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Pygmalion is a play by George Bernard Shaw, named after the Greek mythological figure. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights. Shaw's play has been adapted numerous times, most notably as the 1938 film Pygmalion, the 1956 musical My Fair Lady and its 1964 film version.

Familiarize-se com três grandes artistas do século XX através de uma cuidadosa selecção de 300 citações, introduzindo as suas ideias e delineando com clareza a estrutura do seu trabalho. Descubra novos aspectos ou aprofunde-se nos pensamentos de Bruce Lee, George Bernard Shaw, Groucho Marx, para expandir a sua mente e conhecimento sobre a nossa cultura.

A inteligência e a esperteza nunca são aborrecidas. Seleccionámos para si 500 citações dos autores mais espirituosos de sempre, de Oscar Wilde a Groucho Marx, George Bernard Shaw, Albert Einstein com a ajuda de Woody Allen. Desfrute destas pérolas de humor para alegrar o seu dia com uma boa gargalhada, descubra comentários e piadas inestimáveis para surpreender os seus amigos e inimigos, e aperte as mãos com as maiores mentes.

George Bernard Shaw é um crítico de música irlandês, dramaturgo, ensaísta, dramaturgo e argumentista. Acerboso e provocador, pacifista e anticonformista, foi galardoado com o Prémio Nobel da Literatura em 1925. Estas 100 citações visam dar acesso à sua obra monumental através de uma selecção dos seus pensamentos mais marcantes, num formato acessível a todos.

George Bernard Shaw embraced the concept of what he called creative evolution. In 1982, after having witnessed the horrors of the First World War, Shaw started work on Back to Methuselah, a large-scale presentation of the story of human development, starting from the Garden of Eden and extended far into the future. The first performance was held in New York in 1922. The five plays included are "In the Beginning", "The Gospel of the Brothers Barnabus", "The Thing Happens", "Tragedy of an Elderly Gentleman", and "As Far As Thought Can Reach".

Richard Dudgeon, who has become an outcast from his puritanical family due to his religious apostasy, returns home on the death of his father. Much to everyone’s surprise, it is revealed that the father changed his will shortly before his death and has left the bulk of the estate to Richard. Now that he is lord of the manor, Richard asserts himself and declares his opposition to the colonial British authorities. Later, he is arrested by the British and sentenced to death but is rescued in the nick of time by a local militia commanded by Anthony Anderson, who, ironically, is a pastor.

According to George Bernard Shaw, Joan of Arc was in fact one of the first Protestant martyrs. She was one of the first apostles of nationalism, and the first French practitioner of Napoleonic realism in warfare. She also refused to accept the specific woman's lot, and dressed and fought and lived as men did. Shaw's exploration of the story of this ingenuous and eponymous heroine is set in six scenes and an epilogue, which takes place in 1456, when the church cleared Joan of the charge of heresy and condemned her accusers of corruption.

Fresh off his victory at The Battle of Lodi, Napoleon is planning to enjoy his lunch when a lieutenant arrives with the bad news that the dispatches he had been carrying were stolen. Infuriated, Napoleon threatens him with being court-martialed unless he can recover them. A woman appears who claims to know about the theft. Unconvinced of her story, Napoleon and the woman enter into a battle of wits in true Shaw style. Will the conqueror of worlds end up conquered by a woman?

The action of this play, which occurs during a conflict on the Balkans, is initiated by the discovery by Raina, the daughter of an military officer, of a man who has taken refuge in her bedroom. Unfortunately, the man belongs to the opposing army. How will she deal with a notional enemy who behaves with such quixotic courtesy?

George Bernard Shaw was an Irish playwright, critic, polemicist, and political activist. His influence on Western theatre, culture, and politics extended from the 1880s to his death and beyond. He wrote more than 60 plays, which included major works such as Man and Superman. Here in this exciting audiobook experience, you will find the very best of George Bernard Shaw’s vibrant personality and inspirational words. A rare audiobook adventure!

