Titres dans Danse

This book contains proven steps and strategies on how to practice yoga. You will learn how to achieve inner peace while living a stress-free life, and perhaps you will begin to lose weight with the continuing practice of yoga.

Der bekannte ZDF / SWR Sprecher Nick Benjamin erzählt unterhaltend und informativ die Geschichte des Tango und seines Siegeszuges um die Welt. Amüsante Anekdoten und Geschichtliches im Wechselspiel mit Originalinterpretationen durch die beiden Akkordeon- Virtuosen Annegret Cratz und Thomas Rohoska.

Celebrate 100 years of Dance in America, as we FlashBack to dance favorites like the The Twist, Running Man, and Ballroom Dance with special appearances by your favorite Vampires! Re-Live your favorite Dance fads like Disco Dance, Hip Hop, Lindy Hop, Charleston, The Twist, Cabbage Patch, and many others throughout 100 years as we Celebrate American Dance! A Fan Favorite satire and spoofs of great TV Shows and Movies from 1900-2000!

A heart-warming nostalgia memoir from a member of the world famous dance troupe, The Tiller Girls. Based in London in the 1930s, 40s and 50s, Irene's story will transport listeners back to a more innocent, simple way of life. This is the story of a little girl who loved to dance. Growing up in London in the 1930s, dancing was so much more to Irene than just a hobby. It was her escape and it took her off into another world away from the harsh realities of life.

On an extravagant evening in May 100 years ago, the scandalous premiere of The Rite of Spring rocked the epicenter of culture and fashion - Paris - and sent aftershocks across the world. Not bad for a ballet! But this was no traditional scamper in tulle and pink toe-shoes, but a bold provocation by a trinity of avant-garde genius: composer Igor Stravinsky, choreographer Vaslav Nijinsky (the first male god of dance), and impresario Serge Diaghilev, founder of the Ballet Russes.

To many people, Lucia Chase (1897-1986) was the American Ballet Theatre, and her reign as the queen of American ballet lasted for more than four decades. It was Chase who brought Nureyev, Bujones, Kirkland, and eventually Baryshnikov to ABT. Under her leadership, the company worked with such legends as Agnes de Mille, Anthony Tudor, Jerome Robbins, and Twyla Tharp. Her drive, ambition, tenacity, and money kept the doors open even during the lean years. A dancer when the company made its debut in 1940, she was artistic director for an unprecedented thirty-five years, from 1945 to 1980.

Precisely because the dance floor stands apart from the everyday world, allowing dancers to play, experiment, and take on new roles, it also serves as a stage for human behavior. Antoinette Benevento, a former national ballroom dancing champion and co-owner of Fred Astaire Dance Studios, has been a student of that stage for 25 years. She has discovered that getting out on the dance floor is a powerful and empowering metaphor for living fully in all realms of life.

From southern Greece to northern Russia, people have long believed in female spirits, bringers of fertility, who spend their nights and days dancing in the fields and forests. So appealing were these spirit-maidens that they also took up residence in 19th-century Romantic literature. Archaeologist and linguist by profession, folk dancer by avocation, Elizabeth Wayland Barber has sleuthed through ethnographic lore and archaeological reports of east and southeast Europe, translating enchanting folktales about these "dancing goddesses" as well as eyewitness accounts of traditional rituals - texts that offer new perspectives on dance in agrarian society.

Often called the Picasso, Stravinsky, or Frank Lloyd Wright of the dance world, Martha Graham revolutionized ballet stages across the globe. Using newly discovered archival sources, award-winning choreographer and dance historian Mark Franko reframes Graham's most famous creations, those from the World War II era, by restoring their rich historical and personal context.

In a career that has spanned four decades, choreographer Twyla Tharp has collaborated with great musicians, designers, thousands of dancers, and almost a hundred companies. She's experienced the thrill of shared achievement and has seen what happens when group efforts fizzle. Her professional life has been - and continues to be - one collaboration after another. In this practical sequel to her national best seller The Creative Habit, Tharp explains why collaboration is important to her - and can be for you.

A prodigy from his youth in Russia, Vaslav Nijinsky came to international fame as a principal dancer in Serge Diaghilev's Ballets Russes. In December 1917, Nijinsky—by then the most famous male dancer in the Western world—moved into a Swiss villa with his wife and three-year-old daughter and began to go mad. When psychosis struck, he imagined himself as married to God. Although he lived another 30 years, he never regained his sanity.

Artistic profile of one of the 20th century's great choreographers.The literature on Balanchine is vast, but it is primarily biographical. Balanchine Variations is the first book to concentrate on the ballets themselves, providing critical analysis and detailed descriptions of what the dancers actually do.

As dramatic, graceful and deeply felt as a pas de deux, Shanghai Tango is a deeply personal and inspiring account of growing up in a body that feels alien and of braving pioneering surgery in communist China.

Cheryl Burke has been dancing since the age of four and competing since she was 13 years old. Over several exciting seasons, she has captivated Dancing with the Stars audiences with her incredible dance performances, Emmy-nominated choreography, high energy, and bright smile. In Dancing Lessons, she takes you from her childhood years into the world of competitive ballroom dancing and on to the hit TV show.

The Big Secret Book is an invaluable guide on the subject of creativity, no matter the preferred artistic discipline. Written by Denise Clarke, director of One Yellow Rabbit Summer Lab Intensive, the book outlines methods and methodologies of the Lab that have inspired writers, dancers, musicians, as well as performance theatre artists.

The inspiring true story of Loïe Fuller, a radical 19th-century art nouveau icon who turned artificial light into performance art and became the incandescent inventor of modern dance, is revealed in this transportive and hypnotic historical narrative.

An inspiring memoir from one of Australia’s ballet greats on finding himself, onstage and off. From the backblocks of Perth to international stardom, this is a story of courage to fight against the odds for your passion and succeed. David McAllister has always belonged onstage. As the middle child in a Catholic family who knew nothing about dance, he watched himself twirl in the reflective glass of the TV and dreamed about becoming the next Rudolf Nureyev. As a little boy taking ballet lessons, he was mercilessly bullied.

A reckoning with one of our most beloved art forms, whose past and present are shaped by gender, racial, and class inequities—and a look inside the fight for its future Every day, in dance studios all across America, legions of little children line up at the barre to take ballet class. This...

The Ecstasy of Being brings together seven of Campbell’s previously uncollected articles on dance, along with “Mythology and Form in the Performing and Visual Arts,” the treatise that he was working on when he died, published here for the first time. In this new collection Campbell explores the rise of modern art and dance in the twentieth century; delves into the work and philosophy of Isadora Duncan, Martha Graham, and others; and, as always, probes the idea of art as “the funnel through which spirit is poured into life.”

Bob Fosse is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game, in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical.