It is the 1980s, and the Winshaw family are getting richer and crueller by the year: newspaper-columnist Hilary gets thousands for telling it like it isn't; Henry's turning hospitals into car parks; Roddy's selling art in return for sex; down on the farm Dorothy's squeezing every last pound from her livestock; and Thomas is making a killing on the stock exchange. But once their hapless biographer, Michael Owen, starts investigating the family's trail of greed, corruption and immoral doings, the time is growing ripe for the Winshaws to receive their comeuppance....

Sarah is a narcoleptic who has dreams so vivid she mistakes them for real events; Robert has had his life changed for ever by the misunderstandings arising from her condition; Terry, the insomniac, spends his wakeful nights fuelling his obsession with movies; and the increasingly unstable Dr Gregory Dudden sees sleep as a life-shortening disease which must be eradicated. A group of students sharing a house. They fall in and out of love, they drift apart. Yet a decade later they are drawn back together by a series of coincidences involving their obsession with sleep - and each other....

Maxwell Sim seems to have hit rock bottom: separated from his wife and daughter, estranged from his father, and with no one to confide in even though he has 74 friends on Facebook. He's not even sure whether he's got a job until suddenly a strange business proposition comes his way which involves a long journey to the Shetland Isles - and a voyage into his family's past which throws up some surprising revelations. In a story for our times, Maxwell finds himself at sea in the modern world, surrounded by social networks but unable to relate properly to anyone.

Penguin presents the unabridged, downloadable audiobook edition of Number 11 by Jonathan Coe, read by Rory Kinnear and Jessica Hynes. This is a novel about the hundreds of tiny connections between the public and private worlds and how they affect us all. It's about the legacy of war and the end of innocence. It's about how comedy and politics are battling it out, and comedy might have won. It's about how 140 characters can make fools of us all.

In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous. Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.