We review Primetime, Lance Oppenheim's unconventional A24 drama starring Robert Pattinson as To Catch a Predator host Chris Hansen.

From its unsettling filmmaking and bizarre performances to its exploration of sensationalism and media ethics, we discuss whether the film's artistic ambitions justify its questionable portrayal of real events.

Plus, we break down what's true, what's fabricated and what Chris Hansen himself thinks of the film.

(00:00) First Impressions & Robert Pattinson's Performance

(03:19) Chris Hansen, Media Ethics & Sensationalism

(13:20) Primetime vs Reality – What Actually Happened?

We review Digger (2026), Alejandro G. Iñárritu's outrageous black comedy starring Tom Cruise, and we couldn't be more divided.

From Cruise's larger-than-life performance and the film's ambitious storytelling to its bizarre twists and provocative social satire, we debate whether Digger is a brilliant cinematic experiment or an obnoxious, self-indulgent mess.

Plus, we react to some divisive IMDb reviews.

(00:00) First Impressions – Brilliant or Self-Indulgent?

(12:09) Spoiler Discussion – The Big Twist & Hidden Meaning

(23:37) Reacting to IMDb Reviews & Final Thoughts

We review The Social Reckoning, Aaron Sorkin's highly anticipated follow-up to The Social Network, and unfortunately, we're left a little underwhelmed.

From the fascinating story of Facebook whistleblower Frances Haugen to Jeremy Strong and Mikey Madison's performances, we discuss why this compelling real-life drama struggles to match the brilliance of its predecessor, and whether David Fincher's absence is its biggest problem.

(00:00) First Impressions & The Facebook Whistleblower Story

(03:57) Aaron Sorkin vs David Fincher – The Direction Problem

(08:18) Performances, Relevance & Final Verdict

We review Christopher Nolan's The Odyssey (2026), and we couldn't be more divided.

From its breathtaking IMAX spectacle and Ludwig Göransson's score to its controversial casting, overwhelming sound design and emotionally distant storytelling, we debate whether Nolan has delivered another cinematic masterpiece or an exhausting epic that prioritises spectacle over substance.

(00:00) Divided First Impressions & Casting Choices

(09:24) IMAX Spectacle, Music & Sound Design

(22:48) The Christopher Nolan Debate & Final Thoughts

We react to the new Shrek 5 trailer, and we're not entirely convinced by DreamWorks' controversial animation changes.

From Shrek and Donkey's strange new appearances to the franchise's iconic humour, we discuss whether this long-awaited sequel can recapture the magic of the original films. Plus, we revisit our love for Shrek 2 and react to what fans are saying about the redesigns.

(00:00) Shrek 5 Trailer & The New Animation

(03:49) Why Shrek 2 Was So Brilliant

(10:21) Fan Reactions & Can the Story Save Shrek 5?

Woody, Buzz and the gang are back for Toy Story 5 (2026), but does this beloved franchise really need another sequel?

We discuss Pixar's nostalgic return to its roots, the stunning animation, its surprisingly thoughtful take on modern technology and some frustrating storytelling decisions. Is this a worthy continuation of the original trilogy, or another unnecessary addition to a story that already had the perfect ending?

(00:00) First Impressions & Returning to Toy Story

(05:00) Story Problems, Buzz Lightyear & Modern Technology

(18:43) Nostalgia, The Original Trilogy & Final Verdict

We discuss Euphoria Season 3, and it's safe to say we're not particularly impressed.

From Zendaya and Sydney Sweeney's performances to the increasingly bizarre storylines, gratuitous shock value and Sam Levinson's questionable creative decisions, we unpack how one of television's most visually stunning shows became such a narrative mess.

(00:00) Season 3 Review – What Went Wrong?

(15:00) The Finale, Rue's Fate & Cassie's Storyline

(24:43) What Does It All Mean? & Final Thoughts

Steven Spielberg returns to science fiction with Disclosure Day (2026), but does the legendary director still have the magic?

We discuss the film's ambitious alien conspiracy premise, impressive filmmaking, divisive performances and John Williams' score. Is this a welcome return to classic Spielberg, or a frustratingly old-fashioned sci-fi thriller?

Plus, we react to some mixed IMDb reviews.

(00:00) First Impressions & Spielberg's Return to Sci-Fi

(08:15) Action, Filmmaking & Story Criticisms

(12:24) IMDb Reviews, Spoilers & Final Thoughts