Résultats pour "Art" dans Études de genre

Brought to you by Penguin. A dazzlingly original reassessment of women's stories, bodies and art - and how we think about them. For decades, feminist artists have confronted the problem of how to tell the truth about their experiences as bodies. Queer bodies, sick bodies, racialised bodies...

Transform your daily commute into a journey through the fascinating cultural history of makeup and societal power. Perfect for listening at your vanity, this empowering narrative reveals how cosmetics act as tools for gender rebellion, social currency, and spiritual survival. Humanity's romance...

Durante años, Cazzu se enfrentó a una pregunta: “¿Cómo se siente tener éxito en un género musical tan machista?”. Y como le ocurre a casi cualquier mujer virtuosa y con notoriedad, le pidieron que diera explicaciones. Pero ¿por qué se lo preguntaban más a ella que a los hombres? Y, sobre todo, ¿es realmente machista el reggaetón? Este libro nació como respuesta y como exploración a esa dualidad que anida en el género: letras que sexualizan a las mujeres, pero también mujeres que expresan su deseo, saben lo que quieren, cómo y cuándo.

Meet queer, BIPOC, and women artists around the world as they discuss the gifts, costs, and redemptive power of pursuing a creative life Is the all-encompassing quest to become a self-sustaining artist worth the sacrifices it often requires? Throughout her 20s and 30s, Stephanie Elizondo Griest...

From acclaimed literary critic Michelle Dean, winner of the National Book Critics Circle's 2016 Nona Balakian Citation for Excellence in Reviewing, a powerful portrait of 10 writers who managed to make their voices heard amidst a climate of sexism and nepotism. Featuring writers from the 1920s to the 1990s, including Dorothy Parker, Rebecca West, Hannah Arendt, Mary McCarthy, Susan Sontag, Pauline Kael, Joan Didion, Nora Ephron, Renata Adler and Janet Malcolm.

Lift as You Climb is a dynamic guide to owning your ambition without having to be someone you don’t want to be. It’s about balancing ambition and compassion, and women being able to strive for personal success while trying to help – or lift – others along the way. We all have difficult...

The Boys in the Band's debut was revolutionary for its fictional but frank presentation of a male homosexual subculture in Manhattan. Based on Mart Crowley's hit Off-Broadway play from 1968, the film's two-hour running time approximates real time, unfolding at a birthday party attended by nine men whose language, clothing, and behavior evoke a range of urban gay "types." Although various popular critics, historians, and film scholars over the years have offered cursory acknowledgment of the film's importance, more substantive research and analysis have been woefully lacking. The film's neglect among academics belies a rich and rewarding object of study. The Boys in the Band merits not only the close reading that should accompany such a well-made text but also recognition as a landmark almost ideally situated to orient us amid the highly complex, shifting cultural terrain it occupied upon its release-and has occupied since.

Like millions of women, Eve Ensler has been waiting much of her lifetime for an apology. Sexually and physically abused by her father, Eve has struggled her whole life from this betrayal, longing for an honest reckoning from a man who is long dead. After years of work as an anti-violence activist, she decided she would wait no longer; an apology could be imagined, by her, for her, to her.

Una Marson’s work embodied anti-colonialism, anti-racism, feminism, class politics, and pan-Africanism in the first half of the 20th century. Her poetry and dramatic work symbolically ushered in a new era in Jamaica’s literary landscape, and her efforts in championing early Jamaican literature, as well as her avid support for Caribbean writers in Britain and the region, made her a key proponent of the development of a national and West Indian literary canon.