp, it’s an opportunity to take advantage of the chaos and improve her lowly station. Her friend Amelia Sedley, a blue-blood pawn, affords Becky entrée into the moneyed class. As the guileless Amelia pines for a rakish soldier, the ruthless Becky climbs upward, setting the stage for a domestic battlefield of greed, ambition, deception, and dizzying reversals of love and fortune.

Comedian Al Murray plays his great-great-great-grandfather William Makepeace Thackeray as the unreliable narrator in this radical makeover of his ancestor’s celebrated satire on class, sex, money, hypocrisy and snobbery in 19th-century England. As the curtain rises on our ‘story without a hero’, moneyless Becky Sharp leaves school with her upper-class best friend Amelia Sedley. Clever, cunning and ambitious, Becky is determined to make her way in Regency society - and she’ll trample on anyone who gets in her way.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson and Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of the poets and their musings on this remarkable age. Many are world-renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some are almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

In this volume we examine some of the short stories of William Makepeace Thackeray. The great author of Vanity Fair and The Luck of Barry Lyndon was born in India in 1811. At age five his father died, and his mother sent him back to England. His education was of the best, but he himself seemed unable to apply his talents to a rigorous work ethic. After a few years of marriage his wife began to suffer from depression and over the years became detached from reality.

Vanity Fair is a satirical novel of manners which takes place during, and in the decade after, the battle of Waterloo in 1815. The various scenes in the novel range across Europe and England. It was first published in serial form beginning in 1847. The work is by turns witty, scintillating, brutally realistic, tragic, humorous, and always fascinating. The title of the book stems from Bunyan’s “Pilgrim’s Progress”, where Vanity is a town along the pilgrim’s route, and which holds an eternal fair of the vanities. It is a place where people are ensnared by worldly things.

The great author of Vanity Fair and The Luck Of Barry Lyndon was born in India in 1811. At age 5 his father died and his mother sent him back to England. His education was of the best but he himself seemed unable to apply his talents to a rigorous work ethic. However, once he harnessed his talents the works flowed in novels, articles, short stories, sketches and lectures.

The great author of Vanity Fair and The Luck Of Barry Lyndon was born in India in 1811. At age 5 his father died and his mother sent him back to England. His education was of the best but he himself seemed unable to apply his talents to a rigorous work ethic. However, once he harnessed his talents the works flowed in novels, articles, short stories, sketches and lectures.

In Pendennis, William Makepeace Thackeray skillfully shows the coming of age of Arthur Pendennis, a young gentleman trying to make his way in the world. Pen's difficulties in finding his place in the difficult maze of social obstacles are created to some extent by his being raised in the country and being from an ancient though impoverished family. We follow his course from the village in which he was raised via Oxbridge to London, meeting the most memorable characters, falling in and out of love, navigating the difficulties of society, and hopefully finally arriving at a happy end.

For an atheist it’s a great deal, though it does suggest atheism may have a weak point. For those of faith it’s a matter of jam now and purgatory tomorrow. A bargain many artists feel is something they can live with. For agnostics it’s usually a question of can the afterlife really be that bad, would workplace regulations reach all parts of heaven and hell. However, in this volume the terms are agreed and the Devil pays his fees and the character his dues, each happy to wait a few decades for the eternal payback.