Épisodes

  • Packy Lundholm: Unpacking My Favorite Record of 2025 | MCP #314
    Jan 22 2026

    Packy Lundholm joins Korby Lenker for a deep musical conversation about taste, restraint, and how meaningful records actually get made.

    Korby first took notice of Packy after seeing him open for Phil Cook at The Blue Room in Nashville—an immediately clarifying moment that revealed both his musical depth and quiet authority on the instrument.

    The conversation then turns to What It Takes, Korby’s favorite record of 2025 by Mae Erlewine, produced by Theo Katzman. Packy breaks down how the album was made and why it feels different from so many modern studio recordings—less polished, more human, and deeply musical.

    From there, the episode opens into a wide‑ranging discussion about tone, self‑editing, collaboration, and why the best musical decisions are often the ones nobody notices. If you care about making work that’s honest rather than impressive, this episode will resonate.

    🎸 Live Performance: Packy performs “65 Deluxe,” recorded live on the podcast in Nick Drake’s CGCFCE tuning.

    🎧 Watch the full episode on YouTube or listen wherever you get podcasts.📝 Paid subscribers can also read After the Conversation, a personal reflection from Korby on what this episode stirred in his own creative life.



    Get full access to Morse Code with Korby Lenker at korby.substack.com/subscribe
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    1 h et 12 min
  • Jerry Pentecost: The Long Game | MCP #312
    Jan 15 2026

    In this week’s episode of The Morse Code Podcast, host Korby Lenker sits down with drummer, bandleader, and musical connector Jerry Pentecost. Known for his years with Old Crow Medicine Show and as well as touring with Bob Dylan, Jerry shares the unexpected path that led him from cover gigs on Printer’s Alley to the biggest stages in American music.

    This conversation explores the tension between loyalty and growth, how Jerry found his voice as a musical director, and what it means to be a Black artist working inside the Americana scene. It’s also about doing the work — showing up, staying humble, and trusting the long arc of a creative life.

    👉 Subscribe for bonus segments and reflections from Korby at morsecodepodcast.com



    Get full access to Morse Code with Korby Lenker at korby.substack.com/subscribe
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    1 h et 21 min
  • Ron Pope on Longevity, Embarrassment, and Doing the Work Anyway | MCP #312
    Jan 8 2026

    In this episode of The Morse Code Podcast, Korby Lenker sits down with Ron Pope for a wide-ranging conversation about longevity, independence, and what it actually takes to build a sustainable creative life.

    Ron reflects on his early success releasing music online, the lessons learned from major-label detours, and how he and his wife Blair ultimately rebuilt their career on their own terms. The conversation explores the less glamorous but essential parts of being an artist: discipline, embarrassment, learning the business, and staying in the work long after the spotlight shifts.

    They also talk about writing through grief, how parenthood has reshaped Ron’s relationship to touring and ambition, and why showing up consistently matters more than chasing moments. Toward the end of the episode, Ron performs a live acoustic version of “The Life in Your Years,” accompanied by Korby on baritone ukulele.

    Topics include:

    Building a long-term career outside the traditional music industry

    The role of embarrassment, discipline, and resilience in creative work

    Writing honestly through grief and loss

    Balancing art, family, and sustainability

    A live performance of “The Life in Your Years”



