Nine dollars and forty-seven cents.

That was the ticket.

Radio show. The Buzz Presents. No mystery fees stacking up at checkout. If you bought it at the door, you paid $9.47. Box office counted clean at the end of the night. No service charge surprise hiding in the drawer.

That’s how it worked back then.

And this wasn’t some random booking.

The Killers ran through Oklahoma rooms on their way up. Bricktown Events Center. Diamond Ballroom. The Zoo. Cain's Ballroom. Possibly The Brady. Before arenas. Before headlining major centers.

Bricktown Live. July 22, 2004.

Same flyer had W.A.S.P., The Kill, and A Horse Called War.

That’s the contrast of that era. Future arena band on a $9.47 radio ticket. Packed club. 300 to 500 people shoulder to shoulder. No one thinking they’re watching a band that will headline festivals worldwide.

You can’t predict that moment when it’s happening.

Sometimes it costs $9.47.

#HeresTheDealPodcast #TheKillers #BricktownLive #DiamondBallroom #CainsBallroom #OKCMusic #TulsaMusic #2004Concerts #RadioShow #LiveMusicHistory #MaxBakerJr #JeffBrownen

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One night it’s Styx inside Buffalo Run Casino.
Next night it’s 15 bands, two stages, and organized chaos.
That’s the range.
Styx at Buffalo Run was inside. Clean production. National act. Tight schedule.
Professional room. Solid crowd.
Then you flip the calendar to the 16th and it’s Disjointed, Trip C, Wither, Makeshift, Midnight
to 12, Severance, Waiting on Juliet, None Were Found, Welcome the Silence, Rotting Cycle,
Transfixed, Bent, Rhythmic Disturbance, Separation from All, Skull Playground.
Fifteen bands.
Two stages.
Bands crossing over. Announcers weaving through the crowd. Beer flowing. Jay carrying the
mic like a sack of potatoes between stages just to keep things moving.
That was the grind.
Deneven from Welcome the Silence is now in a new project called Quake Engine. Wither
ran long enough to hit Rocklahoma years later. Midnight to 12 had their California run. Most
of the rest? Time moves on.
That’s 18 years ago.
Some nights you’re working a legacy arena act like Styx.
Other nights you’re juggling 15 regional bands hoping one breaks out.
Both count.
#HeresTheDealPodcast #Styx #BuffaloRunCasino #MaxBakerJr #JeffBrownen
#oklahomacity

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https://heresthedealok.com

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Blackie Lawless.

Bricktown Live.

2004.

A band that once opened for KISS. Shared bills with Iron Maiden. Played Donington. Headlined arenas.

Now standing in a 300-cap room in Oklahoma City.

That’s the reality of rock cycles.

W.A.S.P. came through more than once. Still touring hard. Still carrying that massive mic stand. Still performing like it was 1986. The stage presence didn’t shrink just because the room did.

And that was the strange part.

In 2004, it wasn’t easy to find younger bands that even knew who W.A.S.P. was, let alone wanted to open for them. You’re talking about a band that once moved arena numbers now headlining a 300-seater trying to relaunch momentum.

Local bands filled those slots. The Kill. A Horse Called War. Names that were part of that scene at that moment in time.

Nineteen years later, it hits different.

An arena act in a club-sized room.

Up close. No barricade gap. No upper deck. Just volume, lights, and history packed into 300 tickets.

That’s a rare show.

#HeresTheDealPodcast #WASP #BlackieLawless #BricktownLive #MetalHistory #KISS #IronMaiden #RockAndRollCycles #ClubShows #OKCMusic #MaxBakerJr #JeffBrownen #oklahoma #oklahomacity

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Max Baker Jr. Instagram @bmaddmaxx | Facebook @bmaddmaxx
Jeff Brownen Facebook @jeff.brownen

Here’s The Deal YouTube Channel
https://www.youtube.com/@heresthedealok

Here’s The Deal Podcast Website
https://heresthedealok.com

Buy Here’s The Deal Vintage & Collectables
https://heresthedealvintagecollectables.com

Get an Oklahoma Medical Marijuana Card
https://medcardsmadeeasy.net

Concert & Event Production Services
https://bakerboyspro.com

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https://bakersremedycbd.com