We're coming at you with a bonus episode dedicated to the memory of the late, great, Ozzy Osbourne. Trick or Treat from 1986 is hardly a great movie and was almost forgotten as quickly as it entered theaters but what we find in this movie is a remarkably authentic portrayal of what it was like to be a metal head in the 80's. Satan was lurking everywhere and all of your friends' parents were convinced that people who listened to metal were all drug addict murderers or at least would become drug addict murderers if they kept listening to that Ozzy Osbourne character.

We pay sweet tribute to Ozzy, talk about the satanic panic, and our own experiences growing up metal in the 80's and really get down with this utterly bonkers horror movie. We hope you enjoy.

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Here's a freebie episode of our X-Files rewatch podcast, Do You Think I'm Spooky for all non-Patreon subscribers to let you know what you're all missing. Want more? We're nearly finishied recapping season one of the show along with a rundown of the headlines, box office and music charts, and TV shows for that week in 90's history.

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This week we see mega-creep Doug Hutchison return to the X-Files for a bit on an episode sequel as weirdo stretchy mutant, Adrian Tooms is released from the mental hospital to once again stalk the streets of Baltimore looking to eat just one more liver so he can hibernate and return 30 years on to continue his killing spree.

Meanwhile, in 90's history, the times they are a-changing with another raft of forgotten sitcoms that didn't even make it to mid-season, a wild new appearance of pop songs, nothing particularly special happening at the movies, and the rise of American domestic terrorism.

This week we're hanging by a thread as we take a look at one of the strangest, sleaziest movies we've done yet, Mad Foxes. A few movies in our past have driven us to the brink of madness but none so powerfully as this Swiss/German/Spanish co-production that was intended to be a sequel-in-name-only of the American action movie, Stingray.

Music video director Paul Grau approached his producer friend Erwin Dietrich with an idea to produce a comedy and ended up with the assignment to instead produce a violent action movie and since the producer was also a big name in the world of European sexploitation the movie had a mandate to also be full of sex and nudity and man alive, did Paul Grau miss the mark. Starring Jose Gras, credited as Robert O'Neil, it tells the story of a man, his car, and the high cost of being so cool when Nazi bikers assault his lady and kill his parents. Again, because his car is just too cool.

Somehow having four writer credits, this movie comes off like it was written by one twelve year old boy. Very little of it makes sense. A lot of it is maddening to behold and if you're not ready for it you're going to be surprised by precisely how many penises are in this movie.

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We're wrapping up our Pride 2025 series with a case study in camp. We're looking at Curtis Harrington's 1971 American gothic melodrama, What's The Matter With Helen starring Debbie Reynolds and Shelly Winters.

Two mothers settle in Hollywood, trying to escape their reputations as the mothers of two nationally infamous murderers. It's all fragile emotional states and overacting as one mom marries up out of her station and the other goes quite insane.

The first in Harrington's high-camp era, followed by movies like Whoever Slew Auntie Roo? and The Killing Kind, Harrington's career would come to be defined by a series of high-camp misadventures that were squarely in the wheelhouse of gay moviegoers the world around and continue to be major influences on the wild, overwrought melodramas that came in its wake.

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This week Dave surprises Bryan with a movie with a title that is at once a good description and a terrible misrepresentation. They're going to Germany for a look at Martin Walz's very gay 1996 horror comedy, Killer Condom. Based on the comic of the same name (and the follow-up, Down To The Bone) by German cartoonist, Ralf Konig, Killer Condom (Kondom des Grauens) tells the story of New York City in the grips of terror as carnivorous condoms bite the penis off of the city's men left and right. It's also a touching love story as Detective Luigi Macaroni shakes his jaded feelings on love and comes to terms with feelings for the rentboy who keeps distracting him from his job.

Distributed by Troma, Killer Condom was thrust out into the English-speaking world on the vague promise of the outrageous, politically incorrect comedy you've come to expect from the house that Toxie built but this sells the movie short as it's actually a very human love story and a not-so-subtle meditation on the AIDS crisis. Now, it IS a movie made in the 90's and hasn't exactly aged well but reckon with a little transphobia and racism and you find a terribly unique movie that was way ahead of its time.

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