Épisodes

  • Episode 26: Ben Medina on Going from 10,000 Maniacs Super Fan to Lead Guitarist, Music Theory, and Where AI Fits in Music

    Episode 26: Ben Medina on Going from 10,000 Maniacs Super Fan to Lead Guitarist, Music Theory, and Where AI Fits in Music
    Oct 14 2026

    In this episode of Stuck on Sound, Joey Stuckey talks with Ben Medina, the guitarist for 10,000 Maniacs based in Rockford, Illinois. Ben is in five other projects besides the Maniacs, from country and R&B to a pop-rock original band, and he describes a career built on never being able to say no to a good gig.

    Ben traces his love of music back to a toddler-sized record player, but says the moment that made him want to be a musician was seeing 10,000 Maniacs on their first Saturday Night Live appearance, which he calls his Ed Sullivan moment. His father taught him basic chords on a guitar that had belonged to Ben's bluegrass-playing grandfather, a full-time musician in Western Colorado who died before Ben was born. Ben learned the rest by watching the Maniacs on TV, and he did not start formal study until 2018, when he began working with Chicago blues legend Pistol Pete and fell in love with music theory.

    The conversation centers on how a lifelong fan ended up on stage with the band. Ben had attended nearly every Maniacs show in the Chicago area since 1995, so when the band needed someone to cover two dates in 2024, he already knew the songs. An audition led to a full-time job. Ben explains how he keeps the fan and the performer separate on stage, why the band plays without amps, using processors instead, why he prefers solid-state amps like his rare Roland GA-212, and how he came out of a brief 2023 retirement from music, which he regretted almost immediately. He and Joey also compare guitar collections, talk about the Les Paul Foundation's studio, and swap new music recommendations.

    The episode closes on the state of the business: music oversaturation, the loss of music as a shared experience, and Ben's firm stance against generative AI in music, which Joey meets with a call for guardrails and hope that people will return to music made by humans, for humans.

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    1 h et 8 min
  • Episode 25: Shelby Lock on Silver Moon Sound, Immersive Classical Recording, and Redefining What an Accessible Studio Looks Like

    Episode 25: Shelby Lock on Silver Moon Sound, Immersive Classical Recording, and Redefining What an Accessible Studio Looks Like
    Oct 7 2026

    In this episode of Stuck on Sound, Joey Stuckey talks with Shelby Lock, an audio engineer, producer, composer, and the owner of Silver Moon Sound, a boutique recording studio in California's Santa Cruz Mountains built around acoustic and classical music. Shelby has more than 250 commercial recording credits and a growing catalog of her own compositions, including a piece premiered at the Kennedy Center in 2022, but the conversation ranges far beyond her resume.

    Shelby traces her path back to starting piano at seven, drifting away from it, and finding her way back through composing her own music. A pivotal moment came at a Christian rock camp in Nashville, where an instructor named Tony Hooper told her she needed to learn to record her own songs. She bought Logic Express 8 in 2008, taught herself on borrowed gear, and eventually pursued a double degree in audio engineering and composition at Belmont University before landing at the Chicago College of Performing Arts, where a graduate assistantship running the electro acoustic studios turned into her first professional engineering job.

    The heart of the conversation covers the studio Shelby built on her own terms, one that rejects the dark, cave-like aesthetic of a typical recording space in favor of natural light and full wheelchair accessibility. She and Joey discuss a striking Dolby Atmos project that combined a solo piano recording in California with a string orchestra recorded remotely in Venezuela, and Shelby explains the origin of her advocacy work, including founding the Audio Engineering Society's accessibility subcommittee after a mystery illness left her using a wheelchair. She introduces the concept of clean air accessibility, using hospital-grade filtration and emerging far-UVC technology to protect immunocompromised clients and herself.

    The episode closes with Shelby's sharp, well-reasoned stance on generative AI, which she argues is built on the uncompensated work of the artists whose styles it imitates, along with her closing rebuttal to the idea that nobody wants to learn an instrument anymore. The conversation moves fluidly between technical craft, disability advocacy, and a genuine passion for making music the hard, honest way.

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    With over 30 years of experience as a musician, recording engineer, and producer, and serving as the official music ambassador of Macon-Bibb, Georgia, Joey Stuckey can service all your professional audio needs.

    To learn more about working with Shadow Sound Studio and Joey Stuckey, visit the website or email Joey directly.

