Couverture de We Free the Stars

We Free the Stars

The thrilling conclusion to We Hunt the Flame! A magical fantasy inspired by Ancient Arabia

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We Free the Stars

De : Hafsah Faizal
Lu par : Ojan Genc, Lara Sawalha
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À propos de ce contenu audio

The epic sequel to the bestselling TikTok sensation We Hunt the Flame , by the #1 bestselling author of A Tempest of Tea

This is YA fantasy at it's best. Lush, hopeful and devestating, We Free the Stars is Hafsah Faizal's spellbinding conclusion to the Sands of Arawiya duology, set in a world inspired by ancient Arabia. Perfect for fans of Leigh Bardugo's Shadow and Bone series.

Darkness surged in his veins. Power bled from her bones.

The battle is over, but the war is just beginning. Low on resources and allies alike, Zafira and Nasir are determined to finish their mission; to restore magic to their kingdom.

But the land teems with the return of an ancient evil, and as Nasir fights to command the magic in his blood, Zafira battles a very different darkness. And yet, in spite of everything, they find themselves falling into a love they can't stand to lose.

Time is running out and if order is to be restored, sacrifices will have to be made . . .

Action et aventure Fantasy Légendes, mythes et contes de fées Mythes et légendes Roman et littérature Science-fiction et fantasy
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    Commentaires

    This Sands of Arawiya duology closer will not disappoint readers with its plot twists, banter, tormented romance, and multiple betrayals and reveals . . . Faizal’s prose truly shines in creating effective action scenes and dialogue. . . A satisfying conclusion.
    Moments of humor and edge-of-your-seat action easily balance the book’s dark, tragic depths, creating a memorable story at the height of the fantasy genre.
    Faizal continues the lush world building that marked the first of this duology, expanding upon the Persian-inspired setting and guiding readers through all of Arawiya . . .Those who were left breathless by the previous installment will heave a sigh of relief.
    Could be the next Game of Thrones (Bustle on We Hunt the Flame)
    Delivers on all fronts. This book carries social importance—bringing magic and curiosity and complexity to the Arab world is still hardly done in Western pop culture—but beyond that, We Hunt the Flame is just an exciting, surprising read (Entertainment Weekly on We Hunt the Flame)
    Faizal bends fantasy tropes to her will to tell a fresh and gripping story about love, honor, and self-discovery that will leave readers scrambling for more. (Booklist, starred review, on We Hunt the Flame)
    With fierce characters, deathly challenges, and world-building both lyrical and spellbinding, We Hunt the Flame is unputdownable (Marieke Nijkamp, #1 New York Times-bestselling author on We Hunt the Flame)
    Filled with rich worldbuilding with stakes that will keep you at the edge of your seat (Buzzfeed, on We Hunt the Flame)
    Lyrical and filled with adventure, a slow-burn romance, and an unforgettable cast of characters in a world based on ancient Arabia, this is a debut series not to be missed (School Library Journal, starred review, on We Hunt the Flame)
    Hafsah Faizal creates a dazzling and beautiful world that will make you not want to put this book down (Seventeen Magazine, on We Hunt the Flame)
    Hafsah Faizal’s writing is so lush and evocative . . . gripping right from the first page (Popsugar, on We Hunt the Flame)
    A sparkling debut, full of mystery and magic, vivid characters, and rich language (Roshani Chokshi, New York Times bestselling author on We Hunt the Flame)
    Beautiful storytelling, mesmerizing settings, and fiery characters—We Hunt the Flame is danger, magic, and hope all wrapped into one, and it is intoxicating (Evelyn Skye, New York Times-bestselling author of the Crown’s Game series on We Hunt the Flame)
    This Sands of Arawiya duology closer will not disappoint readers with its plot twists, banter, tormented romance, and multiple betrayals and reveals. . .Faizal’s prose truly shines in creating effective action scenes and dialogue. . .A satisfying conclusion.
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