Couverture de Don Juan, Canto 5

Don Juan, Canto 5

Don Juan, Canto 5

De : George Gordon Lord Byron
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Immerse yourself in the captivating and audacious world of "Don Juan, Canto 5," a thematic exploration that delves into the complexities of desire, identity, and societal norms. This podcast invites listeners to engage with the intricate dance of seduction and satire that characterizes the literary epic, as it navigates themes of love, power dynamics, and the often absurd nature of human relationships. Each episode features a new complete audiobook that reflects the rich tapestry of these themes, presenting a rotating collection of works that challenge conventions and provoke thought. This is not a single narrative but a series of unique explorations that illuminate the multifaceted nature of passion and folly. Join us on this literary journey, where each book offers a fresh perspective and a chance to discover the diverse expressions of the human experience. Uncover new stories with every episode and enrich your understanding of the intricate interplay between desire and society.Copyright Poetry Genre Art Science
Épisodes
  • Rosemary and Pansies-Effie Waller Smith
    Sep 9 2026
    Juan, captured by Turkish pirates and sold into slavery is bought by a beautiful Princess as her toy-boy. Dressed as an odalisque, he is smuggled into the Sultan's harem for a steamy assignation. Unbelievably, Byron's publisher almost baulked at this feast of allusive irony, blasphemy (mild), calumny, scorn, lesse-majeste, cross-dressing, bestiality, assassination, circumcision and dwarf-tossing. This was the last Canto published by the stuffy John Murray (who had, however, made a tidy fortune on the earlier parts of the Epic). Although Byron's mood starts, after this, to grow darker and his bitterness at English hypocrisy to grow sharper, his discursive comedy and precise and intriguing rhyme is rarely better than in Canto V. (Summary by Peter Gallagher)
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    57 min
  • Introducing Irony-Maxwell Bodenheim
    Sep 8 2026
    Juan, captured by Turkish pirates and sold into slavery is bought by a beautiful Princess as her toy-boy. Dressed as an odalisque, he is smuggled into the Sultan's harem for a steamy assignation. Unbelievably, Byron's publisher almost baulked at this feast of allusive irony, blasphemy (mild), calumny, scorn, lesse-majeste, cross-dressing, bestiality, assassination, circumcision and dwarf-tossing. This was the last Canto published by the stuffy John Murray (who had, however, made a tidy fortune on the earlier parts of the Epic). Although Byron's mood starts, after this, to grow darker and his bitterness at English hypocrisy to grow sharper, his discursive comedy and precise and intriguing rhyme is rarely better than in Canto V. (Summary by Peter Gallagher)
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    2 h et 30 min
  • Tudor and Stuart Love Songs-John Potter Briscoe
    Sep 7 2026
    Juan, captured by Turkish pirates and sold into slavery is bought by a beautiful Princess as her toy-boy. Dressed as an odalisque, he is smuggled into the Sultan's harem for a steamy assignation. Unbelievably, Byron's publisher almost baulked at this feast of allusive irony, blasphemy (mild), calumny, scorn, lesse-majeste, cross-dressing, bestiality, assassination, circumcision and dwarf-tossing. This was the last Canto published by the stuffy John Murray (who had, however, made a tidy fortune on the earlier parts of the Epic). Although Byron's mood starts, after this, to grow darker and his bitterness at English hypocrisy to grow sharper, his discursive comedy and precise and intriguing rhyme is rarely better than in Canto V. (Summary by Peter Gallagher)
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    2 h et 20 min
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