    Get full access to Morse Code with Korby Lenker at korby.substack.com/subscribe
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    1 h et 15 min
  • Craig Havighurst - Listening Is a Creative Act | MCP #311
    Dec 18 2025
    Why does music move us — and why do we so often stop listening?On this episode of The Morse Code Podcast, Korby sits down with journalist, musician, and Musicality for Modern Humans author Craig Havighurst to talk about the art of deep listening: how attention, empathy, and vulnerability shape not just how we hear music, but how we live.They explore the decline of music education, the rise of algorithmic culture, and why America’s musical legacy is both unmatched and under-heard. Craig shares stories from decades in the field and offers a compelling case for why listening — really listening — still matters.Genres discussed: jazz, classical, bluegrass, jam bands, pop.Themes: creative attention, cultural shifts, musical literacy.Joy Fatigue and the Return of MysteryBasic to my intention — with this podcast, with the Morse Code project generally, and even in my actual writing and music — is my desire to encourage and inspire people to make art a part of their own lives. Sometimes that takes the form of me breaking down a piano arrangement for a Gillian Welch song, or just sharing a meaningful family moment with as much detail as I can. The underlying intention is pretty simple. I want people to feel more alive. I want to bring some kind of encouraging spirit to a world that can be cold and mean and worst of all, boring.It was obvious talking to Craig that he shares a version of that desire. Early on in Musicality for Modern Humans he makes a claim that it’s musicians that listen most intently to music. For Craig the guys you see at the club, nodding along with fixed stares and arms crossed— those guys are the gold standard. Craig wants you to listen with that same intensity, background knowledge, technical finesse — and he has some practical ideas on how to increase your sensitivity to music’s deeper pleasures.So yay I’m a musician who listens with some of the active ingredients Craig wants to put in everyone’s gigbag. But coming off this taping, I realized something serious: I have a lot to learn.First, a caveat: I probably do listen with more active attention than, say, your average Swifty. I mean, ever since I was exposed to the circle of fifths (and its more practical cousin, the Nashville number system), I can’t hear a song without automatically clocking its chord progression. For most of the songs you and I listen to, that’s not very hard. Still, I suppose that puts me more in the green room than the mezzanine.But I’m here to tell you: I don’t listen to nearly as much music as I should.Why is that?A couple reasons come to mind, one obvious, one ridiculous and maybe damning.First: I’m overwhelmed by the options. Maybe you handle this better but me? I’m drowning in choice. When you have access to everything, how do you pick anything? I’m seriously asking. For my part, I try to listen to my friends’ songs when they come, out or an album of a familiar band whose last album I liked. Mostly I go to shows and discover music live. It doesn’t hurt that I live within walking distance to two of my favorite clubs, The Basement East and the Five Spot.But honestly, and maybe this is a Gen X thing, clicking on a screen to hear digital music is just cold and sad. It doesn’t help that I had a terrible experience with in the early 2000s. Punchline: after spending thousands of dollars on iTunes purchases to replace the CDs of some of my favorite bands, my hard drive failed one day and I lost everything. I don’t think The Cloud existed back then, though I wouldn’t be surprised if it did and I was just oblivious. Either way it hurt my feelings. I’m probably still recovering from it 20 years later, good god.And for someone who grew up with physical albums — that beautiful artwork and the credits and all the ancillary bits that came with the actual music — that was part of the lore. If you’re over forty you know what I’m talking about. A track name on an iPod? Please. And even now with a one inch cover “image” someone made on their phone — I can’t see it as anything but a impoverishment of an earlier romance.But the other reason I don’t listen to enough music is, for me, it requires a lot. A lot of active attention. I’m not one of those people who can read or write or think while any kind of music plays in the background. I don’t go to coffee shops to study. My ideal workplace is a tomb. No seriously, you should see where I’m sitting right now.Whenever I listen to music, it’s almost always intentional. And if I’m being honest, after doing this for 25 years, it’s usually work. Especially when I listen to something for the first time. I’m embarrassed to write this. I hardly like anything (music, books, movies yeah I’m a real charmer), so listening to music usually means trying to pick out what’s good from everything dull and average, from all the almosts that collectively make it just another song.I think part of the reason why I have a ...
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    1 h et 8 min
  • How to See a Person: Stacie Huckeba on Todd Snider, Art, and Staying True | MCP #310
    Dec 11 2025

    I think one of the reasons I started this podcast was to talk to people like Stacie Huckeba.

    If you’ve been around the East Nashville creative scene for any length of time, you’ve seen her work — photos of Dolly Parton, Todd Snider, Elizabeth Cook, Jason Isbell, and countless others. What you may not know is that Stacie came into this line of work late, without a road map, and made a career out of instinct, trust, and relentless follow-through. And maybe the bigger surprise? Her photographs were just the start. She’s a storyteller, full stop — and in this episode, she shares some absolute gems.

