Épisodes

  • In the Temple Hall (naviarhaiku634)

    In the Temple Hall (naviarhaiku634)
    Feb 27 2026
    A mix of electronic sounds and field recordings.
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    4 min
  • Sympa-Sextet (disquiet0739)

    Sympa-Sextet (disquiet0739)
    Feb 27 2026
    An electronic composition created in real time using Karpius-Strong synthesis in Pure Data, a touch of reverb added. More on the 739th weekly Disquiet Junto project, Deepest Sympathies — The Assignment: Make music focused on sympathetic strings, or something akin to them — at https://disquiet.com/0739/
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    4 min
  • Farewell to Swallows (naviarhaiku633)

    Farewell to Swallows (naviarhaiku633)
    Feb 20 2026
    An electronic composition, sounds created in real-time using Pure Data.
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    6 min
  • Nothing to Say (disquiet0738)

    Nothing to Say (disquiet0738)
    Feb 20 2026
    'I have nothing to say and I am saying it' - John Cage. An electronic sequence created in real time using Pure Data with elements of indeterminacy, a touch of reverb added. More on the 738th weekly Disquiet Junto project, Speak Not — The Assignment: Saying something without saying it — at https://disquiet.com/0738/
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    5 min
  • Follow the Clouds (naviarhaiku632)

    Follow the Clouds (naviarhaiku632)
    Feb 13 2026
    An electronic composition, sounds from various sources including Pure Data.
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    5 min
  • Curse Precursor (disquiet0737)

    Curse Precursor (disquiet0737)
    Feb 13 2026
    An electronic composition, original sequence created using Pure Data with additional sounds, reverb and delay, etc. More on the 737th weekly Disquiet Junto project, Opening Ceremony — The Assignment: We’re just getting started — at https://disquiet.com/0737/
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    5 min
  • Spring Day with Sparrows (naviarhaiku631)

    Spring Day with Sparrows (naviarhaiku631)
    Feb 6 2026
    An electronic composition, sounds from various sources including Pure Data.
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    6 min
  • Social Surfing (disquiet0736)

    Social Surfing (disquiet0736)
    Feb 6 2026
    A sequence of electronic clips of varying lengths, sounds and textures. To provide some sense of continuity they all share the same basic tempo. As for social media, apart from sites connected to music or video and a family group, I am a very light user. I occasionally use Facebook but just as an observer, not having contributed anything for years. I have never used any of the other major providers. More on the 736th weekly Disquiet Junto project, Feed Me — The Assignment: Write a piece of music emulating the dopamine engine that is social media. — at https://disquiet.com/0736/
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    4 min