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    1 h et 8 min
  • Episode 24: Daniel Keller on Creativity, Self-Doubt, and Knowing You Are Enough

    Episode 24: Daniel Keller on Creativity, Self-Doubt, and Knowing You Are Enough
    Sep 30 2026

    In episode 24 of Stuck on Sound, host Joey Stuckey welcomes his dear friend Daniel Keller, a musician, audio engineer, producer, and educator, for a conversation about building a creative life through curiosity and a willingness to learn. Daniel traces his journey from finding refuge in music and sculpture as a teenager to playing in bands, working at Los Angeles recording studios, producing artists in Germany, and teaching at the University of Nevada, Las Vegas. Along the way, the two explore his love of bass, the lessons of a largely self-taught career, and why helping an artist deliver an honest performance matters more than chasing technical perfection.

    The conversation turns to Daniel’s Artist Brain Collective and his work helping artists navigate self-doubt, comparison, and imposter syndrome. He shares the personal experience that led him to a powerful realization: “I’m enough.” Joey brings his own perspective as a blind musician and brain tumor survivor to their discussion of resilience, critical listening, and choosing joy. Together, they consider how limitations can inspire better music, where AI can support creativity and accessibility, and why human expression should remain at the center of the process. Filled with studio stories and the easy humor of two longtime friends, this episode encourages anyone learning to trust their creative voice.

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    Shadow Sound Studio

    With over 30 years of experience as a musician, recording engineer, and producer, and serving as the official music ambassador of Macon-Bibb, Georgia, Joey Stuckey can service all your professional audio needs.

    To learn more about working with Shadow Sound Studio and Joey Stuckey, visit the website or email Joey directly.

    Shadow Sound Studio Website
    joey@joeystuckey.com

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    1 h et 27 min
  • Episode 23: Diane Durrett on Sweet Georgia Blues, the Recording Academy, Singing with Gregg Allman, and the Song That Matters Most

    Episode 23: Diane Durrett on Sweet Georgia Blues, the Recording Academy, Singing with Gregg Allman, and the Song That Matters Most
    Sep 23 2026
    In this episode of Stuck on Sound, Joey Stuckey sits down with his dear friend and fellow Recording Academy Atlanta board member Diane Durrett. Diane is a singer, songwriter, producer, Georgia treasure, and, as Atlanta Magazine put it, a modern-day Renaissance woman. Joey and Diane have a warm, wide-ranging conversation about a life built on original music, community service, and a stubborn refusal to quit.Diane traces her musical beginning to her mother, a choir director and soloist at Second Ponce de Leon Church on Peachtree Street in Atlanta, who put her in front of a choir before she was old enough to wonder whether she wanted to be there. From children's choir, she moved into the early wave of contemporary Christian music, forming a rock band with guitarist Doug Keys and eventually playing churches across Georgia, including one unforgettable night in Jonesboro where their Marshall-stack volume prompted a gracious host to observe that everyone praises the Lord in their own way. She studied at Mercer and Georgia State, played in cover bands, and finally found her footing when the cover band she had started fired her. She took it as a sign. From that moment on, Diane has made only original music: ten American Roots albums, including her 2025 release Sweet Georgia Blues, whose singles Chasing Sunsets and The Sweet Spot earned placement on Apple Music's Best New Blues Songs. Along the way, she has shared stages with Sting, Tina Turner, Faith Hill, and Gregg Allman, co-written with William Bell, Shawn Mullins, Oliver Wood of the Wood Brothers, and Emily Saliers of the Indigo Girls, and co-produced her new EP American Quilt Sessions with multi-Grammy Award-winning producer Kabir Sehgal.The conversation turns to Diane's decade of service to the Recording Academy's Atlanta chapter, including her current role as chapter president, and her partnership with Songwriter Hall of Famer Tricky Stewart as co-chair of the Songwriter and Composer wing. Joey shares how he, Diane, and Tricky all ended up in the same room at Tricky's Atlanta studio one day, writing with Ed Roland of Collective Soul, and what it means to find creative collaborators you trust completely. Diane also speaks candidly about her commitment to keeping her studio and sessions clean and focused, a professional standard born from watching the drug culture of the 1980s and 90s take its toll, and about pursuing music without needing the rock and roll mythology that surrounds it.The episode closes on something deeply personal. Diane's song "All Is Well" was written about her mother, the first liver transplant patient in the state of Georgia, and her grandmother's steady mantra through that crisis found Joey at a moment when he needed it most. He was performing at the same event as Diane, horribly ill backstage from complications related to his brain tumor, and her performance of that song from the stage reached him in a way he had not anticipated or expected. It is a quiet, remarkable ending to an episode full of joy, humor, and craft, a reminder that the songs we make for one reason can do something entirely different for someone we love.Send a Message to Stuck on Sound⸻Stay Connected with Stuck on Sound host Joey StuckeyFollow Stuck on Sound host Joey Stuckey to stay up on all things going on in the Stuckeyverse.WebsiteYouTubeInstagramFacebookLinkedInThe Stuckeyverse Newsletter⸻Shadow Sound StudioWith over 30 years of experience as a musician, recording engineer, and producer, and serving as the official music ambassador of Macon-Bibb, Georgia, Joey Stuckey can service all your professional audio needs.To learn more about working with Shadow Sound Studio and Joey Stuckey, visit the website or email Joey directly.Shadow Sound Studio Websitejoey@joeystuckey.com⸻Subscribe, Rate, and ReviewEnjoyed this episode of Stuck on Sound? Subscribe wherever you listen to podcasts, leave a rating or review, and share the episode with someone who loves music, recording, creativity, and the stories behind great sound.
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    1 h et 31 min
  • Episode 22: Gary Gottlieb on the SSL Computer, AES Leadership, Audio Education, AI, and (Allegedly) Retiring in Mexico

