Its time to talk business as we close out the month of crime and misdeeds with a slightly warming take on it. A very talented hitman becomes entangled with corrupt cops when it takes in a young, and newly made orphan Matilda. A heartwarming story as we see a bond form with them, although at times uncomfortable, as this cold and calculated killer befriends and looks after one of Natalie Portman's best performances. Death is a guarantee in this final film of the month but "death is whimsical today".

Directors typically have their niche genres they either enjoy doing, or excel at making but one man is able to do both in a very different way. Martin Scorsese has and will always be one of the best directors of our generation, but why is it that he is able to do crime films so well? Today we explore this and some of the many themes he uses to tell the story against the law. So listen in while we attempt to uncover why Scorsese dominates crime films.

What is worse than crimes being committed by gangsters and thugs? Why our own government of-course. When Kate, an FBI agent is called for to aid in taking down the Mexican Cartel, she quickly realizes that she is kept in the dark about how far these men are willing to go. A great film to show the duality of a moral compass paired well with great character work of Benicio Del Toro and no nonsense side of Josh Brolin. A film with many question, and many answers about what we are capable of but "in the end, you will understand".

When it comes to crime, theres a certain style and pizzaz that comes with it which is likely to make you go from hating a character to finding something enticing about them. Today we take a look at those characters in films that are guilty of some sort of crime, but also of fashion. As always we ask that you listen in and let us know what you think, while we rob banks in great suits with "best outfits in crime".

Out of money? Need to get some quick? Why not pretend to have your wife kidnapped for ransom? This charming, yet disturbing film showcases this as Jerry attempts to have his wife Jean taken while a clever cop, Margie is hot on the case. Absolutely a top 100 films of all time, showcases fun humor while mixing violence and a crime unfolding in every direction in a perfect way. The numbers don't lie in this one of why it deserves a place in film history and "if the numbers are right, Stan says its pretty sweet".

When it comes to stealing, holding a bank hostage, or even murder in films, why does it always seem like the ones doing it are on the short end of the stick? Crime films have been around almost as long as films themselves, but the "bad guy" is presented in a different, more relatable way and still ends up falling short at the end. Today we discuss why this is and what some films might be doing to break that mold. Listen in while we cheat death just to see him at the last few minutes with, why crime films don't pay.

Crime has a lot of layers to it, but that doesn't mean you can't have some fun with it. When screenwriter Marty, is attempting to write for a film of the same name, his friends Billy and Hans give him all the material they need. While being a great film about loss, brutality, and when and where violence should take place, this is unsurprisingly a hilarious film. The cast is star studded and the pay off at the end is worth the wait leaving us with "only one word to describe this, overkill".

When it comes to crime, there is always a tipping point in which everyone says screw it and pulls out their guns. While not solely crime movie, today we discuss any film in which crime is a part of it and go over which bang bang brawls are the best. As always, we would love to know your thoughts and ask you to listen in while we stare down each other, choose violence, and discuss our favorite film shoot outs.