"Nothing stays secret forever" and Tell Me Lies showrunner Meaghan Oppenheimer is here to spill the tea on season 3! She shares her creative process, how she works with directors, intimacy coordinators and how she aims to create interesting characters as well as how season three will continue to explore toxic relationships in new ways. The first 3 episodes are out NOW on Hulu. Watch and listen along with us, Daddy!

Oppenheimer was recently named one of the top 50 TV producers of 2025 in Variety’s annual TV Producers’ Impact Report . She began her career when her first screenplay “The Remains” made the 2013 Black List, after which she co-wrote the Zac Efron film “We Are Your Friends” for Working Title Films. Meaghan then wrote on AMC’s “Fear the Walking Dead,” before going on to sell her original pilot “Broken” to ABC which was made with Anna Paquin and Blair Underwood and produced by Bruna Papandrea and Reese Witherspoon. In 2018 Meaghan created and show ran her 1/2 hour dark comedy “Queen America” for Facebook Watch, starring Catherine Zeta Jones and Judith Light. She is currently in development on an original feature with Netflix, as well as various television projects under her overall deal with 20th Television.

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In our LAST EPISODE of 2025 (!!) we think that everyone — costume designers, directors, producers, etc. — could learn a thing (or 5) from the fantastic Laura Jean Shannon, a Specialty Costume Designer with a focus on Superhero’s and other sci/fi & fantasy characters.

She brings her knowledge of unconventional designs and construction principles to Specialty Character development in Film and TV projects from the course of her 30 plus year career. LJ serves as the Super Hero Costume Designer and Associate Producer on Amazon’s hit shows THE BOYS and GEN V as well as the highly anticipated origin story, VOUGHT RISING. Her most recent work includes the Robots on critically acclaimed MURDERBOT as well as Specialty Characters in RED ONE. Collaborating with Director Jake Kasdan and Star Dwayne Johnson again as she did Costume Designing the smash hit “JUMANJI:WELCOME TO THE JUNGLE” and the forthcoming 3rd installment of the JUMANJI franchise. Shannon’s other film credits include: IRONMAN, ELF, CHEF and ZATHURA , directed by Jon Favreau. TWO GUNS, directed by Baltazar Kormakur, SCOTT PILGRIM VS. THE WORLD, directed by Edgar Wright; REQUIEM FOR A DREAM, directed by Darren Aronofsky; and many more…

This week Carlye & Kourtney talk with Ashley Nicole Black, a two-time Emmy Award-winning writer, actress, and producer best known for her work on Shrinking, Ted Lasso, Bad Monkey, and A Black Lady Sketch Show. Ashley began writing for television in 2016 on Full Frontal with Samantha Bee. Now, she is currently working on Ma 2, the sequel to the iconic horror film starring Octavia Spencer, as well as preparing to return to the writers’ room for Season 3 of Shrinking.

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In today's episode we learn how best friends writer/director Sophie Tabet and writer/actor/producer Julia Roth brought their incredibly vibrant action thriller to life (spoiler alert: it took 7 years!). STONE COLD FOX (avail to watch HERE ) is set in 1986 when the defiant Fox breaks out of an abusive commune in search of her family. But when the queenpin kidnaps her little sister and sends a crooked cop after her, Fox has no choice but to infiltrate the very place she escaped.

Since the release of the film Julia Roth and Sophie Tabet write under their banner, Bang Bang Pictures.

Here us talk about their writing process, how they achieved the look of the film, string theory and lesbian cults...

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You're in for a treat. In today's episode we chat with Hanna Flint, a London-based film critic, podcaster, author of Strong Female Character: What Movies Teach Us, and a co-founder of Cinema For Gaza and the LFF Critics’ Support Fund. Hanna's book struck a cord with Carlye and Vika and talking with her about cinema was a real treat.

Hanna has been covering film and culture for nearly a decade, and interviewing some of the biggest stars in the world, from actors Rebecca Ferguson, John Boyega, Ruth Negga and Emma Corrin to directors M. Night Shyamalan, Paul Thomas Anderson and Spike Lee. In 2020, Hanna was invited into the London Critics' Circle for Film and has served on the juries for the BFI Future Film Festival, London East Asian Film Festival, Cheltenham International Film Festival and the BIFA awards where she is also a member of the BIFA nomination committee.

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Website: https://www.flintonfilm.com/

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Katina Medina Mora is a Mexican-American director and writer working across television, film, and theatre. She has built a dynamic international television career directing series like The Summer I Turned Pretty on Amazon, where one of her episodes became one of the season’s top rated. She has directed episodes of Emily in Paris on Netflix, Firefly Lane, Selena: The Series, and is one of the lead directors of XO, Kitty, Netflix’s global YA series shot in Korea. She also helmed the Season 2 finale of Swagger on Apple TV. On stage, she most recently directed Spirit of the People, the new play by Jeremy O. Harris at the Williamstown Theatre Festival.

In this episode Katina shares how she approaches episodic directing, how she got her start and advice for filmmakers like you.

Reagan Yorke and Jillian Smith turned their success as content creators into S&Q Films, a production company and community where they share every moment of their filmmaking process with their online community. in this episode we discuss their business model, their partnership, and how elements of making videos on social media taught them important filmmaking tools like editing and marketing. Out now, everywhere you listen/watch podcasts.

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In this engaging conversation, Mary Bronstein discusses her journey as a filmmaker and how it led to the making of IF I HAD LEGS I'D KICK YOU - out now in theaters! She emphasizes the importance of creating new narratives that reflect female perspectives, as well as the need for community support among women filmmakers and the challenges they face in an industry that often overlooks their contributions.

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