Titres dans Renaissance

In all of human history there has never been an era as richly endowed with human creativity as the Italian Renaissance. When the economic boom of the Late Middle Ages had allowed a flourishing and wealthy merchant class to emerge, a plethora of artists, sculptors, architects, and thinkers followed in their wake. In an astonishingly short period of time, Italy was transformed mentally, physically, and spiritually.

If ever a catharsis in Western European Civilization occurred, it had to have been the period we refer to as the Renaissance. After a thousand years of theocracy, manorialism, feudalism and narrow economic development, Europe was ripe for change. She got it with a vengeance.

Raffaello Sanzio da Urbino, known across the world simply by the name Raphael, stands as one of the main pillars of the High Renaissance, an iconic example of the balance between spirituality and humanistic inquiry that characterized the time period. Although he lived just 37 years, his career produced an amazingly rich output, and he completed more works than many artists do over careers spanning twice the length.

On the heels of her triumphant How to Be a Victorian, Ruth Goodman travels even further back in English history to the era closest to her heart, the dramatic period from the crowning of Henry VII to the death of Elizabeth I. Drawing on her own adventures living in re-created Tudor conditions, Goodman serves as our intrepid guide to 16th-century living. Proceeding from daybreak to bedtime, this charming, illustrative work celebrates the ordinary lives of those who labored through the era.

It's possible that Michelangelo is the most famous artist in history, but it's also possible that he's an underrated artist. The vast influence of his career is reflected by the fact that he is not only known for his own art but has also come to embody an entire epoch of Western art. Along with Leonardo da Vinci, there are no other artists who so fully capture the spirit of scientific and artistic discovery that characterized art during the late 15th and early 16th centuries.

Ever since Machiavelli penned The Prince, his 1513 treatise on princely rule and the politics of reality, a work that infamously advises rulers to abandon virtue and morality when necessary, his name has been synonymous with deceit, duplicity, and amoral pragmatism. Since then a sinister reputation has posthumously plagued the controversial Florentine. But is this depiction of Machiavelli as wicked and immoral accurate?

The Renaissance spawned the use of the label "Renaissance man" to describe a person who is extremely talented in multiple fields, and no discussion of the Renaissance is complete without the original Renaissance man, Leonardo da Vinci. Indeed, if 100 people are asked to describe Leonardo in one word, they might give 100 answers.

Most historians credit the city-state of Florence as the place that started and developed the Italian Renaissance, a process carried out through the patronage and commission of artists during the late 12th century. If Florence is receiving its due credit, much of it belongs to the Medicis, the family dynasty of Florence that ruled at the height of the Renaissance. The dynasty held such influence that some of its family members even became pope.

Of course part of what made Galileo such a monumental figure was the fact that he was ahead of his time and that he mostly refused to conform to the accepted dogmas of contemporary society. As he once put it, "Philosophy is written in that great book which ever lies before our eyes - I mean the universe - but we cannot understand it if we do not first learn the language and grasp the symbols, in which it is written."

It's safe to say there have been countless prophets and seers throughout history, but only one Nostradamus (1503-1566). Nostradamus has become a pop-culture fixture even among those who find nothing of note in his work. He is a cult figure among those who pore through his prophecies to look for proof that he foresaw major world events centuries ahead of time.

Die Borgia sind die unheimlichste, schrecklichste und auf jeden Fall umstrittenste Familie der italienischen Renaissance...

Chi è stato realmente Leonardo Da Vinci? E qual è stata la rilevanza del suo pensiero, delle sue scoperte, delle sue opere...

Illegitimate children, adulterous queens, impotent kings, and a whole dynasty resting on their shoulders. Sex and childbirth were quite literally a matter of life or death for the Tudors.

Mary Boleyn, ‘the infamous other Boleyn girl’, began her court career as the mistress of the king of France. François I of France would later call her ‘The Great Prostitute’ and the slur stuck. Mary would emerge the sole survivor of a family torn apart by lust and ambition, and it is in Mary and her progeny that the Boleyn legacy rests.

Born in the midst of the Wars of the Roses, Margaret Beaufort became the greatest heiress of her time. She survived a turbulent life, marrying four times and enduring imprisonment before passing her claim to the crown of England to her son, Henry VII, the first of the Tudor monarchs.

Al-Hasan al-Wazzan - born in Granada to a Muslim family that in 1492 went to Morocco - became famous as the great Renaissance writer Leo Africanus, author of the first geography of Africa to be published in Europe (in 1550). He had been captured by Christian pirates in the Mediterranean and imprisoned by the Pope; when he was released and baptized, he lived a European life of scholarship as the Christian writer Giovanni Leone....

Love history? Know your stuff with History in an Hour. The Reformation was a long struggle of ideas between the established Catholic Church and the questioning of faith brought about by the Renaissance in Western Europe. Started by Martin Luther in 1517, religious dissidence spread across Europe...

From tales of chivalrous knights to the barbarity of trial by ordeal, no era has been a greater source of awe, horror, and wonder than the Middle Ages. In handsomely crafted prose and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth, the Renaissance.

Modern beer has little in common with the drink that carried that name through the Middle Ages and Renaissance. Looking at a time when beer was often a nutritional necessity, was sometimes used as medicine, could be flavored with everything from the bark of fir trees to thyme and fresh eggs, and was consumed by men, women, and children alike, Beer in the Middle Ages and Renaissance presents an extraordinarily detailed history of the business, art, and governance of brewing.

this exciting story illuminates the captivating world of the late Renaissance - in this case its plagues, remedies, and alchemy - through the life of Leonardo Fioravanti, a brilliant, remarkably forward-thinking, and utterly unconventional doctor. Fioravanti's marvelous cures and talent for self-aggrandizement earned him the adoration of the people, the scorn of the medical establishment, and a reputation as one of the age's most colorful, combative figures.