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This week on What Have I Missed?

This week on What Have I Missed?, we’re looking at the remarkable career of Catherine O’Hara - how she shaped characters, controlled tone and made strangeness feel both funny and deeply human.

We begin with For Your Consideration, a quietly uncomfortable satire about fame, perception and the fragile line between being seen and being misunderstood.

Then Schitt’s Creek, where an initially difficult family slowly become better versions of themselves and O’Hara’s Moira Rose anchors an ensemble that turns broad comedy into something unexpectedly tender.

And finally Beetlejuice Beetlejuice - a full-throttle return to Tim Burton’s heightened world, where theatricality is the point and O’Hara’s precision keeps the chaos in check.

Three very different worlds.
Three very different registers.
One performer who always knew exactly how to pitch the moment.

What does it really mean to commit - to a character, to a tone, to a world?

Available now on Apple Podcasts & Spotify.

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This week on What Have I Missed?, we’re looking at systems - how they’re built, who they protect and what happens when staying inside them starts to cost more than stepping away.

We begin with Cop Land, a quiet, heavy study of authority, silence and the price of finally speaking up when everyone else would rather you didn’t.

Then His & Hers, where truth becomes a matter of perspective, credibility is unevenly distributed and the real power lies in who gets believed.

And finally The Rip - a muscular crime thriller about loyalty, obligation and the way systems keep people moving long after the decisions stop making sense.

Three stories.

Three systems.

One question:

What happens when the structures meant to hold everything together start demanding more than they give back?

Available now on Apple Podcasts & Spotify.

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This week, What Have I Missed? looks at containment from three very different angles - how it forms, how it’s inherited and how it finally erupts.

Grey Gardens traps its subjects in a decaying house and a shared mythology, where love, resentment and denial become impossible to separate.

Sharp Objects turns a homecoming into a psychological excavation, exposing how trauma is passed down, buried and quietly weaponised.

And Die, My Love shows intimacy curdling under pressure - desire, rage and instability colliding until there’s no safe place left to stand.

Three stories.
One pressure.

What happens when the place you’re meant to feel safest becomes the thing that breaks you?

Let’s get into it.

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This week, What Have I Missed? looks at success from three very different angles - how it’s built, how it’s sold and who ends up carrying the weight of it.

Moneyball rewrites the rules through systems and efficiency, challenging tradition in the quietest way possible.

Winning Time turns victory into spectacle, where image, power and performance matter as much as the result.

And The Smashing Machine strips everything back to the body — endurance, damage and the cost of being valued for how much you can take.

Three stories.

One pressure.

What happens when success demands more than it gives back?

Let’s get into it.

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This week, we’re spending time in worlds where truth doesn’t arrive politely, it slips in through the cracks.

From the brittle manners and quiet cruelties of Gosford Park. To the slow, devastating unravelling of The Mortician. To the cool precision of Knives Out: Wake Up Dead Man - where Benoit Blanc returns to peel back another carefully-constructed façade…

Three stories.

Three very different worlds.

One thread running through them all: what happens when the mask finally slips and the truth refuses to stay buried.

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This week, we’re spending time with the work of the late, great Rob Reiner - a filmmaker whose range shaped modern cinema in ways that still echo today.

From the aching nostalgia and fragile loyalties of Stand By Me…

to the perfectly-straight-faced chaos of This Is Spinal Tap…

to the razor-sharp courtroom pressure of A Few Good Men…

Three films.

Three completely different worlds.

One director who knew exactly when to step back and let performance and truth do the work.

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This week, it’s all about systems under strain.

Satire. Power. And the quiet logic that collapses under pressure.

Four Lions - a comedy that strips ideology back to behaviour, exposing how conviction fractures when it’s carried by people who don’t fully understand it.

Succession - a long-form study of inheritance, damage and control - where power is learned early.

Mountainhead - a claustrophobic retreat into wealth and paranoia, four men sealed inside a world they built but no longer recognise.

Three stories.

Three ways of showing how authority, certainty and intelligence begin to fail - slowly, then all at once.

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This week, it’s all about the work that holds its ground. Craft. Control.
And the quiet collisions that shape everything beneath the surface.

A Beautiful Mind - a portrait of brilliance and illness, grounded in some of the most precise filmmaking of its era.

The Studio - a world where art, ego and power wrestle for control, and every decision leaves a scar.

One Battle After Another - a director-driven epic that builds its tension in silences, fractures and the pressure of what goes unsaid.

Three stories.

Three ways of showing how difficult meaningful work is to make and how much it matters when it lands.

This is What Have I Missed?