The Crossing
Impossible d'ajouter des articles
Désolé, nous ne sommes pas en mesure d'ajouter l'article car votre panier est déjà plein.
Veuillez réessayer plus tard
Veuillez réessayer plus tard
Échec de l’élimination de la liste d'envies.
Veuillez réessayer plus tard
Impossible de suivre le podcast
Impossible de ne plus suivre le podcast
Bénéficiez gratuitement de Standard pendant 30 jours
5,99 €/mois après la période d’essai. Annulation possible à tout moment
The Crossing
Lu par :
AI Voice Madison
Acheter pour 16,99 €
-
Lu par :
-
AI Voice Madison
-
De :
-
August Mae
Ce titre utilise une narration à voix virtuelle
La voix virtuelle est une narration générée par ordinateur pour les livres audio.
You cannot keep a fixed point in a living sea.
For three summers the fish have failed, and the Knot is starving. A flotilla nation of the Irish Sea, the Knot lashes its boats into one floating town and follows the herring wherever it runs. Now the herring is gone, and the Bound face the choice their whole way of life was built to refuse: hold together and cross open water to grounds beyond the old charts, or scatter to the land and cease to be a people at all.
Wren came to keep a promise. After years of searching the drowned coasts of Britain for Rhea, the engineer she loved and lost to the deep, the two women finally named a meeting: the crossings, at summer’s end. Wren sailed across an ocean to be there. She found the rendezvous cut loose and gone, Rhea sailed on with the migrating fleet days ahead, and a whole nation foundering for want of someone who can read water.
A scout can chase one sail. Or she can pilot a people. She cannot do both.
The Crossing is the third novel of The Drowned Atlas, a series set generations after the floods in the world of the Tides of Tomorrow. It is hopepunk in the tradition of Becky Chambers’s A Psalm for the Wild-Built, Emily St. John Mandel’s Station Eleven, and Lily Brooks-Dalton’s The Light Pirate: a warm, sea-deep, character-first story with no human villains, where the sea is antagonist enough and hope is a made thing. A complete story in itself, and a new chapter in the slow-burn search of two women charting a flooded ocean toward one another.
Perfect for readers who want climate fiction that chooses repair over ruin, community over collapse, and a sapphic love story told in longing, craft, and the patient work of putting a broken world back in touch with itself.
adbl_web_anon_alc_button_suppression_t1
Aucun commentaire pour le moment