“To ‘write history with lightning’ or ‘dine with fine ghosts’ at the edge of a wood requires a map, because how else will you get there/do that? In Jessica Stark’s Savage Pageant, this map is an ‘undulation,’ a ‘fold,’ something lightly sketched then traced on “something blackened, worn-out, and organized.’ Stark’s brilliant move in this powerful new work is to problematize the paper itself: the surfaces that receive the many marks that a poet, an inhabitant, an animal, an archivist or an audience-member might make. I loved, most of all, the ‘strange beasts’ that are drawn and written with such lavish and specific curiosity. There was a consistent feeling of delight and surprise as I moved through the social and mythological world of blood, verbs, and ‘stories better left unsaid’ that Stark makes and un-makes. What a brilliant writer. What a lovely and strange book.” — Bhanu Kapil

“Jessica Q. Stark’s new book Savage Pageant is a book like no other. No where else can a reader find themselves so perfectly positioned among ‘sunsank and missing persons’ or among ‘misinformation and contaminated waters.’ Part poetry book, part collection of private, personal, and public histories, part summons, part rune, this book takes you head first into the other world, where all you can do is swim past your own hurts and traumas into the sunshine hole of the unreal. This book is about being human, and painfully so. It’s a book we must remember as we begin to forget ourselves. Maybe that’s this time we are in right now and maybe it is all of time. I’ll risk it all to say that we need this book for all of time, to take with us as a guide from here until the everlasting. ‘We are only here for a / short time’ the book says to us. And because it’s true, we listen.” — Dorothea Lasky