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This week on What Have I Missed?

This week on What Have I Missed?, we’re looking at the remarkable career of Catherine O’Hara - how she shaped characters, controlled tone and made strangeness feel both funny and deeply human.

We begin with For Your Consideration, a quietly uncomfortable satire about fame, perception and the fragile line between being seen and being misunderstood.

Then Schitt’s Creek, where an initially difficult family slowly become better versions of themselves and O’Hara’s Moira Rose anchors an ensemble that turns broad comedy into something unexpectedly tender.

And finally Beetlejuice Beetlejuice - a full-throttle return to Tim Burton’s heightened world, where theatricality is the point and O’Hara’s precision keeps the chaos in check.

Three very different worlds.
Three very different registers.
One performer who always knew exactly how to pitch the moment.

What does it really mean to commit - to a character, to a tone, to a world?

Available now on Apple Podcasts & Spotify.

Let’s get into it.

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This week on What Have I Missed?, we’re looking at systems - how they’re built, who they protect and what happens when staying inside them starts to cost more than stepping away.

We begin with Cop Land, a quiet, heavy study of authority, silence and the price of finally speaking up when everyone else would rather you didn’t.

Then His & Hers, where truth becomes a matter of perspective, credibility is unevenly distributed and the real power lies in who gets believed.

And finally The Rip - a muscular crime thriller about loyalty, obligation and the way systems keep people moving long after the decisions stop making sense.

Three stories.

Three systems.

One question:

What happens when the structures meant to hold everything together start demanding more than they give back?

Available now on Apple Podcasts & Spotify.

Let’s get into it.

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This week, What Have I Missed? looks at containment from three very different angles - how it forms, how it’s inherited and how it finally erupts.

Grey Gardens traps its subjects in a decaying house and a shared mythology, where love, resentment and denial become impossible to separate.

Sharp Objects turns a homecoming into a psychological excavation, exposing how trauma is passed down, buried and quietly weaponised.

And Die, My Love shows intimacy curdling under pressure - desire, rage and instability colliding until there’s no safe place left to stand.

Three stories.
One pressure.

What happens when the place you’re meant to feel safest becomes the thing that breaks you?

Let’s get into it.