    Episode 22: Gary Gottlieb on the SSL Computer, AES Leadership, Audio Education, AI, and (Allegedly) Retiring in Mexico
    Sep 16 2026
    In this episode of Stuck on Sound, Joey Stuckey welcomes Gary Gottlieb. Gary is an AES Past President and Fellow, longtime professor, textbook author, New York studio engineer, and a man whose forty-year career spans so many disciplines that Joey jokes he must be a thousand years old. Joey and Gary have a generous and wide-ranging conversation about how the audio world works, how it is changing, and what it means to give back after a lifetime of doing it all.Gary's origin story runs through a drumming career he was self-aware enough to abandon early. His cousin, studio drummer Barry Lazarowicz, took a teenage Gary to see Billy Cobham perform. Somewhere between watching Cobham's four limbs seem to multiply, Gary decided his future was behind a different set of controls. His cousin also took him to sessions at New York studios like A&R, where Gary found himself ignoring the musicians entirely and watching the engineer: the slight turn of a knob, the way the vocal just got a little brighter. He eventually knocked on the doors of a hundred New York studios and landed a coffee-and-garbage job at Counterpoint. When owner Jerry Raggevoy installed a pair of brand-new SSL 6000E consoles, Gary did something no one else thought to do: he took the manuals home. He came back the only person in New York who knew how to run the SSL computer. Within months, he was being called into major mix sessions across the city, not because he was a great mixer, but because he could make the room's most powerful new tool do what everyone else needed it to do. The rest followed from there.From the New York studio floor, Gary built a career that expanded in every direction. Thirty years in education (including fifteen as a professor and department chair at Webster University), music criticism, broadcast work at WEQX (one of America's first alternative rock stations), sound design, and sound reinforcement. He has chaired the AES Historical, Conference, and Events Coordination Committees, served as Regional Vice President, and remained a central voice in AES leadership for more than twenty-five years. His two most recent books, both second editions released with Routledge Press, are Shaping Sound in the Studio and Beyond and How Does it Sound Now? Legendary Engineers and Vintage Gear — an interview collection with some of the defining figures of the past eight decades of recorded music. Joey lobbies him, cheerfully and at some length, to make the latter an audiobook.The conversation closes on AI, a subject Gary approaches with a nuanced honesty that cuts through both the boosterism and the panic. He doesn't like it, he says plainly, and he is genuinely concerned about the dilution of artist royalties on streaming platforms awash in AI-generated content. But he tells his students to learn it, get out in front of it, and make it do the boring work so they can focus on the creative work, citing engineer David Bowles, who uses AI to mark edit points in live recordings rather than scanning hours of tape himself. Gary closes with news that he is, for the third time in his career, retired, now living in Mexico, heading to the AES show in Nashville in October and the Latin American AES convention in Lima, Peru shortly after. His friends, he admits, no longer believe the retirement will stick.Send a Message to Stuck on Sound⸻Stay Connected with Stuck on Sound host Joey StuckeyFollow Stuck on Sound host Joey Stuckey to stay up on all things going on in the Stuckeyverse.WebsiteYouTubeInstagramFacebookLinkedInThe Stuckeyverse Newsletter⸻Shadow Sound StudioWith over 30 years of experience as a musician, recording engineer, and producer, and serving as the official music ambassador of Macon-Bibb, Georgia, Joey Stuckey can service all your professional audio needs.To learn more about working with Shadow Sound Studio and Joey Stuckey, visit the website or email Joey directly.Shadow Sound Studio Websitejoey@joeystuckey.com⸻Subscribe, Rate, and ReviewEnjoyed this episode of Stuck on Sound? Subscribe wherever you listen to podcasts, leave a rating or review, and share the episode with someone who loves music, recording, creativity, and the stories behind great sound.
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    1 h et 36 min
  • Episode 21: John Krivit on the AES, Audio Archiving, Recovering the Lost Voice of Jorge Gaitán, and Building Bridges Between Audio Educators Worldwide

