Titres dans Historique

When the speakeasy Sasha Wolfe and her friends frequent is raided by police during prohibition 1928, they make it their mission to open another where they can be exactly who they want to be — which includes loving who they want. When Sasha falls in love with the fiancé of Chicago's newest police detective, everything becomes more dangerous. Once you enter the curtain of The 412 Lounge, everything is forbidden — from the booze to the gay affair. Now Sasha and her beloved lounge are in a race against time to save the secret of not only the speakeasy, but their lives.

This “lush, sexy, absorbing novel” of historical fiction “brings to life two artists who are inextricably linked in passion and competition” (Melissa Febos, bestselling author of Girlhood) A “captivating” lesbian romance set in the “wonderfully atmospheric” art world of 1600s...

Jilted bride. Mad witch. Tragic villainess. This time, she will have her revenge. ‘Dazzling’ HEAT MAGAZINE ‘This is a novel of enormous élan’ THE TIMES  Charlotte Havisham has a secret. She's been underestimated for too long: by her former fiancé, Compeyson; by her family; and by...

It’s 1972, and eighteen-year-old tomboy Maeve O’Connor must win a photography contest to escape her suffocating, conservative family and attend her dream school in Manhattan. But where will she find arresting subjects? Why, a washed up old seaside resort called Asbury Park, New Jersey—a place where sideshow entertainers, strippers, carnies, artists, and alternative lifestyles coexist on the boardwalk in plain sight.

*Note: this is a prequel related to the Devil & Angel stories. Tall, dark and devilishly handsome footman Kent Lynch takes the new hall-boy, young comely Gavin under his wing… brooding his with instruction in his duties and methods, and giving him discipline when needed, which Gavin quite enjoys. In the grand, bustling halls of Westbury Estate, a tale of forbidden love and unexpected connection unfolds. At the center of this story are Kent, a seasoned and disciplined servant, and Gavin, a young hall boy whose arrival at the estate brightens footman Kent Lynch's days… and nights.

“In the States, celibacy had never been my strong suit. In Paris, it was a crime against nature—a mortal sin.” With this cheeky response to her new city, Henri Adams—recently released from the tyranny of Prohibition and freshly appointed as an art correspondent for En Vogue magazine—sets out to discover the literary, artistic, and more unmentionable pleasures of Paris during the Roaring Twenties

Wyoming Territory, 1870. Elijah Carter is afflicted. Most of the townsfolk of South Pass City treat him as a simpleton because he’s deaf, but that’s not his only problem. Something in Elijah runs contrary to nature and to God. Something that Elijah desperately tries to keep hidden. Harlan Crane, owner of the Empire saloon, knows Elijah for what he is—and for all the ungodly things he wants. But Crane isn’t the only one. Grady Mullins desires Elijah too, but unlike Crane, he refuses to push the kid.

Blessed with the smoldering good looks that destine him for the silver screen, the unfortunately named Dan Root arrives on the scene as a naïve but ambitious twenty-one-year-old. Mentored and exploited by a powerful and dashing Svengali-like producer and his beguiling wife (a movie star whose career is on the tragic cusp between fame and fade out), Dan is transformed into the promising young actor, Dexter Gaines.

Exeter, 1925. Della Wilde has set aside her dream of moving to Paris to study at the renowned Le Cordon Bleu, choosing instead to support her family torn apart by war. By night, she works at the prestigious Ambrose Café, serving the city's elite - she feels utterly invisible. Until a chance encounter with rebellious Alice Winters, the daughter of a powerful MP, upends Della's world. Alice is a woman caught between duty and desire. She secretly yearns to be an artist but is expected to marry a respectable suitor and raise a family.

Zu schlau'n'schlank für ein bestimmtes Geschlecht? - Virginia Woolfs "Orlando" geistert durch vier Jahrhunderte. Mal als Mann, mal als Frau mischt er/sie historische Genderrollen auf und ist dabei doch immer dicht beim alten Shakespeare. Orlandos epische Zeit- und Weltreise, nimmt uns mit auf eine furiose Achterbahnfahrt der Gefühle. So wild die Kapriolen und so amüsant die Hakenschläge auch sein mögen, sind sie doch unerschütterlich durchtränkt von echt britischem Humor. Orlando, das ist Verführung pur.