Résultats pour "John" dans Humour noir

Guy Pickering fell in love with Dorothy when they were just kids. Many years later, instead of enjoying their Florida retirement, he’s plotting ways to kill her. At her request. Dorothy has received a terminal cancer diagnosis and has asked Guy to help end her suffering. But there’s a problem; he can’t imagine killing her, and can’t fathom living without her. So, Guy concocts a plan to deceive Dorothy with a fake terminal diagnosis of his own, hoping he can saunter through the pearly gates right beside his beloved.

It's never Satanists. Until it is. And now Bubba and his team are heading to North Carolina to find out what's going on with one of the most notorious places in the Southeast - the Devil's Tramping Ground! Between greedy real estate developers, meddling sheriffs, hippie women with blue hair, and crazy backwoods preachers, Bubba's not sure whether to scratch his watch or wind his butt, and now he's got to figure out if this is the work of Satanists, or just rednecks playing jokes on the weird preacher who set up in the next building over in the industrial park.

"As [John] Waters narrates the screenplays of six of his movies, his over-the-top style is outrageous...Waters performs with great gusto, making the surreal, the disgusting, and the absurd weirdly entertaining." — Kirkus (Earphones Award Winner) A collection of John Waters essential...

An addictive, unpredictable, darkly hilarious collection of stories from Danny McBride—the beloved creator and star of The Righteous Gemstones and Eastbound & Down. “These McBride men more than drink their own Kool-Aid, they swig it to survive. On fever quests to save face and make their...

A standalone darkly humorous thriller set in modern America's age of anxiety, by New York Times bestselling author Jason Pargin. Outside Los Angeles, a driver pulls up to find a young woman sitting on a large black box. She offers him $200,000 cash to transport her and that box across the...

Between 1947 and 1957, Ealing Studios produced a series of immensely popular, darkly funny film comedies that made the West London borough famous throughout the world. Almost 50 years later, four of these timeless films were recreated for BBC Radio 4, and are now collected together for the first time.

Johnny was my first. I was seventeen and I was only brave enough to talk to him after I'd had three vodkas. He was only brave enough to kiss me when no-one else was around. Dave was different. We didn't go out or see friends. We were each other's world. Dave was all I needed. We were toxic before it became fashionable. Kyle was my best friend. And that was the problem. Or at least that's what he said was the problem.

Stan, an Elton John tribute act, has always believed his music career was destined for greatness. But with every missed opportunity and closed door, frustration mounts. One night, after a few too many drinks, Stan stumbles upon a startling theory: his lack of success isn’t bad luck—it’s because Sir Elton John himself is standing in his way. Desperate to change his fate, Stan concocts a reckless plan to take down the music legend and reclaim his own future. Enlisting his friends George and Ziggy, Stan sets out on a mission that quickly spirals beyond anything they imagined.

In their lovely old Cotswolds village, Janet and Susan are known to all the other villagers as “the girls”—a fixture. Partners in love and work, co-proprietors of a picturesque shop specializing in the work of local artisans and farmers, they lead an enviable, enviably settled life. So it’s no catastrophe when Sue, the younger of the two, feels the need to take a month to travel on her own, leaving Jan alone to run their stall at the Inland Waterways Rally Craft Fair.

Good does not exist. There is only the ever-swirling chaos of evil lurking just beyond the veil of our perception waiting to strike arbitrarily without purpose or reason. When evil throws its wiry tentacles out into our world leaving an inky black sludge of death, sadness, and destruction in their wake it's done not out of maliciousness but at random with no forethought, no agenda.

Mein Name ist John Doe. Das Fehlende in mir ist schrecklich. Und wissen Sie, was es so schrecklich macht? Nein, natürlich wissen Sie es nicht, denn Sie sind nicht ich. Sie sind nicht … dieser John Doe. Ich erzähle Ihnen, was so schrecklich ist. Ich verliebe mich voll und ganz in diese wunderbare und wunderbar schöne Dahlia Flower … in meine Retterin. Oh nein, nicht aus Dankbarkeit, sondern aus echter … aufkeimender Liebe. Aufkeimende Liebe? Fast schon Prosa, nicht wahr? Ob ich früher Gedichte geschrieben habe? Oder habe ich gar jemanden getötet?

Kevin Welch was just a small-time thug until a brutal encounter made him the pope! Now being hunted through the streets of Rome by clergy intent on taking his place as pontiff, Kevin finds a possible, though unlikely ally in an enigmatic and alluring hitwoman, but it seems she would just as soon kill him as help him, so can he actually trust her? Does he have a choice? Kevin just wanted to get his life back, and the only thing standing between him and that life is a cadre of bloodthirsty bishops and cardinals, furious nuns, hallucinogenic manifestations of Satan ... and his own ineptitude.

A feel-good fable and an enduring critique of conformity told with true John Waters flair. Listen as Waters himself acts out each role! Tracy Turnblad, a spunky, full-figured Baltimore teen, wants nothing more than to be a featured dancer on The Corny Collins Show. So when she gets chosen to be...

Panicked by his own mortality, despondent over his many failings as a writer and a man, Dunne leaves his wife and their three-year old child for the solitude of a crummy apartment off the Vegas Strip. There he plans to write an account of the city as he finds it; the book he ends up writing is "a fiction which recalls time both real and imagined."

The Floating Opera and The End of the Road are John Barth's first two novels. Both concern strange, consuming love triangles and the destructive effect of an overactive intellect on human emotions. Separately they give two very different views of a universal human drama.

“Burroughs famously dubbed Waters the Pope of Trash. Female Trouble, we might say, is his Summa Trashologica.” —Ed Halter, The Criterion Collection Listen as Waters himself acts out each role! It all goes to hell when Baltimore bad girl Dawn Davenport doesn’t get the cha-cha heels...

A very John Waters traveling show, replete with freaks, robbery, murder, sex, blasphemy, and savage shellfish—a lurid, surreal celebration of filth and trash. Listen as Waters himself acts out each role! The Cavalcade of Perversion is a traveling show run by Lady Divine and a crew of her...

The return of a spectacular, reviled, and iconic classic of American filth—listen as Waters himself acts out each role! John Waters takes us back to the scene of his original crime against good taste. Listen as Babs Johnson fights to hold on to her title as “Filthiest Person Alive,“...

Bubba’s back from Fairyland, and sometimes it feels like they shoulda just stayed there! Man, coming back to the real world sucks. Bubba and his whole team have been fired on account of going MIA for a year and a half (yeah, time moves differently in Fairyland - yay), and now they’ve got to…get jobs? Oh, this is going to go well.

Kennedy Marr ist ein Autor der alten Schule. Irisch, zynisch bis zum Anschlag, ein Borderline-Alkoholiker und Sex-Süchtiger. Sein Mantra lautet: hart trinken, gut essen und jede Frau flachlegen, die bei drei nicht auf den Bäumen ist. Mittlerweile als Drehbuchautor in L. A. ansässig, flucht er sich durch die kalifornische Literatur- und Filmszene. Doch sein verschwenderischer Lebensstil bringt ihn an den Rand des Bankrotts, bis sich unverhofft eine Lösung anbietet.