    Help me keep bringing these inspiring conversations to life by becoming a paid subscriber to the Morse Code Podcast!

    We talked about the psychology of Todd — how he saw the world, how he needed to be seen, and how that understanding shaped their friendship. There’s a story about a backyard full of geese that’s as funny as it is heartbreaking, and there’s a moment toward the end — when she describes him waving at no one in particular — that might be the most tender thing I’ve heard anyone say about him.

    If you can, watch this one on YouTube. Stacie brought a collection of never-before-seen photos from her archive, and the conversation hits different when you can see the moments she captured. That said, the stories are the real point — and if you’re just listening, you’re still in for something special. Toward the end, we shift gears and talk about what it’s like to build a creative life from scratch — without a pedigree or a plan. If you’ve ever felt like it was too late to start, or like you didn’t quite have the right credentials, Stacie’s story might change your mind. It definitely made me feel braver.

    ~ Korby



    Get full access to Morse Code with Korby Lenker at korby.substack.com/subscribe
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    1 h
  • Allen Thompson: The Wisdom of Winding Roads
    Dec 4 2025

    Allen Thompson joins Korby Lenker on The Morse Code Podcast for a conversation about the winding road of making music on your own terms. The two talk about Allen’s early years in East Nashville, the late great Todd Snider’s lasting influence, and what it takes to stay true to yourself as an artist—even when it doesn’t pay. The episode closes with a soulful live performance of “Foolish and Blue,” recorded in-studio with trumpeter Ben Klassen.



    Get full access to Morse Code with Korby Lenker at korby.substack.com/subscribe
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    1 h et 9 min
  • Aaron Lee Tasjan on Risk, Reinvention, and Making Space for Joy | MCP #308
    Nov 20 2025

    On this week’s episode of The Morse Code Podcast, host Korby Lenker sits down with genre-bending songwriter Aaron Lee Tasjan for a wide-ranging conversation about art, identity, and staying weird in a world that wants to put you in a box.

    They talk about the challenges of navigating the music industry without losing your creative center, the unexpected gift of not fitting in, and how authenticity — even when it’s messy — can be a source of power. Aaron opens up about his journey from sideman to solo artist, how he’s learned to protect his inner world, and what it means to build a career on your own terms.

    Stick around to the end for a stripped-down performance of Aaron’s song “E.N.S.A.A.T.” — a reminder that the real stuff is often what we try hardest to hide.



    Get full access to Morse Code with Korby Lenker at korby.substack.com/subscribe
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    1 h et 13 min
  • Jessica Willis Fisher: The Courage to Begin Again | MCP #307
    Nov 13 2025

    I didn’t know much about Jessica Willis Fisher before she came over to the studio. I knew she was part of the family band The Willis Clan, and I knew something bad had happened — but I didn’t know the shape of it. Or what she’d done with the pieces.

    Turns out, she’s one of the most quietly courageous people I’ve ever sat across from.

    In this episode of The Morse Code Podcast, Jessica and I talk about the long road from silence to self-expression — how writing became a lifeline, and how songwriting helped her reclaim her identity on her own terms. We talk about trauma, yes, but more importantly, we talk about what comes after: the craft, the healing, the stubborn hope of making something meaningful out of the mess.

    It’s a conversation about boundaries and bravery — about telling the truth even when it’s costly. I think anyone who’s ever started over (creatively, emotionally, spiritually) will find something to hold onto here.

    Stick around till the end of the episode for a live in-studio performance of her song “Seeds.” It’s spare and luminous and all the more powerful for what it doesn’t say. You can also watch the performance as a standalone video if you want to send it to someone who needs it.

    ~Korby

    MORSE CODE (our award-winning 30 minute pilot) is now live! thanks for 8k views in 3 days, and many glowing comments, and a few hateful ones! This is the project that launched all the stuff I’ve been doing for the last several years.



    Get full access to Morse Code with Korby Lenker at korby.substack.com/subscribe
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    1 h et 21 min