    Episode 21: John Krivit on the AES, Audio Archiving, Recovering the Lost Voice of Jorge Gaitán, and Building Bridges Between Audio Educators Worldwide
    Sep 9 2026

    In this episode of Stuck on Sound, Joey Stuckey sits down with his dear friend and mentor John Krivit. John is Past President of the Audio Engineering Society, an Emerson College faculty member, founder of the Hey Audio Student Facebook Group, and one of the audio world's most tireless advocates for education and international connection. Joey's conversation with John ranges from a Tascam 388 in a Boston apartment to a broken set of discs in a Colombian granddaughter's hands.

    John traces his unlikely entry into audio from rock bands in a Michigan college dorm through a stint working for the notorious music industry figure Morris Levy at a Boston record store, a brief detour through advertising, and a fateful decision to buy a Tascam 388 and start recording anyone who would call. For ten years he built a demo studio, raised his rates a little each month, and eventually started teaching at a Boston college. He expected his career to end in exposure as a fraud when his department chair assigned him to run an AES student chapter. Instead, the job that terrified him became the foundation of everything that followed. By simply staying curious, including inviting a wax cylinder demonstrator, a special agent from the FBI, and producers who had worked with Sly Stone and Jaco Pastorius, John built a reputation and an educational ecosystem that carried him, fifteen years later, to the presidency of the worldwide AES.

    The conversation centers on a story that connects acoustic physics to Colombian political history. At a 2019 AES conference in Lima, Peru, John met Professor Ricardo Esquillon of Javeriana University in Bogotá, who told him about Jorge Gaitán, the progressive mayor of Bogotá, champion of the working poor, and near-certain president of Colombia whose speeches were captured on direct-to-disc recordings until his assassination in April 1948 set off riots that left the city burning and the records smashed to pieces. In August 2024, John and Professor Esquillon brought those broken discs to the Northeast Document Conservation Center in Massachusetts and used the IRENE optical imaging system, one of only six in the world, to read sound from the fragments and restore the long-silenced voice of a man erased by violence. John also discusses the 2018 AES Conference on Audio Archiving, Preservation and Restoration at the Library of Congress, the wax cylinder recording demo that introduced this technology to many in the field, and the ongoing debates within the archiving community about how much restoration is too much.

    The episode closes on John's vision of audio education as an act of bridge-building: the Pan-American Audio Educators Conference he founded at the World Trade Center in Mexico City, the Istanbul Audio Educators Conference on the horizon, the Hey Audio Student Facebook Group with its seventy-seven million views, and his simple belief that a professor from Macon, Georgia deserves to know a professor from Montevideo, and vice versa. He keeps a ukulele in his car at all times. The parallel is not accidental.

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    With over 30 years of experience as a musician, recording engineer, and producer, and serving as the official music ambassador of Macon-Bibb, Georgia, Joey Stuckey can service all your professional audio needs.

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    1 h et 7 min
  • Episode 20: Jennifer Roe on Folk Alliance International, Arts Advocacy on Capitol Hill, Intimate Showcases, and Building Community for Independent Music

    Episode 20: Jennifer Roe on Folk Alliance International, Arts Advocacy on Capitol Hill, Intimate Showcases, and Building Community for Independent Music
    Sep 2 2026

    In this episode of Stuck on Sound, Joey Stuckey welcomes Jennifer Roe, the Executive Director of Folk Alliance International and a former Capitol Hill staffer turned passionate advocate for independent music and the artists who make it. The conversation focuses on community, advocacy, and what it actually takes to run one of the most beloved annual gatherings in American roots music.

