Résultats pour "Volume 1" dans Poésie

THE RAMAYANAM, an itihasa of the highest order, is considered adi kavya, the first poem to have been composed. Written by Valm ki during Rama’s time, and ratified by him, this timeless epic has been treated with utmost care by all acaryas in their famed commentaries. Since the advent of human civilization, it has inspired many poets and dramatists across the subcontinent and has been transcreated in almost all Bharat ya languages. Multiple layers of philosophy and theology are an embellishment to this classic. Its influence on Bharat ya music, dance, sculpture and textiles is unfathomable.

Welcome to Edmund Spenser’s 1590s epic poem, The Faerie Queene. This text-faithful, line-by-line prose rendering transports modern listeners into a vast narrative tapestry. Knights traverse diverse fantastical landscapes including the shadowy depths of an enchanted forest, a treacherous underwater lair, a mysterious subterranean kingdom, and the deadly Bower of Bliss.

As scholars of African American literature and cultural history, Bennett and McCarthy repeatedly find themselves struck by the number of exciting poets they come across in long-out-of-print collections and forgotten journals, whose work has been neglected and, in some cases, entirely ignored, even by those academic circles devoted to the study of Black poetry. Minor Notes is an excavation initiative that addresses this problem by recovering archival materials from these understudied, though supremely gifted, African American poets of the 19th and 20th centuries.

The turn of the 20th century saw radical developments in all art forms and particularly in poetry. The first volume of this series features the work of nine significant poets whose careers cover the period from the late 19th century to the early 20th century.

Con pasión y sin miedo Volumen 1 de Eliana Habalian. ¡ADVERTENCIA! Este libro de poesía es para los que aman con pasión. Todo lo que van a leer aquí, lo escribí después de conocer el amor verdadero, con pasión, sin miedo, locamente enamorada, con mi alma desnuda, con sensualidad, con un fuego ardiendo dentro de mí, sin temor a decir la verdad, y con mis manos conectadas a mi alma y corazón.

This poetry book speaks to many levels of relationships. It reads like a story and will take you through a journey of someone being in love, marital bliss to a feeling of betrayal and broken heartedness. The back-and-forth feelings is one that many could relate to. In order to get your life back, one must have a time of reconstruction. Center yourself, focus on the divine higher power and love yourself. You will be taken on a poetically written journey as you enjoy, learn, cry, meditate and lose yourself in the moment in poetry and for some, it will help with your healing process.

Surreal stories of 25 ballad poetry songs came into vision four years ago to make every person finding time to listen, and read poetry happy. Superb well written grammar, vocabulary, melodrama, lyrics, rhymes.

Conjure Volume 1 explores the allure of love tainted by darkness—relationships that straddle the line between pleasure and pain. Passion and enmity collide in this dark poetry collection, blurring the line between devotion and despair.

Whispered tales of ages long ago, Do they still enchant, their magic glow? Into realms of Renaissance, with grace, alight, With Eternal Sonnets, feel passions ignite. Bound in pages, passion’s timeless quest, Each sonnet shines, among the very best. Elizabethan tales reborn, their voice so true, Their timeless allure, ever beckoning you. Through echoes of Shakespeare, ancient love resounds, Its timeless rhythm, in every heartbeat it’s found. Heavenly desires and earthly passions blend, In tales of an era, where love knows no end.

Two hundred thirty-two poems, 232 stories of life, from birth to death, domestic bliss to domestic violence, political stupidity to flatulent bus travelers, celebration, mourning, joy, sadness…Poetry in this data-saturated age is not, for most, a viable way to make a living. So why expend the time and energy to create something that few people will listen to and even fewer will purchase? To which I must ask, why do people sing in the rain, paint pictures, dance?

Romanticism was a new movement in philosophy and the arts that began in the late 18th century when major political events shook the world, such as the French Revolution and American independence. It marked a distinct contrast to the prevailing Enlightenment ideals and in poetry represented a more personal intuitive, emotional and meditative expression with a back-to-nature imperative. It subsequently altered the way in which we perceive poetry and beyond as well as defining our own modern sensibilities to the arts.

The Elizabethan age had almost departed, and the world had seen the rise of great European empires that continued to hunt with mischief between themselves as they traversed the globe in search of more spoils and territories. In England the Civil War had brought about the will of Parliament and the replacement of the Crown as the governing body. But with these Puritan times, and the subsequent Restoration, poetry had entered a golden age. John Milton, John Dryden and Ben Jonson are but a few of the luminaries whose great verse followed in the wake of the immortal William Shakespeare.

For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses often protest otherwise. The contribution of women in these earlier centuries is immense, and in this series we bring together poets who have created some of the most beautiful and expressive verses ever written. And remember these words, these telling lines, have been written against the grain of society's male bias. With their remembered words these female poets have given us a history that we can all now share.

For much of history women have been seen rather than heard. Their thoughts, their views, have lain too long in the shadows of our culture. Whilst this traditional view has some merit it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses, often protest otherwise.

For much of history women have been seen rather than heard. Their thoughts, their views have lain too long in the shadows of our culture. Whilst this traditional view has some merit, it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere. These lines, these gilded verses, often protest otherwise.

Night. The day has gone. Departed. And the dark embrace, the inky shadows of night descend. For many a time to unwind and slumber. For some a nagging doubt that all is not well. That some primeval and primordial happening may yet go bump in the night. But for our poets the night is a time of wonder and imagination as well as many other emotions and feelings. Among our ranks of gloried talents are Keats, Coleridge, William Morris, DH Lawrence, Whitman, Longfellow and many more besides. Their descriptions capture what they see and feel as perhaps only a poet can.

Silence is rare in Nature. When we really listen, Nature is conducting symphonies of sound as her world goes about the day and night. Her invisible heartbeat is everywhere, for everyone. Our eyes are constantly bathed in the wonder of her ways, the soft drizzle of rain from soft grey clouds, the bleached harsh desert sand of a noon day, a wave caressing the shore, to the ravenous colours of a departing sunset. Indeed, whenever we look and listen to the vastness of our world Nature’s beauty is always there for us..

A classical collection of recitations by the master narrator Zia Mohyeddin. This collection includes: Angrezi Nasr Para (In English); "Zarguzasht" by Mustaq Ahmed Yusufi; "Basuday Ki Maryam" by Asad Mohammad Khan; Huma Khanam Kay Naam Khat; "Andha Khuwab" by N M Rashid; "Marhoom Ki Yaad Mein" by Pitras Bukhari; "Zindagi Say Dartay Ho" by N M Rashid.

This poetry collection is one of varying themes that generated the most response in Poetry180's Allpoetry website. In addition, more than just a few of these poems have been published in journals and newspapers over the years. These poems are designed for the enjoyment of listeners of all ages, from childhood to adults.

The poetry collection is part of a number of future volumes, the collection being called Songs of the Whippoorwill.

This is Volume 1 of the collection of Hollywood Classic's original songs and poems. This volume features the earliest published material of Mr. Hollywood Classic.