Bernard Shaw based his "religious pantomime" Androcles and the Lion on the ancient fable of the runaway slave who pulls a painful thorn from a lion's paw, thereby making a lifelong friend. This tale of a puny Greek tailor triumphing over the Roman emperor is, as always with Shaw, a commentary on the politics of his time, with the emperor standing in for the British government and, indeed, all repressive regimes.

In the Greek legend, a sculptor, Pygmalion, created a statue of a woman so beautiful that he fell in love with it. Later the goddess Aphrodite responded to his earnest prayers and brought the statue, named Galatea, to life. Shaw's Pygmalion is a fussy unmarried professor of phonetics, Henry Higgins, who claims that he could train an uneducated person off the street to speak so that he or she could pass as a member of the aristocracy. His Galatea is Eliza Doolittle, who sells flowers at Covent Garden and whose father is a dissipated but cunning vagrant.

Making his way to a tryst with his "dark lady" near the royal palace the young playwright William Shakespeare encounters a mysterious woman in a cloak. Mistaking her for his lady friend, he accosts her in a familiar fashion, only to discover, to his dismay, that she is in fact the queen. He overcomes his initial discomfort, and takes advantage of the situation to make a petition for royal support to establish a national theatre.

Irascible phonetics professor Henry Higgins makes a bet with his friend Colonel Pickering that he can train Cockney flower girl Eliza Doolittle to talk ‘like a lady’ and pass as a duchess at the Ambassador’s Ball. As the day of reckoning approaches, can Eliza convince the assembled aristocrats that she’s one of them? And what will become of her afterwards? This effervescent radio version of Shaw’s classic comedy features a stellar cast, including award-winning comedians Alistair McGowan as Henry Higgins, Morgana Robinson as Eliza Doolittle and Al Murray as Alfred Doolittle.

A timeless classic by George Bernard Shaw, Arms and the Man is a comedy about love, ideals, and romance. A young woman from a wealthy Bulgarian family is visited in her room by an enemy captain in his flight to evade capture, and this chance encounter threatens her engagement and her high-minded idealism.

To celebrate Radio 3's 50th anniversary, Man and Superman was directed by Sir Peter Hall, and preserved for all time in this lush audio dramatization. "A comedy and a philosophy", Man and Superman is based on the Don Juan theme, and using all the elements from Mozart's Don Giovanni, Shaw reordered them so that Don Juan becomes the quarry instead of the huntsman. Boasting an outstanding cast including Ralph Fiennes, Juliet Stevenson, Dame Judi Dench, John Wood, Nicholas Le Prevost, and Paul Merton.

When Vivie learns that her mother's harlotry is the origin of her financial support, nothing in her world can ever be the same. There are serious consequences for her suitor, her mother, and herself.

This unique book brings together George Bernard Shaw's witty and iconoclastic take on Wagner's masterwork, The Ring of the Nibelungen, with the composer's own essay on the role of art in revolution.

Shaw denkt Mozarts Oper weiter und läßt die Hauptfiguren aus "Don Giovanni" nach ihrem Tod in der Hölle über die Welt, das Leben und die Liebe diskutieren. Der Don-Juan-Mythos wird dabei, gemäß Shaw's These von der "life force", völlig umgekehrt, der Verfolger der Frauen wird nun selbst zum Verfolgten. Er wird als Denker gedeutet, der sich seiner Aufgabe, bei der Schaffung des Übermenschen mitzuwirken, entziehen will. Aber gerade durch das Wagnis, die Grundfragen des Lebens kraft seines Intellekts zu lösen, dient er (wie Shaw später auch in "Back to Methuselah" darzulegen versuchte) dem eigentlichen Ziel des Lebens: der Befreiung von den Fesseln der Materie und damit der Verwirklichung des Daseins, in dem die schöpferische Intelligenz sich voll entfalten kann.