Our October horror series concludes with Tony and D-Rock taking on one of the greatest horror and greatest sound movies ever made. In the spirit of doing the show on Halloween, the ghosts and goblins ransacked - more accurately, deleted - our board settings during a firmware update, so our apologies in advance for the wacky disparity in levels. We hope you've enjoyed this series as much as we have since this has pretty much ruined horror movies for us for the foreseeable future!

Tucker and Dale vs. Evil. Predator. Event Horizon. What do these movie have in common? Simple: a hyphen and the word "horror" somewhere in their descriptions. In the fourth part of our five-part October horror series, we take a look at the sound design methods in movies that try to maximize the terror while also embracing storytelling - and, therefore, sound design - traditionally kept for other genres. We also might have made a run at the world record for usage of the word "elements" in a sixty-minute recording.

The Blair Witch Project. Paranormal Activity. Late Night with the Devil. In part 3 of our 5-part October series on horror movie sound, Tony and D-Rock discuss how the principles of horror sound design discussed in the previous two episodes translate to the popular (if not infamous) found footage subgenre. Tony shares his passion, and D-Rock spoils the fun, making this a totally routine exploration for Sounds in Cinema.