What made Patrick Stewart such an extraordinary actor? And why, when Star Trek: Nemesis needed an evil clone of Captain Picard, didn't they just cast Patrick Stewart?

In this special tribute, Jett and Gareth remember the great British actor, who died October 28 at age 86, and explore a career that stretched from the Shakespearean stage to the farthest reaches of Shakespeare-tinged science fiction.

Along the way, they discuss I, Claudius, Excalibur, Dune, Green Room, and the lovely, and always watchable, L.A. Story

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Are movie theaters dying, or are we entering a new golden age of moviegoing?

Jett sits down with Miles Williams, artistic director of the historic Alex Theatre in Glendale, California, to talk about the future of cinema, the remarkable resurgence of 70mm film, and why the experience of watching movies together still matters.

Following the Alex's enormously successful 70mm presentation of Christopher Nolan's The Odyssey, Williams sees reason for optimism. Younger audiences are embracing analog film, historic movie palaces are finding new life, and filmmakers are exploring creative ways to reach audiences outside traditional Hollywood distribution.

But what about smaller independent theaters? Can they survive without the resources of a grand movie palace? And can cinemas become the community gathering places that many of us are missing?

From the legendary repertory theaters of the past to a new generation of filmmakers taking their movies on the road, Jett and Miles explore what's changing, what's worth preserving, and why the future of cinema might be brighter than we think.

Plus, a few thoughts on Nathan Fielder's You Can See Everything, the strange appeal of old technology, and why Jett feels Mad Max 3: Beyond Thunderdome, is still relevant.

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Is Exorcist II: The Heretic really one of the worst sequels ever made, or have we been watching it all wrong Dear Listener?

Thanks to the documentary Boorman and the Devil, Jett and Gareth reconsider a movie that has been mocked for nearly 50 years. They explore Boorman's career, from Point Blank and Deliverance to Excalibur and The Emerald Forest, and examine how The Heretic fits into his lifelong fascination with myth, nature, and spirituality.

Along the way: Richard Burton's hypnotic screen presence, the spiritual differences between the two Exorcist films, and the mysterious synchronizer that just might explain 20 years of The Film Talk.

Sometimes folks the most interesting movies aren't necessarily the best ones.

Films discussed: Exorcist II: The Heretic (1977) and Boorman and the Devil (2025).

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