    Jennifer traces a career path that was anything but straight. She arrived in Washington, D.C. as a 21-year-old political science major, landing an internship in the office of Senate Majority Leader Bob Dole, one of the authors of the Americans with Disabilities Act, before working on his presidential campaign and later at the Commodity Futures Trading Commission. When she returned to Kansas City, she shifted into work with individuals with disabilities, eventually building an administrative services business whose clients included Folk Alliance International. What began as a professional relationship became a calling: Jennifer joined FAI full time in 2013 and has since grown its global membership to more than three thousand artists, record companies, publishers, managers, agents, and arts administrators.

    At the heart of the conversation is Joey's firsthand enthusiasm for the FAI annual conference, which drew nearly 2,700 attendees in New Orleans, and Jennifer's explanation of what makes it unlike any other music industry gathering. Alongside 160 official showcase slots, hundreds of artists perform in private showcases: late-night, acoustic, intimate sets staged in hotel rooms where the beds have been moved aside to make room for an audience of devoted listeners. Jennifer walks through FAI's work on cultural equity, including the reconvening of its Cultural Equity Council to develop toolkits for members navigating issues of safety, representation, and access, and the organization's ongoing advocacy work, which has taken her back to Capitol Hill to make the economic case for arts funding in rooms where the language of cultural value alone rarely lands. The federal arts landscape is, as both she and Joey acknowledge, at a particularly fraught moment.

    The episode closes with Joey's personal account of attending the FAI conference as a blind man navigating a large convention, and his genuine gratitude for how accessible and thoughtfully organized it was, a compliment Jennifer receives with characteristic warmth and a quick request for any improvement ideas listeners might have. She signs off with a reminder that folk.org is where to find showcase applications, membership information, and everything else FAI has to offer, and that the community it represents is worth showing up for.

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    With over 30 years of experience as a musician, recording engineer, and producer, and serving as the official music ambassador of Macon-Bibb, Georgia, Joey Stuckey can service all your professional audio needs.

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    1 h et 4 min
  • Episode 19: Grant Maloy Smith on American Stories, the Wild West, Storytelling Through Americana, and the Art of the Independent Career

    Episode 19: Grant Maloy Smith on American Stories, the Wild West, Storytelling Through Americana, and the Art of the Independent Career
    Aug 26 2026

    In this episode of Stuck on Sound, Joey Stuckey welcomes his friend and colleague Grant Maloy Smith. Grant is a Billboard Top 10 Americana recording artist, MusicRow charting songwriter, Carnegie Hall performer, and one of the most thoughtful musical storytellers working in roots music today. The conversation covers history, craft, independence, and the unlikely intersection of visual art and song.

    Grant traces his beginnings to a childhood shaped by his Kentucky grandmother's mountain music (Bill Monroe, the Stanley Brothers), a peculiar and beloved record collection that included both the Beatles and Captain Kangaroo, and a primary identity as a visual artist, a painter and drawer who seemed destined for art school until, one month before graduating high school, he watched the shyest kid in his class hold a ring of classmates spellbound with a guitar and a song. Grant immediately went home and got himself a guitar. The rest, as he puts it, is history, though making that history took decades of serious work, self-taught music theory, a band that opened for the Guess Who and Steppenwolf, and an eventual commitment to the kind of research-driven Americana storytelling that has defined his most celebrated work.

    The conversation digs into Grant's acclaimed American Stories trilogy: Dust Bowl, Appalachia, and Mississippi, each a thematically unified album accompanied by carefully researched liner notes and, in later editions, full hardcover books exploring the history behind every song. Grant explains how each project demands two to three years of deep archival research and writing, and how the series has grown with each installment, from a twelve-song debut with a pamphlet to a sixteen-song Mississippi accompanied by a substantial book. He also previews Wild West: American Stories, an ambitious two-LP vinyl box set with a nearly hundred-page hardcover book releasing on September 18, already available to order on his website at grant-maloy-smith.com, covering the full sweep of the American frontier from the Louisiana Purchase through Lewis and Clark, Sacagawea, and beyond.

    Joey and Grant close with a frank and affectionate exchange about the realities of the independent artist's life: the cost of touring, the challenge of original music venues, the joy of performing solo, and the deep satisfaction of continuing to make records that matter to the people who find them. Grant still designs his own album covers, still believes in the 180-gram vinyl record, and still makes music for the same reason he always has: because the story demands to be told.

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    With over 30 years of experience as a musician, recording engineer, and producer, and serving as the official music ambassador of Macon-Bibb, Georgia, Joey Stuckey can service all your professional audio needs.

    To learn more about working with Shadow Sound Studio and Joey Stuckey, visit the website or email Joey directly.

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    1 h et 23 min