Épisodes

  • Larch Tree Loneliness (naviarhaiku634)

    Larch Tree Loneliness (naviarhaiku634)
    Sep 25 2026
    An electronic composition created using Pure Data and Audacity.
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    5 min
  • A Man and a Dog (naviarhaiku665)

    A Man and a Dog (naviarhaiku665)
    Oct 2 2026
    An electronic composition created in real time using Pure Data, with varying rhythmic patterns and a touch of reverb.
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    5 min
  • And He Doth Appear (naviarhailu666)

    And He Doth Appear (naviarhailu666)
    Oct 9 2026
    An electronic composition, sounds from various sources.
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    6 min
  • Bounce (disquiet0771)

    Bounce (disquiet0771)
    Oct 9 2026
    This track is a real-time recording created using Pure Data. It combines changing rhythmic patterns with twelve-tone serialist notation. More on the 771st weekly Disquiet Junto project, Phase Incident — The Assignment: Celebrate Steve Reich’s 90th birthday — at disquiet.com/0771.
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    5 min
  • Reverb Recurring (disquiet0770)

    Reverb Recurring (disquiet0770)
    Oct 2 2026
    This track combines two electronic sequences created using Audacity and Pure Data, with additional layers of reverb. More on the 770th weekly Disquiet Junto project, Reverb x Reverb — The Assignment: Use some reverb. Then use some more. — at disquiet.com/0770.
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    4 min
  • Sombre Epic (disquiet0769)

    Sombre Epic (disquiet0769)
    Sep 25 2026
    An electronic composition created using Pure Data and Audacity with additional delay and reverb. More on the 769th weekly Disquiet Junto project, Let’s Poetic — The Assignment: What’s in a word? Let’s count the ways — at disquiet.com/0769.
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    4 min
  • In Vain (naviarhaiku663)

    In Vain (naviarhaiku663)
    Sep 18 2026
    An electronic composition created in real time using Pure Data.
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    4 min
  • Algorithmic Reinvention (disquiet0768)

    Algorithmic Reinvention (disquiet0768)
    Sep 18 2026
    For this project I used my own track from a couple of weeks ago: https://on.soundcloud.com/SU3vR7qZZVcXUAFar5 I chopped it up into bits of varying lengths and mixed them up in a different order. I then added various selected effects such as detuning, delay, reverb, etc., messed around with the dynamics and created a sequence which transforms over five continuous sections from something relatively close to the original sounds to a drone-like finale. More on the 768th weekly Disquiet Junto project, Remix Therapy — The Assignment: Do yourself a favor and re-work it out — at disquiet.com/0768.
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    6 min